Close Encounters of A Cultural Kind


Book Description

Richard Lewis - world famous lecturer on intercultural issues and best-selling author of WHEN CULTURES COLLIDE - has collected 50 unique, critical cross-cultural incidents during his encounters in 135 countries around the globe. Some of these anecdotes are humorous, some are poignant, some are mysterious - all are insightful snapshots of the complex tapestry of cross-cultural business. If you're dining with a Finn, negotiating with the Japanese or attempting to climb a mountain with a team of diffident Italians, you need this book.




Close Encounters of Empire


Book Description

Essays that suggest new ways of understanding the role that US actors and agencies have played in Latin America." - publisher.




Close Encounters of the Third Kind


Book Description

Celebrate the fortieth anniversary of Steven Spielberg’s sci-fi classic Close Encounters of the Third Kind with this fully authorized behind-the-scenes book exploring the creation, production, and legacy of this iconic film. Created in conjunction with Sony Pictures and Amblin Entertainment, Close Encounters of the Third Kind: The Visual History details the complete creative journey behind the making of the film and examines its cultural impact. Featuring rare and never-before-seen imagery from the archives, the book brings together a stunning collection of on-set photography, concept art, storyboards, and more to create a visual narrative of the film’s journey to the big screen. It also features a wealth of insightful commentary from every key player involved in the film, from the acclaimed director himself to the film’s stars and the key department heads who brought Spielberg’s vision to life. Special inserts and interactive elements include script pages, call lists, concept sketches, and more. Comprehensive, compelling, and filled with unseen treasures, Close Encounters of the Third Kind: The Ultimate Visual History is a fitting tribute to one of history’s most iconic films.




Close Encounters of the Third Kind


Book Description

For many, Close Encounters of the Third Kind (CE3K) is not so much a movie as a religious experience. On its release in 1977, CE3K virtually redefined the science fiction film, shifting it away from spaceships, laser guns, and bug-eyed monsters into a modified form of science fiction that John Wyndham once called ‘logical fantasy’. What would it be like if extra-terrestrials made contact with people on Earth? How would it feel? Like 2001: A Space Odyssey (1968), Steven Spielberg’s primary inspiration, CE3K is concerned with mankind’s evolution towards the stars, towards a state of transcendence. But Spielberg’s vision hinges not so much on cool scientific intellect being the key to our next stage of evolution, as on the necessary development of emotional intelligence. To that end, we must regain our childlike curiosity for what lies beyond the skies, we must recover our capacity to experience wonder. Intensity of emotion is inherent to the film’s meaning, and the aim of this book is to explore this in detail. Along the way it delves into the film’s production history, explores Spielberg’s remarkable cinematic realisation of the film (including a comparison study of the three different release versions), and considers in detail how CE3K fits into the Spielberg oeuvre.




Close Encounters of the ADHD Kind


Book Description

The reader is brought on a timeless journey together with a girl without a name - through the barren landscape of Siberia on a train, destination unknown. Exposed to situations that urge her to gradually come out of her existence as an automaton, the girl is forced to make some critical decisions even if they appear frightening and at times alien. An enigmatic fiddler at the train station, a criminal Icelandic entrepreneur and a young Philosopher in the woods - together with what turns out to be a rather mysterious meeting on the Siberian tundra, are only meetings along the girl's way to exploring herself. A series of events leads her back to the Central station where she once began her journey. As she returns she is ready to reunite with her deepest fears. In this intriguing debut, the author energetically builds a bridge between dream and reality, individual and universal perception, in a beautifully naked and rare language which combines expressive dialogue with poetry that remind us of Japanese literature and Nordic playwrights.




Close Encounters of the Invasive Kind


Book Description

Before the breakthrough of postcolonial studies, British science-fiction authors already saw the opportunity to discuss political and ethical issues of imperialism by projecting human history and behavior onto the alien 'Other.' In this thesis, the case studies of 15 novels of alien-encounter science fiction illuminate the treatment of colonial and postcolonial concepts - such as colonialism, neo-colonialism, Empire, paternalism, hybridity, mimicry and science and technology - as a means of conquest and resistance. The analysis also shows that the Empire is still a vital background for British science fiction. Thesis. (Series: Anglistik / Amerikanistik; English / American Studies - Vol. 35)




Close Encounters


Book Description

A collection of essays addresses the ways in which sexual roles are depicted in science fiction films and includes the complete text of Peter Wollen's film script for "Friendship's Death"




Close Encounters of the Third Kind


Book Description

(Applause Books). "Morton has written the definitive book on this innovative movie by Steven Spielberg...Meticulous research of this caliber is not found in other books on Close Encounters . Fans will find Morton's take informative and fascinating." Library Journal . Steven Spielberg's 1977 masterpiece used all of the power and magic of cinema to tell a story of man's first meeting with extraterrestrial beings. Renouncing the fear and pessimism of the day, writer/director Spielberg boldly envisioned this as a peaceful, spiritual event full of hope and possibility. This awe-inspiring message made a powerful impact on audiences desperate for something to believe in. The film was a massive box-office hit and revolutionized the movie industry; along with Star Wars , it helped to create the modern blockbuster and ushered in a new era of hi-tech effects. Based on in-depth research and the recollections of many of the film's principal creators, Close Encounters is the first book to chronicle the making of this classic film from its inception through its tumultuous production to its many releases in "special" editions. The book features new interviews with star Teri Garr, producer Michael Phillips, photographic effects supervisor Douglas Trumbull, production designer Joe Alves, and several cinematographers, screenwriters, and special-effects legends. John Hill, Jerry Belson, Hal Barwood, and Matthew Robbins; and special effects legends Richard Yuricich, Robert Swarthe, Dennis Muren, Scott Squires, Greg Jein, and Rocco Gioffre.




Classroom Interactions as Cross-Cultural Encounters


Book Description

Classroom Interactions as Cross-Cultural Encounters is about native English speakers teaching English as a global language in non-English speaking countries. Through analysis of naturally occurring dialogic encounters, the authors examine the multifaceted ways in which teachers and students utilize diverse communicative resources to construct, display, and negotiate their identities as teachers, learners, and language users, with different pedagogic, institutional, social, and political implications. A range of issues in applied linguistics is addressed, including linguistic imperialism, post-colonial theories, micropolitics of classroom interaction, language and identity, and bilingual classroom practices. Intended to help TESOL professionals of different cultural backgrounds, working in different sociocultural contexts, to critically understand how non-assimilationist, dialogic intercultultural communication with students can be achieved and built on for mutual cultural and linguistic enrichment and empowerment, this book: *emphasizes the sociocultural meanings and micropolitics of classroom interactions that reveal the complex realities of power and identity negotiations in cross-cultural interactions in ELT (English Language Teaching) classroom contexts; *revisits and reconstitutes the notion of native-speakerness and repositions the roles of native and non-native English teachers in the TESOL profession in the contexts of decolonization and globalization; *highlights the need to mobilize intercultural communicative resources for global communication; *addresses two major concerns of EFL (English as a Foreign Language) classroom researchers and teachers: student resistance and learning motivation; and *examines and analyzes the changing ideologies (both explicit and implicit) of teachers and students about English learning in the context of a post-colonial society, and how these ideologies are being enacted, reproduced, but also sometimes contested in EFL classroom interactions. Each chapter includes Questions for Reflection and Discussion to promote critical thinking and understanding of the issues discussed. Tuning-In discussion questions are provided in the three chapters on classroom data analysis to activate readers interpretive schemas before they examine the actual classroom episodes. The data are from an ethnographic study in post-colonial Hong Kong secondary schools involving four native English-speaker teachers and two bilingual Cantonese-English speaking teachers engaged in intercultural classroom dialogues with their Cantonese Hong Kong students. The rich, naturally occurring classroom data and in-depth analyses provide useful pedagogical materials for courses in EFL teacher education programs on classroom discourse analysis from sociocultural perspectives.




Religion and Cultural Studies


Book Description

Americans have never been more religious than they are now, at the dawn of the twenty-first century. By all reports, attendance rates at traditional places of worship are high and rising; the influx of new immigrant religions has revitalized standard faiths and drawn in those who had strayed from them. Popular television shows like "The Simpsons" feature characters who go to church every Sunday and speak to God; special events, like the 1998 outdoor mass in Worcester, Massachusetts, for a comatose girl believed to have miraculous powers, attract thousands of people. This collection is both part of this ferment and an intellectual reflection upon it. Religion and Cultural Studies features essays by major scholars from the fields of anthropology, history, literary criticism, and religion in order to enrich critical discourse about religion and culture. Despite the variety of disciplines represented by this group of scholars and the variety of cultures explored in their essays--from fifteenth-century Flemish asceticism and nineteenth-century African-American spiritualism to Russian blood-libel trials and Alien Abduction Reports in the twentieth century--their common ground is the question of religion's place in current American academic analysis, and more broadly in American life today. The volume's range of vocabulary and subject matter is aimed at vitalizing scholarly interest in the field of religion and cultural studies and deepening intellectual inquiry in the contemporary academy. The contributors are Eytan Bercovitch, Karen McCarthy Brown, Gillian Feeley-Harnik, Richard Wightman Fox, Jenny Franchot, Giles Gunn, Geoffrey Galt Harpham, Bruce B. Lawrence, Jack Miles, Susan L. Mizruchi, and Jonathan Z. Smith.