John Ruskin's Correspondence with Joan Severn


Book Description

"The great Library Edition of the Works of John Ruskin spans 39 volumes and, over the course of the century, further compilations of his private diaries and letters have appeared: but the most important epistolary relationship of his later years, shared with his Scottish cousin Joan (Agnew Ruskin) Severn, has until now been entirely unpublished. These letters - more than 3,000 of them - have been challenging for Ruskin scholars to draw upon, with their baby-talk, apparent nonsense and unelaborated personal references. Yet they contain important statements of Ruskins opinions on travel, on fashion, on the ideal arts and crafts home, on effective education and other questions: and Ruskin often used his letters to Severn as a substitute for his personal diary. In this important new edition, Dickinson presents an edited, annotated selection of a correspondence which, until now, has been almost inaccessible to scholars of Ruskin and of the Victorian period."




John Ruskin's Correspondence with Joan Severn


Book Description

The great Library Edition of the Works of John Ruskin spans 39 volumes and, over the course of the century, further compilations of his private diaries and letters have appeared: but the most important epistolary relationship of his later years, shared with his Scottish cousin Joan (Agnew Ruskin) Severn, has until now been entirely unpublished. These letters - more than 3,000 of them - have been challenging for Ruskin scholars to draw upon, with their baby-talk, apparent nonsense and unelaborated personal references. Yet they contain important statements of Ruskin's opinions on travel, on fashion, on the ideal arts and crafts home, on effective education and other questions, and Ruskin often used his letters to Severn as a substitute for his personal diary. In this important new edition, Dickinson presents an edited, annotated selection of a correspondence which, until now, has been almost inaccessible to scholars of Ruskin and of the Victorian period.




Ruskin in Perspective


Book Description

Moving laterally across John Ruskinâ (TM)s complete work, this new anthology draws his ideas together around the common theme of perspective. Grouped into three parts (Art and Literature, Aesthetics and Politics, Geography and Landscape), the essays examine Ruskinâ (TM)s critical intervention both within its own period and in relation to its contemporary legacy. Drawing upon literary theory, art criticism, political, social and cultural history and biographical studies, the essays offer a new and exciting interdisciplinary approach to understanding the scale and relevance of Ruskinâ (TM)s thought. Topics include the role of the reader in Ruskinâ (TM)s work, Anglo-European encounters, Ruskinâ (TM)s style and political influence, national and cultural heritage, the aesthetics of painting, perspective and the sublime, and the impact of geology and evolutionary theory upon Ruskin and nineteenth-century culture. Illustrated throughout with examples from Ruskinâ (TM)s own art-work as well as the artists admired by him (such as J.M.W. Turner), the anthology will be invaluable for readers interested not only in Ruskin as writer, critic and commentator but also in his position within the changing currents of nineteenth and twentieth-century intellectual thought. This collection shows how Ruskin can still teach us to read and see. It breathes enthusiasm and scholarly care in a way that will appeal to a wide range of readers. I am very impressed by the wealth of illustration in the book, which seems to me indispensable for an understanding of Ruskin's thought and its relevance to us. The choice of contributors is harmonious and refreshing - established authorities rub shoulders with rising scholars. This really is an unusually vibrant, well thought-through and valuable collection on a key formative figure in the history of literature, art and criticism. Dr. Sarah Wood, University of Kent. Ruskin studies are currently flourishing (...) There is a wide ranging interest, on both sides of the Atlantic, reflected in the essays here by established European names as well as younger scholars. The compilation is well focused, which will give Ruskin in Perspective a distinctive character in its consideration of literature, aesthetics and geography, thereby appealing to a genuinely interdisciplinary audience. â "Stephen Wildman, Director and Curator, The Ruskin Library, Lancaster University




Literary Research and the Victorian and Edwardian Ages, 1830-1910


Book Description

This volume discusses traditional and new resources for researching British literature of the Victorian and Edwardian ages and the ways in which those resources can be used in conjunction with one another.




Using the Bible in Practical Theology


Book Description

Exploring how the Bible may be appropriately used in practical and public theology, this book looks at types of modern practical theology with specific emphasis on the use of the Bible. Bennett juxtaposes the diversity of modern practical theology with the work of leading nineteenth-century public 'theologian', John Ruskin, and then assesses the contribution of this analysis to some modern issues of public importance in which the Bible is used. The final chapter offers a framework for a biblically informed critical practical theology which draws on the writer's experience and invites the readers to engage their own.




John Ruskin


Book Description

John Ruskin (1819–1900) was the most prominent art and architecture critic of his time. Yet his reputation has been overshadowed by his personal life, especially his failed marriage to Effie Gray, which has cast him in the history books as little more than a Victorian prude. In this book, Andrew Ballantyne rescues Ruskin from the dustbin of history’s trifles to reveal a deeply attuned thinker, one whose copious writings had tremendous influence on all classes of society, from roadmenders to royalty. Ballantyne examines a crucial aspect of Ruskin’s thinking: the notion that art and architecture have moral value. Telling the story of Ruskin’s childhood and enduring devotion to his parents—who fostered his career as a writer on art and architecture—he explores the circumstances that led to Ruskin’s greatest works, such as Modern Painters, The Seven Lamps of Architecture, The Stones of Venice, and Unto This Last. He follows Ruskin through his altruistic ventures with the urban poor, to whom he taught drawing, motivated by a profound conviction that art held the key to living a worthwhile life. Ultimately, Ballantyne weaves Ruskin’s story into a larger one about Victorian society, a time when the first great industrial cities took shape and when art could finally reach beyond the wealthy elite and touch the lives of everyday people.




The Life and Works of W.G. Collingwood


Book Description

This well researched biography provides a comprehensive account of the life and works of William Gershom Collingwood (1854-1932), a nineteenth century polymath whose story should be better known. He was a noted friend and colleague of John Ruskin, whose secretary he later became.




Christmas Story


Book Description

Presented here for the first time is the full text of John Ruskin's Christmas Story and his related letters of interpretation in which he describes what he believes to be a mystic experience placing him under the guidance of the soul of his lost love, Rose La Touche.




The Letters of Philip Webb, Volume III


Book Description

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.




New Approaches to Ruskin (Routledge Revivals)


Book Description

The study of Ruskin’s work and influence is now a feature of several critical disciplines. New Approaches to Ruskin, first published in 1981, reflects this, gathering some of the most distinguished writers on Ruskin and joining them with others who have undertaken significant research in the field of Ruskin studies. The authors were all specially commissioned for this volume and were chosen to represent as wide a variety of approaches as possible to this key figure of nineteenth-century culture. This book is ideal for students of art history.