Collected Black Women's Poetry: Volume 4


Book Description

These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.




Collected Black Women's Poetry: Volume 2


Book Description

These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.




Collected Black Women's Poetry:


Book Description

These volumes present the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 contains work by Mary E. Tucker Lambert and the notorious Adah Isaacs Menken. The other three volumes contain works by nine other poets. Surprisingly, only one of them (Lizelia Moorer) protests at the treatment of her race during this period of social upheaval and injustice. The other poets treat the traditional themes - love, nature, death, Christian idealism and morality, family - in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that until now have gone largely unheard.




Collected Black Women's Poetry: Volume 3


Book Description

These volumes present the works of eleven poets writing in the 19th and early 20th centuries. Volume 1 contains work by Mary E. Tucker Lambert and the notorious Adah Isaacs Menken. The other three volumes contain works by nine other poets. Surprisingly, only one of them (Lizelia Moorer) protests at the treatment of her race during this period of social upheaval and injustice. The other poets treat the traditional themes - love, nature, death, Christian idealism and morality, family - in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that until now have gone largely unheard.




The 100 Best African American Poems


Book Description

Discover the voices of a culture from legendary New York Timesbestselling author Nikki Giovanni HEAR: Langston Hughes Gwendolyn Brooks Countee Cullen Paul Laurence Dunbar Robert Hayden Etheridge Knight READ: Rita Dove Sonia Sanchez Richard Wright Tupac Shukar Lucille Clifton Mari Evans Kevin Young Including one audio CD featuring many of the poems read by the poets themselves, 100 Best African-American Poems is at once strikingly original and a perfect fit for the original poetry anthologies from Sourcebooks, including Poetry Speaks, The Spoken Word Revolution, Poetry Speaks to Children, and the Nikki Giovanni-edited Hip Hop Speaks to Children. Award-winning poet and writer Nikki Giovanni takes on the difficult task of selecting the 100 best African-American works from classic and contemporary poets. This startlingly vibrant collection spans from historic to modern, from structured to free-form, and reflects the rich roots and visionary future of African-American verse in American culture. The resulting selections prove to be an exciting mix of most-loved chestnuts and daring new writing. Most of all, the voice of a culture comes through in this collection, one that is as talented, diverse, and varied as its people.




A Book of Women Poets from Antiquity to Now


Book Description

A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.




Black Nature


Book Description

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.




The Collected Poetry of Paul Laurence Dunbar


Book Description

Presents the 1913 edition of African-American writer Paul Dunbar's collected poems and adds sixty poems to it, also providing variants, selected primary and secondary bibliographies, and an index of first lines.




Before Harlem


Book Description

Despite important recovery and authentication efforts during the last twenty-five years, the vast majority of nineteenth-century African American writers and their work remain unknown to today’s readers. Moreover, the most widely used anthologies of black writing have established a canon based largely on current interests and priorities. Seeking to establish a broader perspective, this collection brings together a wealth of autobiographical writings, fiction, poetry, speeches, sermons, essays, and journalism that better portrays the intellectual and cultural debates, social and political struggles, and community publications and institutions that nurtured black writers from the early 1800s to the eve of the Harlem Renaissance. As editor Ajuan Mance notes, previous collections have focused mainly on writing that found a significant audience among white readers. Consequently, authors whose work appeared in African American–owned publications for a primarily black audience—such as Solomon G. Brown, Henrietta Cordelia Ray, and T. Thomas Fortune—have faded from memory. Even figures as celebrated as Frederick Douglass and Paul Laurence Dunbar are today much better known for their “cross-racial” writings than for the larger bodies of work they produced for a mostly African American readership. There has also been a tendency in modern canon making, especially in the genre of autobiography, to stress antebellum writing rather than writings produced after the Civil War and Reconstruction. Similarly, religious writings—despite the centrality of the church in the everyday lives of black readers and the interconnectedness of black spiritual and intellectual life—have not received the emphasis they deserve. Filling those critical gaps with a selection of 143 works by 65 writers, Before Harlem presents as never before an in-depth picture of the literary, aesthetic, and intellectual landscape of nineteenth-century African America and will be a valuable resource for a new generation of readers. Ajuan Maria Mance is a professor of English at Mills College in Oakland, California. She is the author of Inventing Black Women: African American Poets and Self-Representation, which was named a Choice Outstanding Academic Title. Her articles have appeared in the Journal of African American Studies, Callaloo, and several edited collections.




A Companion to British Literature, Volume 4


Book Description

A Companion to British Literature, Victorian and Twentieth-Century Literature, 1837 - 2000