Catalogue
Author : Bernard Quaritch (Firm)
Publisher :
Page : 1028 pages
File Size : 50,53 MB
Release : 1907
Category : Antiquarian booksellers
ISBN :
Author : Bernard Quaritch (Firm)
Publisher :
Page : 1028 pages
File Size : 50,53 MB
Release : 1907
Category : Antiquarian booksellers
ISBN :
Author : Louis Thies
Publisher :
Page : 590 pages
File Size : 28,71 MB
Release : 1869
Category : Engravers
ISBN :
Author : Fogg Museum of Art
Publisher :
Page : 590 pages
File Size : 17,97 MB
Release : 1869
Category :
ISBN :
Author : Stijn Alsteens
Publisher : Yale University Press
Page : 321 pages
File Size : 11,57 MB
Release : 2016-01-01
Category : Art
ISBN : 0300212054
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Author : Carter E. Foster
Publisher : Hudson Hills
Page : 170 pages
File Size : 26,71 MB
Release : 2001
Category : Art
ISBN : 9780940717671
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Author : Arthur Kingsland Griggs
Publisher :
Page : 198 pages
File Size : 10,10 MB
Release : 1923
Category : Books
ISBN :
Author : Stijn Alsteens
Publisher : Metropolitan Museum of Art
Page : 326 pages
File Size : 10,35 MB
Release : 2009
Category : Drawing
ISBN : 1588393070
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
Author :
Publisher :
Page : 628 pages
File Size : 26,12 MB
Release : 1907
Category : Portuguese literature
ISBN :
Author : Kristel Smentek
Publisher : Routledge
Page : 343 pages
File Size : 40,47 MB
Release : 2017-07-05
Category : Art
ISBN : 1351559214
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
Author : Evelyn Karet
Publisher : American Philosophical Society
Page : 250 pages
File Size : 17,53 MB
Release : 2002
Category : Art
ISBN : 9780871692443
In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.