Printing Colour 1400-1700


Book Description

In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.




Color Management & Quality Output


Book Description

First published in 2012. We have all felt the frustration of wasting time, paper and effort hen our prints or web images don't match the images we see on our monitors. Fortunately, you're holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you'll need to post professional images and make stunning prints that showcase you artistic vision. In Color Managment & Quality Outprint, Tom P. Ashe, a color expert and gifted teacher, shows you how to color manage your files from input all the way through output, by clearly explaining how color works in our minds, on our monitors and computers and through our printers.




Colour Printing and Colour Printers


Book Description

Contains 23 plates, including "1 three color half-tone from nature, 1 three color halftone from an autochrome, 1 Zander Process Print, and 1 chromolithograph by the Offset method. This book is an important history of color printing and Gamble's chapter on photomechanical process is invaluable. Unfortunately, this copy does not have all of its plates." -- Hanson collection catalog, p. 140.




Printing Color Negatives


Book Description




Digital Color Management


Book Description

The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.




CMYK 2.0


Book Description

Twenty years ago, achieving predictable CMYK color on press was a relatively straightforward process. All the partners in the process—photographers, designers, and printers—had clearly defined roles and responsibilities. With the introduction of Adobe Photoshop in 1990, the digital imaging revolution changed all that. Roles suddenly shifted and blurred. Standards disintegrated. The entire process quickly spiraled into a chaotic free-for-all that couldn’t help but leave everyone frustrated as they scratched their heads and wondered, “What’s wrong with my color?” CMYK 2.0: A Cooperative Workflow for Photographers, Designers, and Printers has one purpose: to get us all back on the same path to creating predictable color in the RGB-to-CMYK workflow. In a field that often features very strong—and very different—opinions, author Rick McCleary emphasizes the need for cooperation, collaboration, and communication. After first establishing a context for how we all got here, McCleary redefines each partner’s role in the process, demystifies the entire RGB-to-CMYK workflow, and offers a clear, step-by-step guide to achieving predictable color on press. Written with exceptional clarity, CMYK 2.0 presents a highly detailed and thoroughly rigorous approach to CMYK color, and it offers a workflow that all photographers, designers, and printers need—one that works. The book's companion website provides a collaborative forum of growing resources and information on all things CMYK.




Fine Art Printing for Photographers


Book Description

Today's digital cameras provide image data files allowing large-format output at high resolution. At the same time, printing technology has moved forward at an equally fast pace bringing us new inkjet systems capable of printing in high precision at a very fine resolution, providing an amazing tonality range and longtime stability of inks. Moreover, these systems are now affordable to the serious photographer. In the hands of knowledgeable and experienced photographers, these new inkjet printers can help create prints comparable to the highest quality darkroom prints on photographic paper. This book provides the necessary foundation for fine art printing: The understanding of color management, profiling, paper and inks. It demonstrates how to set up the printing workflow as it guides the reader step-by-step through this process from an image file to an outstanding fine art print.




Print, Pattern and Colour


Book Description

Aimed at textile artists and textile designers, 'Print, Pattern and Colour' is a glorious celebration of the potential of printing and repeat patterns on fabric. Packed with accessible but imaginative techniques, it covers : Monoprinting using sponges, rollers and textured surfaces Blocks and stencils, both commercially bought and homemade Screenprinting, including the use of photo-sensitive screens Using interesting media such as Markal paint sticks, thickened dyes, metallic and pearlescent paints and discharge paste Developing print ideas on paper before taking them to fabric Combining print with stitch and fabric manipulation Beautifully illustrated with sumptuous photographs that show off the author's infectious love of colour, this book contains a wealth of inspiration for using print in embroidery and textiles.




Printing Colors in Graphic Design


Book Description

Colors are so universally used that every designer should consider when designing. They are so important that they to some degree decide the overall design. This book introduces two systems of printing colors--CMYK and PMS--in a plain way, explaining how they are produced and the principles behind them with texts and illustrations. Meanwhile, it showcases a substantial selection of projects for reader's well-rounded understanding of printing colors and their functions.




Visualizing Architecture Volume 4


Book Description

An architecture portfolio designed by Alex Hogrefe describing 4 original projects with a focus on unique representational techniques and styles.