Classical Symphony, Op. 25, in Full Score


Book Description

Prokofiev's first symphony, which he mischievously dubbed "Classical," is a sprightly piece based on the symphonic models of Haydn. This is his most frequently performed symphonic work.




Symphony No.1, Op.25 'Classical'


Book Description

Prokofiev started work on his first numbered symphony in the later half of 1916, composing the bulk of it while on a country holiday to escape the street fighting in Petrograd during the February revolution, finally completing the work on September 10, 1917. Inspired by his encounter in conducting class with the works of Haydn and Mozart, the symphony features clear and light orchestration Mozart in particular would have appreciated. The premiere took place in Petrograd on April 18, 1918 with the composer conducting the newly formed State Orchestra, formerly the Court Orchestra of the Tsar. Editor Clinton F. Nieweg used all available sources in preparation of this outstanding edition of this landmark 20th century work. With a new clear engraving, the young Prokofiev's mastery of orchestral writing is readily apparent. First issued by the now-defunct publisher Kalmus in 2010, Serenissima is most pleased to offer this outstanding edition in study score format, along with the full score and orchestral parts. Serenissima is proud to serve as the only authorized publisher for Mr. Nieweg's outstanding editions.




Classical symphony


Book Description




Classical symphony


Book Description

Prokofiev's first symphony, which he mischievously dubbed "Classical," is a sprightly piece based on the symphonic models of Haydn. "I thought that if Haydn were alive today he would compose just as he did before, but at the same time would include something new in his manner of composition," Prokofiev remarked. "I wanted to compose such a symphony: a symphony in the classical style." The composer's synthesis of twentieth harmonies and timbres with eighteenth-century structure and form has captivated audiences since its premiere in 1918. This is Prokofiev's most frequently performed symphonic work, and this edition is meticulously reproduced from an authoritative early source.







Selected Letters of Sergei Prokofiev


Book Description

This volume collects for the first time in English the most representative and enlightening of Prokofiev's letters, including some previously suppressed missives that have never before been published. Expertly translated and annotated by Harlow Robinson, the correspondence presented here covers Prokofiev's earliest years at St. Petersburg Conservatory, his extensive worldwide travels, and his return to Moscow. Among the correspondents are childhood friend Vera Alpers, harpist Eleonora Damskaya, ballet impresario Sergei Diaghilev, theatrical director Vsevolod Meyerhold, Soviet critic Boris Asafiev, composers Vernon Duke and Nikolai Miaskovsky, soprano Nina Koshetz, musicologist Nicolas Slonimsky, violinist Jascha Heifetz, conductor Serge Koussevitsky, and film director Sergei Eisenstein. Prokofiev vividly describes, often with dramatic flair and a quirky sense of humor, concerts, performances, his compositions, political events, and meetings with other musicians and composers. His observations are peppered with musical gossip as well as eccentric, original, and disarmingly apolitical insights.




Catalog of Copyright Entries


Book Description




IB Music Revision Guide


Book Description

The ‘IB Music Revision Guide’ includes analyses of all the prescribed works of the International Baccalaureate Diploma Programme music course through 2016. It also includes a comprehensive overview of all the musical styles and cultures that are examined during the course, practice questions and answers that allow students to check their knowledge, as well as a glossary to help ensure key terms are understood. There are also revision tips and advice on exam technique that will help students prepare for the IB listening exam with confidence. Suitable for Standard and Higher Level.




L'enfance du Christ, Op 25. in Full Score


Book Description

Unlike much of Berlioz' music, this meditation on the childhood of Christ is restrained, lyrical, and delicate. The three-part work is scored for seven solo voices, chorus, and orchestra, combining dramatic action and theatricality with philosophical reflection and moments of serene contemplation. The singing text appears in French and German.




A London symphony


Book Description

Composed 1912-1913; first revised before 1918. Published in 1920. Dedicated to George Butterworth. This Dover edition is available again after being out of print for some time.