Compendium of Chords for the Viola


Book Description

There are many resources for practicing scales and arpeggios on the viola, but extremely few for practicing chords. Understanding chords on the viola can be a very useful skill for violists for a variety of reasons; the most obvious of which is that chords appear a significant number of times in the viola repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.




Compendium of Chords for the Violin


Book Description

There are many resources for practicing scales and arpeggios on the violin, but extremely few for practicing chords. Understanding chords on the violin can be a very useful skill for violinists for a variety of reasons, the most obvious of which is that chords appear a significant number of times in the violin repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.




Piano Adventures Scale and Chord Book 1


Book Description

(Faber Piano Adventures ). Playing 5-finger scales has significant value for early-level pianists. This innovative book helps students chart progress through all major and minor 5-finger scales, cross-hand arpeggios, and primary chords. Engaging teacher duets for each key are used for scale exercises. Students also enjoy improvisation activities for each key with creative prompts to inspire imagery, character, and tempo.




Compendium of Chords for the Cello


Book Description

There are many resources for practicing scales and arpeggios on the cello, but extremely few for practicing chords. Understanding chords on the cello can be a very useful skill for cellists for a variety of reasons, the most obvious of which is that chords appear a significant number of times in the cello repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.




Teaching Violin, Viola, Cello, and Double Bass


Book Description

Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string instruments. Co-written by three performance and pedagogy experts, each specializing in different string instruments, this book is applicable to all levels of instruction. Essays on historical pedagogues are clearly structured to allow for easy comprehension of their philosophies, pedagogical practices, and unique contributions. This book concludes with a section on application through comparative analysis of the historical methods and approaches. With coverage from the eighteenth century to the present, this book will be invaluable for teachers and students of string pedagogy and general readers who wish to learn more about string pedagogy’s rich history, diverse content, and modern developments.




The Vivaldi Compendium


Book Description

The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.




School of Viola Technique, Volume I


Book Description

Expertly arranged Viola Solo by Henry Schradieck from the Kalmus Edition series. This is from the 20th Century and Romantic eras.




A Compendium Of Musical Mathematics


Book Description

The purpose of this book is to provide a concise introduction to the mathematical theory of music, opening each chapter to the most recent research. Despite the complexity of some sections, the book can be read by a large audience. Many examples illustrate the concepts introduced. The book is divided into 9 chapters.In the first chapter, we tackle the question of the classification of chords and scales. Chapter 2 is a mathematical presentation of David Lewin's Generalized Interval Systems. Chapter 3 offers a new theory of diatonicity in equal-tempered universes. Chapter 4 presents the Neo-Riemannian theories based on the work of David Lewin, Richard Cohn and Henry Klumpenhouwer. Chapter 5 is devoted to the application of word combinatorics to music. Chapter 6 studies the rhythmic canons and the tessellation of the line. Chapter 7 is devoted to serial knots. Chapter 8 presents combinatorial designs and their applications to music. The last chapter, chapter 9, is dedicated to the study of tuning systems.




Compositional Process in Elliott Carter’s String Quartets


Book Description

Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.




The American Piano Concerto Compendium


Book Description

The second edition of William Phemister’s The American Piano Concerto Compendium reveals to professional and amateurs pianists alike a vast collection of available compositions by American composers. Analysis expands outside mainstream concerto styles to include those considered experimental or popular derivatives. The range of music flows from Pulitzer Prize winners like Samuel Barber, Gail Kubik, and John LaMontaine, to lesser-known multi-ethnic composers such as Tania León and Samuel Zyman, to old standards like Edward MacDowell and the first piano concerto written by an American-born composer, Otis B. Boise (1875), to the cutting-edge avant-garde of Milton Babbitt and Elliott Carter, just to name a few. These all contribute to the varied narrative that animates American piano music. With forty percent more works described, documented, and reviewed than were listed in the 1985 first edition from the College Music Society, this second edition is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.