Comics for Choice


Book Description

Comics for Choice is anthology of comics about abortion. As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form.The stories in Comics for Choice showcase a wide range of abortion experiences from a diverse array of voices: trans voices, older voices, activist voicesâe"relatable voices. With passionate pen strokes, artists share highly personal, moving, and even funny stories that defy stigma and stereotypes. From the days of illegal abortion services, to nationwide legalization, to modern-day struggles of clinic closures and unequal access, contributors give an entertaining primer on the history of abortion in America, and how far we still have to go. Readers will be encouraged to get involvedâe"standing up for abortion rights, fighting abortion stigma, making links between intersecting forms of oppression, and learning about reproductive justice.Comics for Choice contains comics from exciting cartoonists like Sophia Foster-Dimino (Sex Fantasy), Leah Hayes (Not Funny Ha-Ha), Archie Bongiovanni (A Quick & Easy Guide to They/Them Pronouns, Grease Bats), Jennifer Camper (Rude Girls and Dangerous Women), Ally Shwed (Sex Bomb Strikes Again) and Kat Fajardo (Gringa!, La Raza Anthology), and reproductive justice scholars like Rickie Solinger, (Reproductive Politics: What Everyone Needs to Know) Renee Bracey Sherman (Program Director, We Testify), and Dr. Cynthia Greenlee (Senior Editor, Rewire).




Comics for Choice


Book Description

Comics for Choice is anthology of comics about abortion. As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form. The stories in Comics for Choice showcase a wide range of abortion experiences from a diverse array of voices: trans voices, older voices, activist voices--relatable voices. With passionate pen strokes, artists share highly personal, moving, and even funny stories that defy stigma and stereotypes. From the days of illegal abortion services, to nationwide legalization, to modern-day struggles of clinic closures and unequal access, contributors give an entertaining primer on the history of abortion in America, and how far we still have to go. Readers will be encouraged to get involved--standing up for abortion rights, fighting abortion stigma, making links between intersecting forms of oppression, and learning about reproductive justice. Comics for Choice contains comics from exciting cartoonists like Sophia Foster-Dimino (Sex Fantasy), Leah Hayes (Not Funny Ha-Ha), Archie Bongiovanni (A Quick & Easy Guide to They/Them Pronouns, Grease Bats), Jennifer Camper (Rude Girls and Dangerous Women), Ally Shwed (Sex Bomb Strikes Again) and Kat Fajardo (Gringa!, La Raza Anthology), and reproductive justice scholars like Rickie Solinger, (Reproductive Politics: What Everyone Needs to Know) Renee Bracey Sherman (Program Director, We Testify), and Dr. Cynthia Greenlee (Senior Editor, Rewire). This updated edition includes a new cover and additional comics that address the changing landscape of abortion rights.




Meredith, cronaca di un delitto


Book Description




The Best of Comix Book


Book Description

In 1974, legendary Marvel Comics publisher Stan Lee approached underground pioneer Denis Kitchen and offered a way for them to collaborate. Their resulting series was called Comix Book and featured work by many of the top underground cartoonists including Joel Beck, Kim Deitch, Justin Green, Harvey Pekar, Trina Robbins, Art Spiegelman (first national appearance of Maus), Skip Williamson, and S. Clay Wilson. The Best of Comix Book showcases 150-pages of classic underground comix (printed on newsprint, as they originally appeared), many never before reprinted.




Trots and Bonnie


Book Description

"Trots and Bonnie is hilarious, poignant, raunchy, gorgeously drawn, and more relevant than ever. Shary Flenniken is an absolute genius." —Roz Chast In the 1970s and 1980s, National Lampoon was home not only to some of the funniest humor writing in America but also to many of its best cartoons. One of the greatest was Trots and Bonnie by Shary Flenniken, a comic strip that followed the adventures and mishaps of the guileless teenager Bonnie and her wisecracking dog, Trots. Bonnie stumbles through the mysteries of adulthood, as Flenniken—one of the few female contributors to National Lampoon—dissects the harsh realities of American life. Dating, sex, politics, and violence are all confronted with fearlessness and outrageous humor, rendered in Flenniken’s timeless, gorgeous artwork. After all these years, they have lost none of their power to shock and amuse. This collection, handpicked by Flenniken and with an introduction by the New Yorker cartoonist Emily Flake, is the first book of Trots and Bonnie ever published in America, a long-overdue introduction to some of the most stunning and provocative comics of the twentieth century.




Comics for Choice


Book Description

Comics for Choice is an anthology of comics about abortion. As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form. The stories in Comics for Choice showcase a wide range of abortion experiences from a diverse array of voices: trans voices, older voices, activist voices-relatable voices. With passionate pen strokes, artists share highly personal, moving, and even funny stories that defy stigma and stereotypes. From the days of illegal abortion services, to nationwide legalization, to modern-day struggles of clinic closures and unequal access, contributors give an entertaining primer on the history of abortion in America, and how far we still have to go. Readers will be encouraged to get involved-standing up for abortion rights, fighting abortion stigma, making links between intersecting forms of oppression, and learning about reproductive justice.




The Best American Comics 2019


Book Description

Jillian Tamaki, co-author of This One Summer, picks the best graphic pieces of the year. Jillian Tamaki, coauthor of the New York Times bestseller This One Summer, selects the best graphic pieces of the year. The Best American Comics 2019 showcases the work of established and up-and-coming artists, collecting work found in the pages of graphic novels, comic books, periodicals, zines, online, in galleries, and more, highlighting the kaleidoscopic diversity of the comics form today.




The Best American Comics 2017


Book Description

Award-winning cartoonist Ben Katchor picks the best graphic pieces of the year.




Sex Fantasy


Book Description

A salacious title belies a moving look at intimacy and all its delicacies and absurdities.




Funnybooks


Book Description

Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, “Dell Comics Are Good Comics” was more than a slogan—it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.