Comic Books and the Cold War, 1946-1962


Book Description

Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.




Towards a New Cold War


Book Description

This is Noam Chomsky's description of the evolution of American foreign policy and ideology between the early 1970s and Ronald Reagan's first term. He dissects assumptions about US commitment to human rights during the Carter administration, its relation to the Middle East, especialy Israel and the Palestinians, as well as the ways the public intelligensia dealt with information on these topics that was to the contrary of official policy.




The Devil We Knew


Book Description

In the late 1950s, Washington was driven by its fear of communist subversion: it saw the hand of Kremlin behind developments at home and across the globe. The FBI was obsessed with the threat posed by American communist party--yet party membership had sunk so low, writes H.W. Brands, that it could have fit "inside a high-school gymnasium," and it was so heavily infiltrated that J. Edgar Hoover actually contemplated using his informers as a voting bloc to take over the party. Abroad, the preoccupation with communism drove the White House to help overthrow democratically elected governments in Guatemala and Iran, and replace them with dictatorships. But by then the Cold War had long since blinded Americans to the ironies of their battle against communism. In The Devil We Knew, Brands provides a witty, perceptive history of the American experience of the Cold War, from Truman's creation of the CIA to Ronald Reagan's creation of SDI. Brands has written a number of highly regarded works on America in the twentieth century; here he puts his experience to work in a volume of impeccable scholarship and exceptional verve. He turns a critical eye to the strategic conceptions (and misconceptions) that led a once-isolationist nation to pursue the war against communism to the most remote places on Earth. By the time Eisenhower left office, the United States was fighting communism by backing dictators from Iran to South Vietnam, from Latin America to the Middle East--while engaging in covert operations the world over. Brands offers no apologies for communist behavior, but he deftly illustrates the strained thinking that led Washington to commit gravely disproportionate resources (including tens of thousands of lives in Korea and Vietnam) to questionable causes. He keenly analyzes the changing policies of each administration, from Nixon's juggling (SALT talks with Moscow, new relations with Ccmmunist China, and bombing North Vietnam) to Carter's confusion to Reagan's laserrattling. Equally important is his incisive, often amusing look at how the anti-Soviet struggle was exploited by politicians, industrialists, and government agencies. He weaves in deft sketches of figures like Barry Goldwater and Henry Jackson (who won a Senate seat with the promise, "Many plants will be converting from peace time to all-out defense production"). We see John F. Kennedy deliver an eloquent speech in 1957 defending the rising forces of nationalism in Algeria and Vietnam; we also see him in the White House a few years later, ordering a massive increase in America's troop commitment to Saigon. The book ranges through the economics and psychology of the Cold War, demonstrating how the confrontation created its own constituencies in private industry and public life. In the end, Americans claimed victory in the Cold War, but Brands's account gives us reason to tone down the celebrations. "Most perversely," he writes, "the call to arms against communism caused American leaders to subvert the principles that constituted their country's best argument against communism." This far-reaching history makes clear that the Cold War was simultaneously far more, and far less, than we ever imagined at the time.




The Form of Ideology and the Ideology of Form


Book Description

This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.




Dear Bess


Book Description

This correspondence, which encompasses Truman's courtship of his wife, his service in the senate, his presidency, and after, reveals not only the character of Truman's mind but also a shrewd observer's view of American politics.




Cold War II


Book Description

Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.




Cold War Literature


Book Description

The Cold War was the longest conflict in a century defined by the scale and brutality of its conflicts. In the battle between the democratic West and the communist East there was barely a year in which the West was not organising, fighting or financing some foreign war. It was an engagement that resulted – in Korea, Guatemala, Nicaragua and elsewhere – in some twenty million dead. This collection of essays analyses the literary response to the coups, insurgencies and invasions that took place around the globe, and explores the various thematic and stylistic trends that Cold War hostilities engendered in world writing. Drawing together scholars of various cultural backgrounds, the volume focuses upon such themes as representation, nationalism, political resistance, globalisation and ideological scepticism. Eschewing the typical focus in Cold War scholarship on Western authors and genres, there is an emphasis on the literary voices that emerged from what are often considered the ‘peripheral’ regions of Cold War geo-politics. Ranging in focus from American postmodernism to Vietnamese poetry, from Cuban autobiography to Maoist theatre, and from African fiction to Soviet propaganda, this book will be of real interest to all those working in twentieth-century literary studies, cultural studies, history and politics.




On Every Front


Book Description

How and why did the Cold War begin? How and why did it end? What will its end mean for international relations? Opening his new book with the drama of people struggling to survive in rubble-strewn countries after the Second World War, Thomas G. Paterson follows the long Cold War crisis though to the dismantling of the Berlin Wall and the disintegration of the Soviet Union. He examines features of the international system that guaranteed conflict: the great-power quest for order by building spheres of influence; the power, ideology, and strategic-economic needs of the United States and the Soviet Union that compelled activist, global foreign policies; and the personalities of key figures, from Truman to Bush, Stalin to Gorbachev and Yeltsin. In his exploration of the end of the Cold War, the author concludes that the two superpowers sought detente because they had been weakened by the economic costs of the Cold War, challenges from allies, and the diffusion of power in the international system after the rise of the Third World. As historical story and analysis, On Every Front provides a telling account of an era - of the making and unmaking of the Cold War.




Understanding and Teaching the Cold War


Book Description

Experienced teachers share innovative, classroom-tested content, methods, and resources for presenting the Cold War in college and high school classes.




Debating the Origins of the Cold War


Book Description

Debating the Origins of the Cold War examines the coming of the Cold War through Americans' and Russians' contrasting perspectives and actions. In two engaging essays, the authors demonstrate that a huge gap existed between the democratic, capitalist, and global vision of the post-World War II peace that most Americans believed in and the dictatorial, xenophobic, and regional approach that characterized Soviet policies. The authors argue that repeated failures to find mutually acceptable solutions to concrete problems led to the rapid development of the Cold War, and they conclude that, given the respective concerns and perspectives of the time, both superpowers were largely justified in their courses of action. Supplemented by primary sources, including documents detailing Soviet espionage in the United States during the 1930s and 1940s and correspondence between Premier Josef Stalin and Foreign Minister V. M. Molotov during postwar meetings, this is the first book to give equal attention to the U.S. and Soviet policies and perspectives.