Cockney Reject


Book Description

Jeff Turner was raised in Custom House in the East End of London, with seven siblings to share a three-bedroom council house. When the Sex Pistols' God Save the Queen hit, his brother Mickey picked up a guitar and Jeff picked up a microphone, and together they stormed the music scene as The Cockney Rejects. The Rejects stood for being young, working class, and not taking anything from anyone, resulting in aggression and violence being the main staple at their shows. However, the madness couldn't last forever, and as chaos at the gigs spiraled out of control, so did the band. Jeff was left dazed and penniless, and here tells his story.







Hard-Core


Book Description

As a homeless child prodigy, Harley Flanagan played drums for bands at Max’s Kansas City and CBGBs, and was taught to play bass by the famed black band Bad Brains, and drank with the notorious Lemmy of Motörhead. Most famously, Harley became a member of the famous hardcore band The Cro-Mags, and disputes accusations of stabbing two band members.




Oh Yes, Oh Yes, We are the PPS - Full-on True Stories of Preston North End's Most Fanatical Followers


Book Description

Over the years, the mobs of Preston North End have fronted up to infamous football firms such as the Chelsea Headhunters, the Birmingham City Zulus and the Leeds Service Crew, to name just a few. Although the Preston lads were often lacking in big numbers, they were always prepared to stand their ground and have a go, knowing that it was quality, not quantity that would count when standing toe to toe with their rivals. In this brutally honest book, staunch PNE fan Bill Routledge recalls the days when the dawn of Saturdays signalled a rush of adrenalin and a wave of anticipation; a time for the lads to put aside the worries of the working week and experience the buzz of mayhem on the terraces. He describes a time when music and fashion were vital to the identity of the firms, as well as examining the history of violence at Preston North End, the roots of the different factions and how they got their names. Together with other faces from the PNE firms, he details hair-raising tales of violent clashes with other mobs, as well as the fans' misdemeanours on foreign soil. This fascinating insight into life on the frontline is as shocking as it is exciting - but it's not short of laughs either. It is a truthful account of the highs and lows of being a devoted, passionate football fan waiting for glory.




"Cockney Reject: Fußball, Oi! und Krawalle"


Book Description

Weitere Angaben Verfasser: JEFF TURNER, geboren und aufgewachsen in Custom House im East End von London, gründete The Cockney Rejects gemeinsam mit seinem Bruder Mickey, nachdem ihnen die Sex Pistols ein einschneidendes Hörerlebnis bereitet hatten. Die Band stieß unmittelbar auf große Akzeptanz und unterschrieb nach nur vier Auftritten einen Plattenvertrag bei EMI. Sie gilt als Urheber des Oi!-Genres, einem Ableger des Punk. Jeff lebt heute mit seiner Freundin Karon in Battle in Sussex. The Cockney Rejects geben nach wie vor Konzerte in ganz Europa, doch heute kommt es dort nicht mehr zu Ausschreitungen. Jeff besucht seine Mutter regelmäßig in Custom House, hält sich im The Peacock fit und besucht die Spiele von West Ham. GARRY BUSHELL ist vor allem durch seine Fernsehkolumne >Bushell On The Box bekannt. Davor war er Rockjournalist beim wöchentlich erscheinenden Magazin Sounds. Bushell ist außerdem Autor der Kriminalromane The Face und Two-Faced, der Iron-Maiden-Biographie Running Free sowie von Dance Craze: The 2-Tone Story. Auf DVD ist kürzlich The Best Of Gary Bushell On The Box







Sporting Sounds


Book Description

Music and sport are both highly significant cultural forms, yet the substantial and longstanding connections between the two have largely been overlooked. Sporting Sounds addresses this oversight in an intriguing and innovative collection of essays. With contributions from leading international psychologists, sociologists, historians, musicologists and specialists in sports and cultural studies, the book illuminates our understanding of the vital part music has played in the performance, reception and commodification of sport. It explores a fascinating range of topics and case studies, including: The use of music to enhance sporting performance Professional applications of music in sport Sporting anthems as historical commemorations Music at the Olympics Supporter rock music in Swedish sport Caribbean cricket and calypso music From local fan cultures to international mega-events, music and sport are inextricably entwined. Sporting Sounds is a stimulating and illuminating read for anybody with an interest in either of these cultural forms.




Fight back


Book Description

Fight back examines the different ways punk – as a youth/subculture – may provide space for political expression and action. Bringing together scholars from a range of academic disciplines (history, sociology, cultural studies, politics, English, music), it showcases innovative research into the diverse ways in which punk may be used and interpreted. The essays are concerned with three main themes: identity, locality and communication. These, in turn, cover subjects relating to questions of class, age and gender; the relationship between punk, locality and socio-political context; and the ways in which punk’s meaning has been expressed from within the subculture and reflected by the media. Jon Savage, the foremost commentator and curator of punk’s cultural legacy, provides an afterword on punk’s impact and dissemination from the 1970s to the present day.




Perspectives on German Popular Music


Book Description

In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.




No Future


Book Description

'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent.