Concept, Design & Execution in Flemish Painting 1500-1700
Author : Hans Vlieghe
Publisher :
Page : 0 pages
File Size : 30,23 MB
Release : 2000
Category :
ISBN :
Author : Hans Vlieghe
Publisher :
Page : 0 pages
File Size : 30,23 MB
Release : 2000
Category :
ISBN :
Author : Hans Vlieghe
Publisher :
Page : pages
File Size : 20,99 MB
Release : 2000
Category :
ISBN :
Author : Rubenianum
Publisher : Brepols Publishers
Page : 300 pages
File Size : 14,25 MB
Release : 2000
Category : Art
ISBN :
This publication on Flemish painting deals with those elements of the social and intellectual context which played a role in the realisation of any work of art, the concrete steps taken within a workshop in preparing for the production of the work, and the production through to completion of the draft. Part One, Concept, deals with those elements of the social and intellectual context which played a role in the realisation of any work of art. This section therefore examines individual motivations and the intellectual background of artists and their patrons, as also their institutional context and working conditions. Part Two, Design, examines the concrete steps taken within a workshop in preparing for the production of a work of art. These include the use of study materials, such as collections of exempla, as well as the stages of work required to make exploratory sketches, the finished draft and thence its transfer to the definitive medium to be used. Part Three, Execution, focuses on the production through to completion of the draft on its support medium. This may be done by the artist himself, or through one or other method of sharing the work, such as the employing of assistants or specialists. Introduction by Frans Baudouin.
Author :
Publisher :
Page : 288 pages
File Size : 32,53 MB
Release : 2000
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ISBN : 9782503507316
Author : Rubenianum
Publisher : Brepols Publishers
Page : 300 pages
File Size : 37,61 MB
Release : 2000
Category : Art
ISBN :
This publication on Flemish painting deals with those elements of the social and intellectual context which played a role in the realisation of any work of art, the concrete steps taken within a workshop in preparing for the production of the work, and the production through to completion of the draft. Part One, Concept, deals with those elements of the social and intellectual context which played a role in the realisation of any work of art. This section therefore examines individual motivations and the intellectual background of artists and their patrons, as also their institutional context and working conditions. Part Two, Design, examines the concrete steps taken within a workshop in preparing for the production of a work of art. These include the use of study materials, such as collections of exempla, as well as the stages of work required to make exploratory sketches, the finished draft and thence its transfer to the definitive medium to be used. Part Three, Execution, focuses on the production through to completion of the draft on its support medium. This may be done by the artist himself, or through one or other method of sharing the work, such as the employing of assistants or specialists. Introduction by Frans Baudouin.
Author : Joost vander Auwera
Publisher : Lannoo Uitgeverij
Page : 308 pages
File Size : 17,85 MB
Release : 2007
Category : Art
ISBN : 9789020972429
Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research
Author : Anna Tummers
Publisher : Amsterdam University Press
Page : 192 pages
File Size : 43,28 MB
Release : 2008
Category : Art
ISBN : 9089640320
The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.
Author : Claudia Goldstein
Publisher : Routledge
Page : 188 pages
File Size : 34,69 MB
Release : 2017-07-05
Category : Art
ISBN : 1351554050
Mining a rich, interdisciplinary mix of sources, including stoneware jugs, personal correspondence, paintings, inventories, and literature written for the dining room, this study offers a critical and entirely original examination of the function of early modern images for the people who owned and viewed them. The study explores the emergence, functions and material culture of the Antwerp dinner party during the heady days of the mid-sixteenth century, when Antwerp?s art market was thriving and a new wealthy, non-noble class dominated the city. The author recontextualizes some of Bruegel?s work within the cultural nexus of the dining room, where material culture and theatrical performance met humanist wit and the desire for professional advancement. The narrative also touches on the reception of Northern art in Lombardy, on intersections among painting, material culture, and theater, and on intellectual history.
Author : Emma Barker
Publisher : Manchester University Press
Page : 471 pages
File Size : 37,1 MB
Release : 2018-07-01
Category : Art
ISBN : 1526122936
The book re-examines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict.
Author : Walter Melion
Publisher : BRILL
Page : 787 pages
File Size : 14,68 MB
Release : 2016-03-11
Category : Art
ISBN : 9004310436
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.