Colonial Collections Revisited


Book Description

The story of colonial collecting is complex and full of contradictions. Collectors often appreciated the 'other' cultures where they obtained collections, but at the same time they had a close relationship with the colonial authorities who were willing to subjugate societies with military violence. This book addresses colonial collecting with examples from the Dutch East Indies and, by means of comparison, with a discussion about collecting in British India. Since the 1990s the phenomenon of collecting has become an important part of anthropological discourse. This development touches upon the foundations of the discipline, since it throws light on how the white colonizers dealt with local cultures, and thus on how the formation of the anthropological discourse took place. The study of collecting can help us to develop an anthropology of intentionality, instrumentality and desire, as Anthony Shelton argues in one of the contributions to this book. Objects do not stop 'to live' when collected. Margaret Wiener discusses the magic of the kris, which is influential even in Europe, far from the context in which the magic is created. Other chapters treat in detail the military entanglement with collecting in the Dutch East Indies. There is also attention for ethnographic collecting in the context of scholarly activities, particularly in the chapter by Ruth Barnes. The broad picture of colonial collecting ,as presented in this book, includes an analysis of the appropriation of the Indonesian Hindu-Buddhist culture by means of collecting Javanese antiquities, detailed descriptions of colonial wars (North Sumatra, South Sulawesi, Bali and Lombok) and a discussion of the cultural heritage of the Ethische Politiek. With contributions by Ruth Barnes, Francine Brinkgreve, Hari Budiarti, Brian Durrans, Wahyu Ernawati, Pieter ter Keurs, Susan Legêne, Pauline Lunsingh Scheurleer, Anthony Shelton, Harm Stevens, David Stuart-Fox and Margaret Wiener.




"The Savage Hits Back" Revisited


Book Description

In recent years, not only ethnographic collections, but also the European canon of art history have come under siege. The colonial history and Eurocentric bias of both the museums and the academy have increasingly been put at center stage in a fierce discussion of the legitimacy and significance of scientific, curatorial, and artistic practices in a globalized world. In a largely forgotten intervention, the curator and ethnologist Julius Lips inverted the "colonial gaze" by collecting images of Europeans from colonial contact zones. Published in exile in 1937, "The Savage Hits Back" forged a contemporaneity of artistic works and opposed the aesthetics and narratives of Primitivism and Salvage Anthropology, subverting colonial power. The volume provides a fresh view of Lips' biography and work spanning three decades and four political systems in the transatlantic world. The contributors look at prewar ethnology, art history, and museum practice and explore the traces of an inverted gaze in global art and the possibility of a symmetric anthropology and art history. With an inventory catalogue of Lips' collection at the Rautenstrauch-Joest-Museum Cologne.




German Colonialism Revisited


Book Description

The first collection of interdisciplinary and comparative studies focusing on diverse interactions among African, Asian, and Oceanic peoples and German colonizers




The Mazruiana Collection Revisited


Book Description

Consists of 650 annotated entries covering Mazrui's books, dissertations, edited works about him, major essays in books, academic journals and conference papers. This work contains essays, including pamphlets, magazine and newspaper articles, and audio-visual recordings.




Sugarlandia Revisited


Book Description

Sugar was the single most valuable bulk commodity traded internationally before oil became the world's prime resource. From the sixteenth to the eighteenth century, cane sugar production was pre-eminent in the Atlantic Islands, the Caribbean, and Brazil. Subsequently, cane sugar industries in the Americas were transformed by a fusion of new and old forces of production, as the international sugar economy incorporated production areas in Asia, the Pacific, and Africa. Sugar's global economic importance and its intimate relationship with colonialism offer an important context for probing the nature of colonial societies. This book questions some major assumptions about the nexus between sugar production and colonial societies in the Caribbean and Southeast Asia, especially in the second (post-1800) colonial era.




Cultural Diplomacy and the Heritage of Empire


Book Description

Cultural Diplomacy and the Heritage of Empire analyzes the history of the negotiations that led to the atypical return of colonial-era cultural property from the Netherlands to Indonesia in the 1970s. By doing so, the book shows that competing visions of post-colonial redress were contested throughout the era of post-World War II decolonization. Considering the danger this precedent posed to other countries, the book looks beyond the Dutch-Indonesian case to the “Elgin (Parthenon) Marbles” and “Benin Bronzes” controversies, as well as recent developments relating to returns in France and the Netherlands. Setting aside the “universalism versus nationalism” debate, Scott asserts that the deeper meaning of post-colonial cultural property disputes in European history has more to do with how officials of former colonial powers negotiated decolonization, while also creating contemporary understandings of their nations’ pasts. As a whole, the book expands the field of cultural restitution studies and offers a more nuanced understanding of the connections drawn between postcolonial national identity making and the extension of cultural diplomacy. Cultural Diplomacy and the Heritage of Empire offers a new perspective on the international influence of the UNGA and UNESCO on the return debate. As such, the book will be of interest to scholars, students and practitioners engaged in the study of cultural property diplomacy and law, museum and heritage studies, modern European history, post-colonial studies and historical anthropology.




A Deus ex Machina Revisited


Book Description

This volume of essays provides a fresh and innovative look at colonial trade and its impact on economic development in Europe. It is unique in its coverage of countries that are usually ignored, such as Denmark and Sweden, while also including in its chronology more than the 18th century alone.




Colonial collection


Book Description




Unpacking the Collection


Book Description

Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interactions between these artefacts and the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency. In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present. Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies. This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management.




Confronting Colonial Objects


Book Description

The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.