Clearing in the Sky & Other Stories


Book Description

Here are twenty-one tales from Kentucky's inimitable and beloved storyteller, Jesse Stuart. Full of high, rambunctious humor, quick-paced as a mountain square dance, bright as a maple tree against an October hill -- these stories are Stuart in his best form -- the form that has made him one of the most widely read authors in America. Read here about the man who coveted a steam shovel and stole it piece by piece, or about the celebrated eating contest between Sam Whiteapple and the game rooster, or about the hill farmer who wanted to clear and farm one last spot of new ground before he died. Although he has a sharp eye for human foibles and infirmities, Stuart never fails to write of his people with affection or to see that justice is done them. Originally published in 1950, Clearing in the Sky was inadvertently declared out of print after three years and never reprinted. Now for Jesse Stuart's many readers it is once more available with an appreciative foreword by Ruel Foster.




Clearing in the Sky and Other Stories


Book Description

Sketches of the lives of southern mountaineers.




Thunder Road and Other Stories


Book Description

From Thunder Road: I don’t know why we stared at that dead pterodactyl chick so long—there wasn’t anything particularly striking or even gross about it; there were no flies, for example, no maggots—just a couple of butterflies, one white and the other burnt orange, which matched the fading sunlight. Maybe it was our nonstop ride all the way from Biggs Junction near the Washington border to Multnomah Falls, which was closer to Portland (I mean, it’s a lot of work, peddling a BMX bicycle some 70-plus miles, even across level terrain). Or maybe it was how paper-thin the creature’s exsanguinous, oyster-white skin was, how almost translucent, or the way its little talons weren’t really talons at all but little hands, like a baby’s hands. All I remember for certain is how contemplative everyone seemed to get while looking down at it—how funereal; even elegiac—like we were saying goodbye to one of our own. All I remember for certain is something akin to holding vigil for a fellow traveler; which, in a very real sense, we were. “For him, the war is over,” I whispered—although I doubt anyone heard me over the crash and roar of the falls. “I wonder where Mom is …” “Not here, that’s for sure,” said Quint. “There are no nests.” I followed his gaze into the treetops and beyond, to the waterfall itself, which dashed and cascaded down the cliffs. “Weird. I mean—where the hell could it have come from?” “Maybe it came from up there,” said Jesse. “From the very top. There’s—there’s a platform up there, a wooden observation deck. We came here on a field trip once and hiked up to it. Be a good place to build a nest—real stable. And defensible.” I looked from one end of the concrete bridge—“Benson Bridge,” the sign had called it—which was closed off with cyclone fencing, to the other. “Speaking of which, this bridge looks pretty defensible—don’t you think?” I peered off the way we had come. “Only one side to protect; we can take turns standing watch … I mean, it may not be the Ritz but—what do you say?” We looked around and then at each other. “Hell, I’m in,” said Quint. “We can even build a fire and maybe eat something—something hot, I mean. It’ll be just like—it’ll be just like Camp Courage!” I couldn’t help but to notice he’d stopped short of saying “home,” and a quick glance at Jesse confirmed he’d noticed it too; although whether he’d done so because his own home life had sucked or because he’d understood—in that moment—that, because of the Flashback, we’d never see home again, I don’t know. “Sure, why not,” said Jesse. “We can heat up that beef stew, the one we were saving for Portland. We’re close enough.” He shrugged off his pack and spear and laid down his bike. “And besides, it’ll lighten my load.” He dug out the can of Dinty Moore stew and paused, looking at it. “Seems … almost wasteful, though … doesn’t it? I mean … you’d like to think, you’d like to think nothing was born … just to lay there and rot, you know?” We all turned to look at the bird. “Yeah,” said Quint. “I mean, it’s like God laid it out there just for us, and here we are wanting to eat something from a can.” I got off my bike and reached for my pocketknife—touched its smooth, imitation-wood handle. “We’re going to have to learn how to hunt eventually, I suppose. I mean—” “I already know how to hunt,” said Quint. “And to clean and dress a—” “I know how to do that, too.” He held out his hand for my knife—which I gave over to him: slowly, reluctantly. “And since both you pussies missed man-school; I guess I’ll be the one to have to show you.” Jesse looked at me and then back to Quint. “Let me guess. Because—attributes.” “Because—attributes,” said Quint, and got off his bike.




Short Story Index


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Sparkman in the Sky & Other Stories


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Selected by Barry Hannah as the 1996 winner of the Mary McCarthy Prize in Short Fiction.




Blue Light in the Sky & Other Stories


Book Description

These are the scenarios of just some of the stories in this generous new collection by Can Xue. Although rooted in the folk traditions of Chinese literature and the real conflicts of contemporary Chinese life, Can Xue's stories exist in a separate space and time where dreams and reality coalesce: tenderness quickly turns to violence, strange diseases are caught, and quaint landscapes become phantasmagorical.




A Dream of Horses & Other Stories


Book Description

The stories in this collection draw variously on the themes of love and loss, Taoist metaphors, socio-political concerns, and the writer's place and role in the world. Literary and complex yet accessible and fast-paced, each story differs widely in style, motivation, philosophy, and denouement from all the others. The collection encompasses topographies and places from China to France, and Ireland to India. ,




Short Story Index


Book Description




Thrifty Stock, and Other Stories


Book Description

The first seven stories in this book have either locale or characters in common. The village called Fraternity is an actual one; and the surrounding countryside has a beauty which grows with long acquaintance. It is perhaps unnecessary to say that the characters are—with one exception—fictitious. The exception is Mr. A. L. McCorrison, better known as Bert McCorrison, who introduced the author to the trout brooks and the woodcock covers thereabouts. He appears in some of the stories, under the name of Chet McAusland. The third story in the book, "Old Tantrybogus," is—so far as the dog is concerned—a true story. The last two stories in the Fraternity group, "Jeshurun Waxed Fat" and "Epitome," together with the succeeding seven, are each less than four thousand words in length. These stories represent successive attempts to combine brevity with other and more elusive attributes.




The Call of Cthulhu and Other Stories


Book Description

Howard Lovecraft was an American writer who achieved posthumous fame through his influential works of horror fiction. Despite the fact that he was virtually unknown before he died, today he is known as the most influential author in his genre. “The Call of Cthulhu and Other Stories” is a collection of wonderful short stories such as “Dagon,” “The Nameless City” and “The Call of Cthulhu.” These stories, full of mystery and fantastic creatures, have captured the minds of readers all over the world.