Commonplace Witnessing


Book Description

Commonplace Witnessing examines how citizens, politicians, and civic institutions have adopted idioms of witnessing in recent decades to serve a variety of social, political, and moral ends. The book encourages us to continue expanding and diversifying our normative assumptions about which historical subjects bear witness and how they do so. Commonplace Witnessing presupposes that witnessing in modern public culture is a broad and inclusive rhetorical act; that many different types of historical subjects now think and speak of themselves as witnesses; and that the rhetoric of witnessing can be mundane, formulaic, or popular instead of rare and refined. This study builds upon previous literary, philosophical, psychoanalytic, and theological studies of its subject matter in order to analyze witnessing, instead, as a commonplace form of communication and as a prevalent mode of influence regarding the putative realities and lessons of historical injustice or tragedy. It thus weighs both the uses and disadvantages of witnessing as an ordinary feature of modern public life.




Commonplace Witnessing


Book Description

Commonplace Witnessing examines how citizens, politicians, and civic institutions have adopted idioms of witnessing in recent decades to serve a variety of social, political, and moral ends. The book encourages us to continue expanding and diversifying our normative assumptions about which historical subjects bear witness and how they do so. Commonplace Witnessing presupposes that witnessing in modern public culture is a broad and inclusive rhetorical act; that many different types of historical subjects now think and speak of themselves as witnesses; and that the rhetoric of witnessing can be mundane, formulaic, or popular instead of rare and refined. This study builds upon previous literary, philosophical, psychoanalytic, and theological studies of its subject matter in order to analyze witnessing, instead, as a commonplace form of communication and as a prevalent mode of influence regarding the putative realities and lessons of historical injustice or tragedy. It thus weighs both the uses and disadvantages of witnessing as an ordinary feature of modern public life.




A Sense of Urgency


Book Description

"Unchecked climate change affects nearly everything on Earth, including the way humans communicate. In A Sense of Urgency, Debra Hawhee focuses our attention on new communication strategies that are emerging around the global climate crisis. At the heart of the story Hawhee tells are the challenges that our ecological future poses to rhetoric, and how those challenges demand that we learn to privilege more than our pasts and ourselves. The challenges of imagining futures under dramatically different climate conditions, of communicating climate science, and of offsetting human privilege all expose the limits of rhetoric as conceived by ancient Greek and Roman thinkers. The most glaring limit is the prominence those thinkers granted to precedent. When it comes to the climate crisis, precedent is not up to the task of addressing the problem at hand. Climate activists, scientists, artists, and scholars are trying to overcome this limitation, and A Sense of Urgency examines four departures from rhetoric's playbook that can be helpful in this struggle. Each of these departures presents new resources and different means of intensification in response to situations with few to no precedents. For Hawhee, thinking with these departures, and the attendant rhetorical strategies, can help people fathom both what is happening and what will happen if action is not taken. In this way, A Sense of Urgency is an indispensable guide in our search for new imaginative pathways"--




Rhetorical Pain


Book Description

This book provides close-textual analysis of traditional and mediated, popular memorials that tackle some of the most significant sources of pain in United States. In doing so, Tiara K. Good argues that pain is highly rhetorical and functions to form collectives and instigate change. This book also demonstrates how popular media texts, such as Nia DaCosta’s 2021 Candyman and Hulu’s original 2021 series Dopesick, hold enormous potential to be effective memorials by virtue of their accessibility and quality of being unbounded by space and place. Tiara K. Good analyzes how each memorial rhetorically operates to demand witness and craft witnesses into people whom can make change. Scholars of rhetoric, public memory, and communication will find this book of particular interest.




Common Sense about the Shaw


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Blackwood's Magazine


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St. Andrew's Cross


Book Description