A History of New York in 101 Objects


Book Description

“Delightfully surprising….A portable virtual museum…an entertaining stroll through the history of one of the world’s great cities” (Kirkus Reviews), told through 101 distinctive objects that span the history of New York, almost all reproduced in luscious, full color. Inspired by A History of the World in 100 Objects, Sam Roberts of The New York Times chose fifty objects that embody the narrative of New York for a feature article in the paper. Many more suggestions came from readers, and so Roberts has expanded the list to 101. Here are just a few of what this keepsake volume offers: -The Flushing Remonstrance, a 1657 petition for religious freedom that was a precursor to the First Amendment to the Constitution. -Beads from the African Burial Ground, 1700s. Slavery was legal in New York until 1827, although many free blacks lived in the city. The African Burial Ground closed in 1792 and was only recently rediscovered. -The bagel, early 1900s. The quintessential and undisputed New York food (excepting perhaps the pizza). -The Automat vending machine, 1912. Put a nickel in the slot and get a cup of coffee or a piece of pie. It was the early twentieth century version of fast food. -The “I Love NY” logo designed by Milton Glaser in 1977 for a campaign to increase tourism. Along with Saul Steinberg’s famous New Yorker cover depicting a New Yorker’s view of the world, it was perhaps the most famous and most frequently reproduced graphic symbol of the time. Unique, sometimes whimsical, always important, A History of New York in 101 Objects is a beautiful chronicle of the remarkable history of the Big Apple. “The story [Sam Roberts] is telling is that of New York, and he nails it” (Daily News, New York).







Old New York in Early Photographs


Book Description

New York City as it was 1853-1901, through 196 wonderful photographs: great blizzard, Lincoln's funeral procession, great buildings, much more.




Scenes of New York


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World War I and American Art


Book Description

-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---













Nueva York, 1613-1945


Book Description

The population of New York City is approaching the milestone of being one-third Hispanic, a demographic transformation that will have a huge impact on the city's culture, daily life and its very future. This marks a new phase in New York's relations to the Hispanic world, as Latino cultures and the Spanish language become an ubiquitous and important presence in the city. The roots of this transformation run deep. The history of the city's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organised by the New York Historical Society and El Museo del Barrio (an abbreviated version of which will travel through the United States), this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. AUTHOR: Author Edward J. Sullivan is the Helen Gould Sheppard Professor of the History of Art at the Institute of Fine Arts and the Department of Art History, New York University. He is the author of over thirty books and exhibition catalogues on Iberian and modern Latin American art and has served as guest curator for numerous exhibitions on these topics in museums in Latin America, North America and Europe. 174 colour illustrations