Book Description
A sword-swinging page-turner infused with a heady mix of Japanese etiquette, American ideals, and Machiavellian philosophy, written by a PEN/Faulkner Award winner.
Author : Richard Wiley
Publisher :
Page : 304 pages
File Size : 11,84 MB
Release : 2007-03
Category : Fiction
ISBN :
A sword-swinging page-turner infused with a heady mix of Japanese etiquette, American ideals, and Machiavellian philosophy, written by a PEN/Faulkner Award winner.
Author : Richard Wiley
Publisher :
Page : 304 pages
File Size : 13,52 MB
Release : 2007-03
Category : Fiction
ISBN :
A sword-swinging page-turner infused with a heady mix of Japanese etiquette, American ideals, and Machiavellian philosophy, written by a PEN/Faulkner Award winner.
Author : Emily Roxworthy
Publisher : University of Hawaii Press
Page : 241 pages
File Size : 42,9 MB
Release : 2008-07-31
Category : Social Science
ISBN : 0824865049
In The Spectacle of Japanese American Trauma, Emily Roxworthy contests the notion that the U.S. government’s internment policies during World War II had little impact on the postwar lives of most Japanese Americans. After the curtain was lowered on the war following the bombings of Hiroshima and Nagasaki, many Americans behaved as if the “theatre of war” had ended and life could return to normal. Roxworthy demonstrates that this theatrical logic of segregating the real from the staged, the authentic experience from the political display, grew out of the manner in which internment was agitated for and instituted by the U.S. government and media. During the war, Japanese Americans struggled to define themselves within the web of this theatrical logic, and they continue to reenact this trauma in public and private to this day. The political spectacles staged by the FBI and the American mass media were heir to a theatricalizing discourse that can be traced back to Commodore Matthew Perry’s “opening” of Japan in 1853. Westerners, particularly Americans, drew upon it to orientalize—disempower, demonize, and conquer—those of Japanese descent, who were characterized as natural-born actors who could not be trusted. Roxworthy provides the first detailed reconstruction of the FBI’s raids on Japanese American communities, which relied on this discourse to justify their highly choreographed searches, seizures, and arrests. Her book also makes clear how wartime newspapers (particularly those of the notoriously anti-Asian Hearst Press) melodramatically framed the evacuation and internment so as to discourage white Americans from sympathizing with their former neighbors of Japanese descent. Roxworthy juxtaposes her analysis of these political spectacles with the first inclusive look at cultural performances staged by issei and nisei (first- and second-generation Japanese Americans) at two of the most prominent “relocation centers”: California’s Manzanar and Tule Lake. The camp performances enlarge our understanding of the impulse to create art under oppressive conditions. Taken together, wartime political spectacles and the performative attempts at resistance by internees demonstrate the logic of racial performativity that underwrites American national identity. The Spectacle of Japanese American Trauma details the complex formula by which racial performativity proved to be a force for both oppression and resistance during World War II.
Author : Tim Brooks
Publisher : McFarland
Page : 291 pages
File Size : 50,13 MB
Release : 2019-11-15
Category : Social Science
ISBN : 1476676763
The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Author : Mark W. Driscoll
Publisher : Duke University Press
Page : 248 pages
File Size : 46,63 MB
Release : 2020-11-09
Category : History
ISBN : 1478012749
In The Whites Are Enemies of Heaven Mark W. Driscoll examines nineteenth-century Western imperialism in Asia and the devastating effects of "climate caucasianism"—the white West's pursuit of rapacious extraction at the expense of natural environments and people of color conflated with them. Drawing on an array of primary sources in Chinese, Japanese, and French, Driscoll reframes the Opium Wars as "wars for drugs" and demonstrates that these wars to unleash narco- and human traffickers kickstarted the most important event of the Anthropocene: the military substitution of Qing China's world-leading carbon-neutral economy for an unsustainable Anglo-American capitalism powered by coal. Driscoll also reveals how subaltern actors, including outlaw societies and dispossessed samurai groups, became ecological protectors, defending their locales while driving decolonization in Japan and overthrowing a millennia of dynastic rule in China. Driscoll contends that the methods of these protectors resonate with contemporary Indigenous-led movements for environmental justice.
Author : Chinua Thelwell
Publisher :
Page : 0 pages
File Size : 40,88 MB
Release : 2020
Category : History
ISBN : 9781625345172
Based on the author's thesis (doctoral)--New York University, 2011.
Author : Mark E. Cunningham
Publisher : Twenty-First Century Books
Page : 148 pages
File Size : 36,44 MB
Release : 2013-01-01
Category : Young Adult Nonfiction
ISBN : 146770377X
How did the end of the shoguns pave the way for modern Japan? Between the eighth and twelfth centuries, emperors ruled Japan. But powerful families gained the loyalty of the samurai - the emperors’ warriors. In 1185 one local lord took control as shogun, leader of the samurai armies. For the next seven hundred years, the emperors were ceremonial figures, and the shoguns ruled Japan, banning interaction with the Western world. In the nineteenth century, Westerners demanded that Japan open to trade under the threat of invasion. Japan’s shogunate realized it didn’t have the military technology to fight them. When the shogun government made concessions to the Westerners, Japanese lords were outraged and returned their support to the emperor. The shogunate crumbled. In 1868 Emperor Meiji became ruler of Japan. He opened Japan to modern technology, and his military advisers created a global fighting force. The end of the shoguns, which led to the birth of modern Japan, was one of the world’s pivotal moments.
Author : William Anthony Sheppard
Publisher :
Page : 641 pages
File Size : 17,46 MB
Release : 2019
Category : Music
ISBN : 0190072709
Extreme Exoticism explores the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life over the past 150 years.
Author : Claire Jean Kim
Publisher : Cambridge University Press
Page : 423 pages
File Size : 47,58 MB
Release : 2023-06-29
Category : Political Science
ISBN : 1009222252
An exploration of how Asian Americans are uniquely positioned relative to whites and Black people in the U.S. racial order.
Author : Martin Dusinberre
Publisher : Cambridge University Press
Page : 327 pages
File Size : 41,14 MB
Release : 2023-09-30
Category : History
ISBN : 1009346512
Martin Dusinberre follows the Yamashiro-maru steamship across Asian and Pacific waters in an innovative history of Japan's engagement with the outside world in the late-nineteenth century. This compelling in-depth analysis reconstructs the lives of some of the thousands of male and female migrants who left Japan for work in Hawai'i, Southeast Asia and Australia. These stories bring together transpacific historiographies of settler colonialism, labour history and resource extraction in new ways. Drawing on an unconventional and deeply material archive, from gravestones to government files, paintings to song, and from digitized records to the very earth itself, Dusinberre addresses key questions of method and authorial positionality in the writing of global history. This engaging investigation into archival practice asks, what is the global archive, where is it cited, and who are 'we' as we cite it? This title is also available as Open Access.