Hollywood's Cold War


Book Description

Examines the role of American filmmakers in the ideological struggle against communism




Hollywood Divided


Book Description

“Brianton’s well-documented study of a Hollywood controversy delves into one example of the post-WWII Red Scare” (Publishers Weekly). On October 22, 1950, the Screen Directors Guild (SDG) gathered for a meeting at the opulent Beverly Hills Hotel. Among the group’s leaders were some of the most powerful men in Hollywood—John Ford, Cecil B. DeMille, Joseph L. Mankiewicz, John Huston, Frank Capra, William Wyler, and Rouben Mamoulian—and the issue on the table was nothing less than a vote to dismiss Mankiewicz as the guild’s president after he opposed an anticommunist loyalty oath that could have expanded the blacklist. The dramatic events of that evening have become mythic, and the legend has overshadowed the more complex realities of this crucial moment in Hollywood history. In Hollywood Divided, Kevin Brianton explores the myths associated with the famous meeting and the real events that they often obscure. He analyzes the lead-up to that fateful summit, examining the pressure exerted by the House Un-American Activities Committee. Brianton reveals the internal politics of the SDG, its initial hostile response to the HUAC investigations, the conservative reprisal, and the influence of the oath on the guild and the film industry as a whole. Hollywood Divided also assesses the impact of the historical coverage of the meeting on the reputation of the three key players in the drama. Brianton’s study is a provocative and revealing revisionist history of the SDG’s 1950 meeting and its lasting repercussions on the film industry as well as the careers of those who participated. Hollywood Divided illuminates how both the press's and the public's penchant for the “exciting story” have perpetuated fabrications and inaccurate representations of a turning point for the film industry. Huffington Post Best Film Books of 2016 Praise for Hollywood Divided “An authoritative reassessment of the meetings held by the Screen Directors Guild in 1950 to consider the adoption of a loyalty oath. Brianton traces the implications for the film industry and the reputations of key filmmakers, including Cecil DeMille and John Ford. He also offers sharp and illuminating reflections on the making of Hollywood history and myth.” —Brian Neve, author of The Many Lives of Cy Endfield: Film Noir, the Blacklist and Zulu “A breakthrough book on a topic that historians, for the most part, have considered settled. Brianton’s landmark study is fresh, thorough, and balanced, a model of Hollywood historiography. In clear prose, he takes the reader through the detailed twists and turns that created both the myth and the subsequent legend of the fateful Directors Guild Meeting that occurred during a critical time in American history.” —James D’Arc, Curator, Cecil B. DeMille Papers, Brigham Young University




Hollywood's War with Poland, 1939–1945


Book Description

“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title










Steinbeck: Citizen Spy


Book Description

This changes everything we thought we knew about John Steinbeck. After languishing in the CIA’s archives for 60 years, a letter is uncovered in John Steinbeck’s own hand that shatters everything history tells us about the author’s life. Written in 1952, to CIA Director Walter Bedell Smith, Steinbeck makes an offer to become an asset for the Agency during a trip to Europe later that year. More shocking than Steinbeck’s letter is Smith’s reply accepting John’s proposal. Discovered by author Brian Kannard, these letters create the tantalizing proposal that John Steinbeck was, in fact, a CIA spy. Utilizing information from Steinbeck’s FBI file, John’s own correspondence, and interviews with John’s son Thomas Steinbeck, playwright Edward Albee, a former CIA intelligence officer, and others, Steinbeck: Citizen Spy uncovers the secret life of American cultural icon and Nobel Prize–winner, John Steinbeck. •Did Steinbeck actively gather information for the intelligence community during his 1947 and 1963 trips to the Soviet Union? •Why was the controversial author of The Grapes of Wrath never called before the House Select Committee on Un-American Activities, despite alleged ties to Communist organizations? •Did the CIA influence Steinbeck to produce Cold War propaganda as part of Operation MOCKINGBIRD? •Why did the CIA admit to the Church Committee in 1975 that Steinbeck was a subject of their illegal mail-opening program known as HTLINGUAL? These and a host of other resources leave little doubt that there are depths yet unplumbed in the life of one of America’s most treasured authors. Just how heavily was Steinbeck involved in CIA operations? What did he know? And how much did he sacrifice for his country? Steinbeck: Citizen Spy brings us one step closer to the truth.




A History of Broadcasting in the United States


Book Description

Tells how radio and television became an integral part of American life, of how a toy became an industry and a force in politics, business, education, religion, and international affairs.