Classical Guitar Tunes - Early Music Gems


Book Description

This collection presents 51 carefully selected examples of Renaissance and Baroque music ranging from lute and 5-course Baroque guitar works to solo and ensemble vocal pieces and fiddle tunes. Much of this music lies outside of the standard guitar repertoire yet is frequently played by ensembles at Renaissance and Early Music festivals. For this book, guitarist/musicologist Keith Calmes has tastefully arranged this splendid music for solo classic guitar, including an outstanding downloadable companion audio recording. Aficionados of Early Music will recognize many of the themes herein, including the hit tunes of the day by Praetorius, Sanz, Cutting, Narvaez, and the anonymous composer of “Greensleeves”. Have you ever wondered which Early Music composers inspired Joaquin Rodrigo’s concertos? Those works are in here! By contrast, many of these pieces will sound completely new, even to lifelong guitarists. Written in standard notation only with ample fingering, guitarists and audiences alike will appreciate the music in this book. Includes access to online audio.




Guitar Picking Tunes - Classical Gems


Book Description

Guitar Picking Tunes - Classical Gems contains guitar arrangements by Mel Bay, Ray Bell, Mike Christiansen, and William Bay of 36 of the most beautiful melodies ever written. Featured are composers such as J. S. Bach, Beethoven, Schubert, Schumann, Tárrega, Sor, Tchaikovsky, Vivaldi, Debussy and more. The works span the musical eras from the Renaissance through late Impressionism. All the pieces are presented in notation and tablature. Includes access to online audio.




Early Music for Beginning Guitar


Book Description

A very representative collection of music from the Renaissance and Baroque periods, skillfully adapted for solo guitar from lute and piano works. This book contains well-recognized pieces by master composers, many of which have already become essential repertoire for the classical guitar. Compiled with the performance skills of the beginner guitarist in mind, this collection also fulfills repertoire requirements of the student guitarist, as well as providing valuable exercises in sight-reading in standard notation for the more intermediate and advanced performers.




Guitar Picking Tunes - Early Music Gems


Book Description

This book contains a collection of 38 flatpicking solos over well-known compositions from the 13th through 16th centuries. Three original solos by the author are also presented in the style of lute players from this era. Written in standard notation and tablature. Includes access to online audio.




Fingerstyle Guitar Tunes - Early Music Gems


Book Description

This collection of 35 arrangements of early music from Medieval and Renaissance Europe presents familiar pieces like Greensleeves, Canarios, Wilson’s Wild and Kemp’s Jig, as well as pieces that you have probably heard but never knew their origins. Then too, the book includes pieces that reach deep into the repertoire and are new to most listeners and players. This volume contains a mix of vocal and instrumental compositions, all treated with the same melodic emphasis, using both traditional and modal harmonic accompaniment. When appropriate, the use of polyphony to create interesting harmonic structures and modal passing tones were used—a common practice in vocal music of the era. While keeping these arrangements within the language of the period, occasionally a harmonic twist was added for freshness and interest. The arrangements are in standard or dropped-D tuning and are suitable for both steel and nylon-string guitar performance. In addition, the pieces appear in standard notation and tablature so are easily accessible to the intermediate guitarist. To facilitate performance, this book includes access to online audio of every tune, expertly recorded by the author.




Guitar Picking Tunes - Sacred Songs of Early America


Book Description

A collection of thirty guitar solos for the plectrum or flatpick guitarist drawn from the early American shape-note tradition. These songs reflect the rugged faith of America’s early settlers and range from joyous, rhythmic pieces to somber, contemplative melodies. The arrangements are of medium difficulty and present a broad palate of harmonic colors. Written in standard notation and tablature. Includes access to online audio, recorded by the author.




Classical Guitar Tunes - Fun Solos to Play


Book Description

This collection of 47 favorite guitar picking tunes includes reels, jigs, waltzes, fiddle tunes and more, each arranged for classical guitar in standard notation. As these melodies lend themselves well to jamming, this collection is sure to bring any guitarist many hours of picking pleasure. Includes access to an online audio recording of the arranger performing each piece on classical guitar.




Classical Guitar Tunes - Parlor Gems


Book Description

In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book’s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving “Kathleen Mavoureen—Romanza” by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt’s “Nola,” one of the era’s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.




CLASSICAL GUITAR TUNES


Book Description




Classics for Flatpicking Guitar


Book Description

A collection of classical pieces arranged for flatpicking guitar, together with a few modern flatpicking originals in the classical style by William Bay. Includes works byJ.S. Bach, Dowland, Handel, Krieger, Mouret, Playford, Praetorius, Quantz, Rameau, Sanz, and St. Jacome, as well as music by a couple of anonymous Renaissance lutenists-21 pieces in all. All selections appear in standard notation and tablature with fingering and suggested guitar chords when appropriate. The online recording includes all of the selections in the book