De certezas e ilusiones


Book Description

Teorías, estudios, trayectos - Cultura, cultura popular, mediaciones - Identidad, modernidad, globalización - La dominación imperialista y la transnacioalización.




Latin American Identity in Online Cultural Production


Book Description

This volume provides an innovative and timely approach to a fast growing, yet still under-studied field in Latin American cultural production: digital online culture. It focuses on the transformations or continuations that cultural products and practices such as hypermedia fictions, net.art and online performance art, as well as blogs, films, databases and other genre-defying web-based projects, perform with respect to Latin American(ist) discourses, as well as their often contestatory positioning with respect to Western hegemonic discourses as they circulate online. The intellectual rationale for the volume is located at the crossroads of two, equally important, theoretical strands: theories of digital culture, in their majority the product of the anglophone academy; and contemporary debates on Latin American identity and culture.




Al sur de la modernidad


Book Description

Este libro recoge textos de los ultimos anos del comunicologo espanol-colombiano, en su mayoria de los noventa, dispersos en revistas y libros colectivos, que reunidos ahora por primera vez permiten examinar el itinerario intelectual de uno de los pensadores mas reconocidos en el ambito de la comunicacion y los estudios culturales. El libro se organiza en tres partes: "Diasporas del saber, mediaciones de comunicar", "Descentramientos de la modernidad" y "Destiempos latinoamericanos", y examina los temas del saber social, los enfoques transdisciplinarios, el consumo cultural, la globalizacion comunicacional, las relaciones entre nacion, modernidad y democracia, la formacion de identidades, la revolucion massmediatica, la telenovela, y el multiculturalismo, entre otros.







Cultural Agency in the Americas


Book Description

“Cultural agency” refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases and thereby making them available as inspirations for more constructive theory and more innovative practice. Creativity supports democracy because artistic, administrative, and interpretive experiments need margins of freedom that defy monolithic or authoritarian regimes. The ingenious ways in which people pry open dead-ends of even apparently intractable structures suggest that cultural studies as we know it has too often gotten stuck in critique. Intellectual responsibility can get beyond denunciation by acknowledging and nurturing the resourcefulness of common and uncommon agents. Based in North and South America, scholars from fields including anthropology, performance studies, history, literature, and communications studies explore specific variations of cultural agency across Latin America. Contributors reflect, for example, on the paradoxical programming and reception of a state-controlled Cuban radio station that connects listeners at home and abroad; on the intricacies of indigenous protests in Brazil; and the formulation of cultural policies in cosmopolitan Mexico City. One contributor notes that trauma theory targets individual victims when it should address collective memory as it is worked through in performance and ritual; another examines how Mapuche leaders in Argentina perceived the pitfalls of ethnic essentialism and developed new ways to intervene in local government. Whether suggesting modes of cultural agency, tracking exemplary instances of it, or cautioning against potential missteps, the essays in this book encourage attentiveness to, and the multiplication of, the many extraordinary instantiations of cultural resourcefulness and creativity throughout Latin America and beyond. Contributors. Arturo Arias, Claudia Briones, Néstor García Canclini, Denise Corte, Juan Carlos Godenzzi, Charles R. Hale, Ariana Hernández-Reguant, Claudio Lomnitz, Jesús Martín Barbero, J. Lorand Matory, Rosamel Millamán, Diane M. Nelson, Mary Louise Pratt, Alcida Rita Ramos, Doris Sommer, Diana Taylor, Santiago Villaveces




The Postmodern in Latin and Latino American Cultural Narratives


Book Description

This volume of new and reprinted articles, many translated here into English for the first time, examines the conditions, characteristics, and implications of the debate on Latin American Postmodernism, presenting an up-to-date rendering of its crucial issues. Special considerations are given to the theoretical aspects, such as ideological, political, literary-critical, and cultural implications. The scope of this debate embraces such matters as the problematic modernization of Latin America, cultural and political reformulation in the face of the media explosion, new critical perspectives facing the collapse of utopian ideologies, and new literary production: women's writing, and testimonio. Contributors include John Beverly, Antonio Ben'tez-Rojo and Antonio Vera-Le-n, Celeste Olalquiaga, Arturo Arias, Santiago Col s, Nelly Richard, Jesoes Mart'n-Barbero, Iumna Maria Simon, and Vinicius Dantas. The collection also contains some of the editor's personal interviews with scholars involved in this debate who live and work in Latin America: Roger Bartra and Jorge Juanes (Mexico), and Nicol s Casullo (Argentina).




The Evolution of Popular Communication in Latin America


Book Description

This book brings together twelve contributions that trace the empirical-conceptual evolution of Popular Communication, associating it mainly with the context of inequalities in Latin America and with the creative and collective appropriation of communication and knowledge technologies as a strategy of resistance and hope for marginalized social groups. In this way, even while emphasizing the Latin American and even ancestral identity of this current of thought, this book positions it as an epistemology of the South capable of inspiring relevant reflections in an increasingly unequal and mediatized world. The volume’s contributors include both early-career and more established professionals and natives of seven countries in Latin America. Their contributions reflect on the epistemological roots of Popular Communication, and how those roots give rise to a research method, a pedagogy, and a practice, from decolonial perspectives.