Comparing Shakespearean and Petrarchan Sonnets. Shakespeares Addressees in his Sonnets 9 and 127


Book Description

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 3, University of Wuppertal, course: Seminar Literaturwissenschaft English Sonnets, language: English, abstract: This paper tries to expose the differences between traditional "Petrarchan Sonnets" and "Shakespearean Sonnets", with a specific focus on Shakespeare ́s sonnets 9 and 127. In order to do this the author will firstly introduce the theory of traditional sonnets, particularly with regard to form, addressees and themes. Furthermore, I he will have a closer look at the abovementioned addressees of Shakespeare ́s sonnets.




"Two loves I have, of comfort and despair". An examination of the addressees in Shakespeare's sonnets


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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Elizabethan poetry, language: English, abstract: “Two loves I have, of comfort and despair” – for somebody who is familiar with that kind of poetry, this beginning of Shakespeare’s sonnet 144 should be striking for at least two reasons: 1) For one thing, it is the fact that the lyrical speaker talks of two loved ones. Usually, sonnets praise one beloved person (or concept, such as love itself) which the speakers love with all their heart but which they cannot reach for one reason or another. 2) The emotions the lyrical speaker has towards those loves are quite strange: “comfort and despair”. Typically, the predominant if not the only feeling the speakers of such love poetry have is love, without any further requests, regrets, or conditions under which they love, especially without such biased concepts as “comfort and despair”. Hopefully, it becomes clear that this Shakespearean sonnet is far from being typical of the genre, at least as far as the treatment of the addressee is concerned. However, this peculiarity is not only limited to this poem, but it permeates all of Shakespeare’s sonnets, which are an outstanding example of the development and changes taking place within that genre. And this is also the reason why, in this paper, I will be concerned with Shakespeare’s addressees in his sonnets, pointing to striking attitudes the speaker has towards his addressees, hinting at the development of the relations, and also outlining the Elizabethan sonnet tradition. [...]




Shakespeare's sonnets 12 and 73: a comparison


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Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,3, Christian-Albrechts-University of Kiel, language: English, abstract: When Shakespeare wrote his first sonnets, probably in the early 1590s, he was making a contribution to a genre that had existed in English for not much more than 50 years. In that time, however, the sonnet had become extraordinarily fashionable. Shakespeare's sonnets were published in 1609 in a quarto volume by Thomas Thorpe. The volume that Thorpe set forth is made up of 154 numbered poems which we consider today the Shakespearian sonnets. The 154 poems can be divided into two inter-connected sequences: Whereas the first 126 sonnets seem to be addressed to a young man, a certain Mr. W. H., whom the speaker encourage to marry in order to project his beauty and worth into the future, the remaining 28 are addressed to an older woman who provokes lust and revulsion in the speaker, this woman is generally called the 'Dark Lady'. The major aim of this paper is to focus on two of these 154 sonnets: sonnet 12 and 73. First, their form and content will be described. Afterwards, we will take a look at the sonnets' metaphors. Then, in the fourth chapter, I would like to offer interpretations of both. The paper will close with a comparison of both sonnets showing similarities and differences concerning form, content and metaphors.




Interpretations in Shakespeare's Sonnets


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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.







Shakespeare's Sonnets


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This introduction provides a concise overview of the central issues and critical responses to Shakespeare’s sonnets, looking at the themes, images, and structure of his work, as well as the social and historical circumstances surrounding their creation. Explores the biographical mystery of the identities of the characters addressed. Examines the intangible aspects of each sonnet, such as eroticism and imagination. A helpful appendix offers a summary of each poem with descriptions of key literary figures.







Great Pan Lives; Shakespeare's Sonnets, 20-126


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Excerpt from Great Pan Lives; Shakespeare's Sonnets, 20-126: With Paraphrase and References In the present work I invite the Reader to a special study of the Evolution of the Ideal observable in Sonnets 20 - 126. To assist perception, the secondary or dumb signification of these sonnets, except when it speaks in effect with more than usual plainness, is paraphrased almost lineally. The references are the basis of the paraphrase. If the Reader will consult them steadily, he will find himself engaged in work of systematic textual comparison, which will afford him literary pleasure and enlightenment and the cumulative interest almost of independent-discovery, and will assure him of the fact that the paraphrase is not an arbitrary composition, but is supported adequately by textual evidence. In further aid, the parallel passages indicated by the references are woven to a consider able extent into the paraphrase. It is essential to a comprehension of the subject that the sonnets contained in this book should be studied in their numerical order. Sonnets 1 - 19, 127 - 154 are omitted. I reserve methodic elucidation of the secondary signification of these sonnets to another time and place. 'references to them in the following pages can be looked up in ordinary editions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Of Comfort and Despair


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The Art of Shakespeare’s Sonnets


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Helen Vendler, widely regarded as our most accomplished interpreter of poetry, here serves as an incomparable guide to some of the best-loved poems in the English language. In detailed commentaries on Shakespeare’s 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries—presented alongside the original and modernized texts—offer fresh perspectives on the individual poems, and, taken together, provide a full picture of Shakespeare’s techniques as a working poet. With the help of Vendler’s acute eye, we gain an appreciation of “Shakespeare’s elated variety of invention, his ironic capacity, his astonishing refinement of technique, and, above all, the reach of his skeptical imaginative intent.”