Commitment to Musical Excellence


Book Description

The Gustavus Choir has long stood as the premiere choral ensemble on the campus of Gustavus Adolphus College in St. Peter, Minnesota, USA. It is a tradition-rich group that binds its members across generations. Whether it be singing “Praise to the Lord,” or touring across the country, the choir has developed a lasting place on the choral landscape. Throughout its history, one common element has been a constant for the Gustavus Choir; the ensemble’s commitment to musical excellence. For seventy-five years, the members of The Gustavus Choir have lifted their voices in beauty and praise from the small campus on top of the hill. This internationally recognized choral ensemble has provided a heritage of choral music that is deeply rooted in the a cappella tradition. Commitment to Musical Excellence: A 75 Year History of The Gustavus Choir documents the development of The Gustavus Choir from the college’s earliest choral activities through the 75th anniversary celebration, noting the influence of F. Melius Christiansen and the Lutheran Choral School. The legacy of each of the choir’s six conductors is chronicled, including an in-depth look into their musical backgrounds and the indelible mark each has left on the choir. The book charts the development of the choir’s touring tradition, providing lists of literature performed and tour itineraries. It also explores the philosophy and mission of The Gustavus Choir, delving into the role of the ensemble within the Gustavus music department, the college, and the global community.




The Gustavus Choir


Book Description




Musical Excellence


Book Description

Musical Excellence offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together, for the first time in a single collection, the findings of pioneering initiatives from across the arts and sciences. Specific recommendations are provided alongside comprehensive reviews of existing theory and research, enabling the practitioner to place the strategies and techniques within the broader context of human performance and encouraging novel ways of conceptualizing music making and teaching. Part I, Prospects and Limits, sets out ground rules for achieving musical excellence. What roles do innate talent, environmental influences, and sheer hard work play in attaining eminence? How can musicians best manage the physical demands of a profession that is intrinsically arduous, throughout a career that can literally span a lifetime? How can performers, teachers, and researchers effectively assess and reflect on performance enhancement for themselves, their colleagues, and their students? Part II, Practice Strategies, presents approaches for increasing the effectiveness and efficiency of practice. These are examined generally for the individual and ensembles and specifically for the tasks of memorizing, sight-reading, and improvising music. Musicians spend vast amounts of time and energy acquiring and refining their skills, but are there particular rehearsal strategies that they can employ to produce better performance results or to achieve the same results more quickly? What implication does existing knowledge of human information processing and physical functioning have for musical learning and practice? Part III, Techniques and Interventions, introduces scientifically validated methods for enhancing musical achievement, ordered from the more physical to the psychological to the pharmacological; however, they all address issues of both mental and physical significance for the musician. Collectively, they stand as clear evidence that applied, cross-disciplinary research can facilitate musicians' strive for performance excellence. Throughout, the book highlights ways for musicians to make the most of their existing practice, training, and experience and gives them additional tools for acquiring and developing new skills. Each chapter is underpinned by physical and psychological principles relevant to all performance traditions that demand dedication and resilience, unique artistic vision, and effective communication.




Musical Excellence


Book Description




Virtue or Virtuosity?


Book Description

Drawing upon the past two decades of burgeoning literature in philosophy of music, this study offers a comprehensive, critical analysis of what is entailed in performance interpretation. It argues that integrity and other virtues offset the harm that virtuosity and rigid historical authenticity can impose on the perceptive judgment required of excellent musical interpretation. Proposed are challenging and provocative reassessments of the appropriate roles for virtuosity and historical authenticity in musical performance. Acknowledging the competitive ethos of the contemporary music scene, it details the kind of character a performer needs to develop in order to withstand those pressures and to achieve interpretive excellence. Performers are encouraged to examine and explore the ethical dimension of their art against their responsibilities to the diverse patrons they serve. Professional and student performers and instructors will appreciate this practical discussion of the ethical challenges performers confront when interpreting musical works. The ethical discourse applies to instrumental performance studies, the history and theory of music, general music pedagogy, and philosophy of music courses.




Liturgical Music as Ritual Symbol


Book Description

In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.




Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making


Book Description

Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.




Excellence in the Performing Arts


Book Description

Sixteen elite classical musicians from six countries were interviewed to explore and document their mental readiness to excel and to assess the relevance of Orlick's model of excellence (1989) to musical excellence. Five of Orlick's components were found to be common among elite musicians: an extremely high level of commitment, a clear focus on the music, an ability to refocus, highly developed imagery (or visualization) skills and constructive performance evaluation. Musicians do not have very specific or detailed mental preparation plans for practicing or for performing; they prefer to follow general guidelines. Three qualities were added to the list of skills/qualities required to excel in music: spontaneity, creativity and flexibility. Other determining factors in the musician's level of excellence were the nature of their goals, the perspective they carry into their musical endeavours and their abiding love and enjoyment of music. Problems encountered are discussed and future avenues of research are suggested.




Oxford Handbook of Music Psychology


Book Description

The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field. The Oxford Handbook of Music Psychology is a landmark text providing, for the first time ever, a comprehensive overview of the latest developments in this fast-growing area of research. With contributions from over fifty experts in the field, the range and depth of coverage is unequalled. All the chapters combine a solid review of the relevant literature with well-reasoned arguments and robust discussions of the major findings, as well as original insights and suggestions for future work. Written by leading experts, the 52 chapters are divided into 11 sections covering both experimental and theoretical perspectives, each edited by an internationally recognised authority Ten sections each present chapters that focus on specific areas of music psychology: - the origins and functions of music - music perception - responses to music - music and the brain - musical development - learning musical skills - musical performance - composition and improvisation - the role of music in our everyday lives - music therapy and conceptual frameworks In each section, expert authors critically review the literature, highlight current issues, and explore possibilities for the future. The final section examines how in recent years the study of music psychology has broadened to include a range of other scientific disciplines. It considers the way that the research has developed in relation to technological advances, fostering links across the field and providing an overview of the areas where the field needs further development in the future. The Oxford Handbook of Music Psychology will be the essential reference text for students and researchers across psychology and neuroscience.




Bringing Music to Life


Book Description

Delves into the methodology, techniques, and inspiration needed to enliven music making. Includes activities.