The Violin Conspiracy


Book Description

GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.




Violinist. Com Interviews


Book Description

"Violinist.com Interviews, Volume 2" features exclusive, one-on-one interviews conducted over the last six years with 26 of today's best-known violinists: Midori Goto, Gil Shaham, Hilary Hahn, James Ehnes, Rachel Barton Pine, Augustin Hadelich, Ray Chen, Tai Murray, Anne Akiko Meyers, Julian Rachlin, Aaron Rosand, Daniel Heifetz, Jennifer Koh, Philippe Quint, Daniel Hope, Lindsey Stirling, Alexander Markov, Frank Almond, Nathan Cole, Deborah Borda, Daishin Kashimoto, Rachel Podger, Jinjoo Cho, Terry Borman, Ning Feng, Mayu Kishima and Vera Tsu Weiling. Laurie Niles' in-depth interviews paint a wide-ranging picture of the various lives of a diverse group of violinists from four continents, including soloists, orchestra leaders, a baroque specialist, an orchestra CEO, a pop culture phenomenon and even a seasoned violin-maker. "Laurie has done an astonishing job of capturing each person's voice and personality," writes the award-winning violin soloist and recording artist Rachel Barton Pine in her foreword. "The story of the violin is still being written. Laurie Niles, with this volume of interviews, makes a remarkable contribution to our shared history."




The Concerto


Book Description

The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.




The Musical Times


Book Description




Catalogs


Book Description







Conducting and Rehearsing the Instrumental Music Ensemble


Book Description

Conducting and Rehearsing the Instrumental Music Ensemble is the most comprehensive guide on the rehearsalprocess for conducting instrumental music ensembles. Ideal for the advanced instrumental music conductor seeking to look beyond basic conducting technique, this work breaks the multidimensional activity of working with an ensemble, orchestra, or band into its constituent components. Advanced students of conducting will find within the full range of conducting activities: • Chapters on the infrastructure of the rehearsal, the rehearsal environment, 10 rehearsal essentials, score study, music imagery, inner singing, and rehearsal procedures (with an emphasis on an integrated approach to rehearsing) • The technical priorities of intonation and tuning, rhythm patterns, ensemble sonority (tone, balance, blend, color and texture), and articulation • The musical priorities of tempo and ensemble precision, phrasing and the musical line, style and interpretation, dynamics and musical expression • Emphasizing the expectations of 21st-century conductors, the challenges of conducting and rehearsing contemporary music, preparing conductor profiles and self-evaluations, and moving from the rehearsal process to concert performance Conducting and Rehearsing the Instrumental Music Ensemble is a great resource for teachers and students of conducting, as well as current conductors wishing to further hone their skills.




Catalog of Copyright Entries


Book Description




Classical Listening


Book Description

The classical record business gained a new lease on life in the 1980s when period instrument performances of baroque and classical music began to assume a place on the stage. This return to the past found its complement in the musical ascension of the American minimalists, in particular the music of Steve Reich, Philip Glass, and John Adams, and smaller specialty labels that focused on experimental composers like John Cage. During this period of change—of classical music’s transition of looking both forward and back—Rob Haskins served as a reviewer for The American Record Guide, tracing these evolutions while also attending to works emerging from within the mainstream of classical music performance and composition. Classical Listening: Two Decades of Reviews of Reviews from The American Record Guide collects the several hundred reviews produced since Rob Haskins’s start in the mid-1990s. A performer and musicologist, Haskins writes delightful, cogent reviews that unapologetically reflect his personal experience, musical interests, and professional background, emphasizing the value of subjectivity in music criticism. Witty, provocative, and eloquent, Haskins’s book reads like a diary of personal experience even as it addresses important topics as diverse as historical performance practice and the aesthetics of contemporary music. It is also a perfect guide to buying or listening for the classical music devotee seeking an informed opinion on the breadth of remarkable recordings available. Record collectors, students and scholars of early and contemporary music, and performers, professionals, and general music lovers will find this collection an invaluable resource as they trace the reception of recordings in the last twenty years of classical music performance.




Mozart's Chamber Music with Keyboard


Book Description

Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.