Complete Poems


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At last in print, the complete poems of the great Northumbrian poet--admired by Pound, Yeats, and Zukofsky--containing his masterwork Briggflatts.




Collected poems


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Basil Bunting on Poetry


Book Description

"All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own."—Basil Bunting A close poetic ally of Ezra Pound and Louis Zukofsky, the British poet Basil Bunting is best known for his use of specific musical form in poetry. Several of his works, including his long poem Briggflatts, are in the form of the sonata. Although his language is plain, unvarnished English, his influences and models extend to Classical, Persian, and Japanese verse. Basil Bunting on Poetry collects two series of lectures that Bunting delivered in 1968 and 1974. Tracing the development of an English poetry governed by families of stress-groups from Beowulf down to Wyatt, Wordsworth, Whitman, Pound, and Zukofsky, the lectures focus on writing and hearing poetry rather than on literary-historical concerns. Throughout, editor Peter Makin expands upon and annotates the lectures with additional comments drawn from Bunting's writings.




Bunting's Persia


Book Description

Edited by Don Share, this slim anthology collects Basil Bunting's translations from Persian poetry by Rudaki, Ferdowsi, Manuchehri, Sa'di, Hafiz, and Obaid-e Zakani, including some that are previously unpublished. Bunting, who is widely regarded as one of the most important British poets of the twentieth century, proved unusual in his deep and abiding interest in Middle Eastern culture. Here, he renders poetry of remarkable tonal and emotional range in characteristically clear and resolute language.




Robert Duncan


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This volume of the collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including 'Letters: Poems 1953-1956'.




The Sound Sense of Poetry


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Robinson explains how poetry makes things happen through the interaction of its chosen words and forms with the reader's responses.




The Forms of Youth


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"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.




Radical Vernacular


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When Lorine Niedecker died in 1970, the British poet and critic Basil Bunting eulogized her warmly. “In England,” he wrote, “she was, in the estimation of many, the most interesting woman poet America has yet produced.” Aesthetically linked with the New York Objectivist poets, Niedecker remained committed to her community in rural Wisconsin despite the grinding poverty that dogged her throughout her life. Largely self-taught, Niedecker formed attachments through her voracious reading and correspondence, but she also delighted in the disruptive richness of vernacular usage and in the homegrown, improvisational aesthetics that thrived within her immediate world. Niedecker wrote from a highly attenuated concern with biological, cultural, and political sustainability and, in her stridently modernist poems, anticipated many of the most urgent concerns in twenty-first-century poetics. In Radical Vernacular, Elizabeth Willis collects essays by leading poets and scholars that make a major contribution to the study of an important but long overlooked American poet. This pathbreaking volume contains essays by seventeen leading scholars: Rae Armantrout, Glenna Breslin, Michael Davidson, Rachel Blau DuPlessis, Ruth Jennison, Peter Middleton, Jenny Penberthy, Mary Pinard, Patrick Pritchett, Peter Quartermain, Lisa Robertson, Elizabeth Robinson, Eleni Sikelianos, Jonathan Skinner, Anne Waldman, Eliot Weinberger, and Elizabeth Willis.




Lorine Niedecker


Book Description

Lorine Niedecker (1903–70) was a poet of extraordinary talent whose life and work were long enveloped in obscurity. After her death in 1970, poet Basil Bunting wrote that she was “the most interesting woman poet America has yet produced . . . only beginning to be appreciated when she died.” Her poverty and arduous family life, the isolated home in Wisconsin that provided rich imagery for her work, and her unusual acquaintances have all contributed to Niedecker’s enigmatic reputation. Margot Peters brings Lorine Niedecker’s life out of the shadows in this first full biography of the poet. She depicts Niedecker’s watery world on Blackhawk Island (near Fort Atkinson, Wisconsin), where she was born and spent most of her life. A brief college career cut short by family obligations and an equally brief marriage were followed in 1931 by the start of a life-changing correspondence and complicated thirty-five-year friendship with modernist poet Louis Zukofsky, who connected Niedecker to a literary lifeline of distant poets and magazines. Supporting herself by turns as a hospital scrubwoman and proofreader for a dairy journal, Niedecker made a late marriage to an industrial painter, which gave her time to write and publish her work in the final decades of her life. During her lifetime, Niedecker’s poetry was praised by a relatively small literary circle, including Zukofsky, William Carlos Williams, Robert Creeley, Denise Levetov, and Allen Ginsberg. Since her death much more of her surviving writings have been published, including a comprehensive edition of collected works and two volumes of correspondence. Through Margot Peters’s compelling biography, readers will discover Lorine Niedecker as a poet of spare and brilliant verse and a woman whose talent and grit carried her through periods of desperation and despair. Best Special Interest Books, selected by the American Association of School Librarians




Wolf Tongue


Book Description

Barry MacSweeney was born in 1948 and died in 2000. He published numerous collections, including The Templars of Hazard and The Book of Demons, his last book. It recorded his fierce fight against alcoholism as well as the great love of those who helped save his life--though only for three more years. When he died he had just assembled a retrospective of his work. Wolf Tongue is his own selection, with the addition of the last two books that many regard as his finest work, Pearl and The Book of Demons. Most of his poetry was out-of-print, and much had never been widely published. The title is his. He was a contrary, a lone wolf. His ear for soaring, lyric melody was unmatched, and his poetry became dark as blue steel, edging towards what became his domain: the lament--The Independent. His poetry places a radical, critical energy, unsparing of illusions, and bitter and comic in its self-appraisal, at the disposal of a clear-eyed celebration of the world.