Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000


Book Description

This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.




Between the Inside and the Outside


Book Description

Despite achieving success in other genres, several twentieth-century American composers have piano works that have not yet entered the standard repertory. The main purpose of this DMA Document is to advocate for seven modern American piano works and to encourage musicians—especially pianists—to pay more attention to lesser-known music of American composers in the twentieth century in programming their recitals and concerts. This document examines seven piano compositions for solo piano and two pianos. The piano solo pieces are: Five 2-Part Invention by Virgil Thomson; Four Pieces for Piano by John Verrall; Three Piano Pieces, Op. 23 by Ben Weber; Capriccio on Five Notes by Lee Hoiby; and Three Epigrams by Robert Palmer. The pieces for two pianos with four hands are: Hard Times and Carnival by Isadore Freed and The Fringes of a Ball by Robert Starter. These works were all composed during the mid-twentieth century. I write this document also through my own analyses, a recorded performance, and a (teaching) performance guideline of Lee Hoiby’s Capriccio on Five Notes. The seven American composers both embraced tradition and sought innovation. Their music existed in a space between the “inside” and the “outside.” In Chapter 1, I trace the development of music in the United States in the twentieth century. In Chapter 2, I discuss the topics of “American Music,” “American Mavericks,” and “American Pragmatism,” and briefly outline the biographies of some iconic American composers. Chapter 3 presents the biographies of the seven American composers and analyses of the chosen piano works. I analyze the tonality, harmony, dynamics, structure, and style of these seven American piano pieces, in order to examine their status between the “inside” and the “outside.” Chapter 4 is a performance guide for Lee Hoiby’s Capriccio on Five Notes from a pianist’s perspective. Chapter 5 elaborates on the conclusion that these piano works exist between the “inside” and the “outside,” and extols the benefits of programming American modern music.







Music of the Twentieth Century


Book Description

Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.




Alberto Ginastera


Book Description

Alberto Ginastera: A Research and Information Guide is the first bio-bibliographic study of the composer and the only published book on the subject in English. This work fills a critical gap in contemporary music studies by enriching our knowledge of one of the most compelling creative voices of the Americas. Given the lack of prior systematic attention to Ginastera, this book establishes a firm foundation for future scholarship. It includes a detailed biographical sketch of the composer that quotes extensively from his letters. It summarizes the defining features of his style and encompasses his infrequently explored late works. It offers the most comprehensive catalogue of Ginastera’s music to date and provides an annotated list of his published writings. This book contains over 400 annotated bibliographic entries that refer to critically selected sources in English, Spanish, French, German, and Italian. The last chapter offers new information about archival holdings and internet resources that facilitates research on this composer. An appendix featuring a detailed chronology of Ginastera’s career completes this work.




The Pianist's Bookshelf, Second Edition


Book Description

Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.







Arnold Schoenberg


Book Description




Chamber Music


Book Description