Author : Arnold Schering
Publisher :
Page : 48 pages
File Size : 48,74 MB
Release : 19??
Category : Concertos (Harpsichords (2) with string orchestra)
ISBN :
Author : Johann Sebastian Bach
Publisher : Schott & Company Limited
Page : 48 pages
File Size : 24,86 MB
Release : 1983-10
Category : Music
ISBN : 9783795769000
(Schott). For two harpsichords and orchestra.
Author : Johann Sebastian Bach
Publisher :
Page : 60 pages
File Size : 29,44 MB
Release : 1981
Category : Concertos (Harpsichords (2) with string orchestra)
ISBN :
Author :
Publisher : Edition Peters
Page : 999 pages
File Size : 24,49 MB
Release : 2022-05
Category : Music
ISBN :
Author : Johann Sebastian Bach
Publisher :
Page : 48 pages
File Size : 21,71 MB
Release : 1980
Category : Concertos (Harpsichords (2) with string orchestra)
ISBN :
Author :
Publisher : Edition Peters
Page : 52 pages
File Size : 47,60 MB
Release : 2022-05
Category : Music
ISBN :
Reconstructed from Bach's Concerto for Two Harpsichords (BWV 1060), this concerto is presented here in a reduction for violin, oboe and piano.
Author : Johann Sebastian Bach
Publisher : Courier Corporation
Page : 244 pages
File Size : 36,46 MB
Release : 1992-01-01
Category : Music
ISBN : 0486271366
Features six concertos, BWV 1060 through 1065 — three for 2 harpsichords, two for 3 harpsichords, and one for 4 harpsichords. Among the first keyboard concertos ever written, they are still immensely popular for their rare and exuberant musical qualities. Reprinted in one volume from the authoritative Breitkopf & Härtel edition.
Author : C. R. F. Maunder
Publisher : Boydell Press
Page : 304 pages
File Size : 41,40 MB
Release : 2004
Category : Music
ISBN : 9781843830719
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author : Johann Sebastian Bach
Publisher :
Page : 80 pages
File Size : 39,45 MB
Release : 1968
Category :
ISBN :
Author : Nicolae Sfetcu
Publisher : Nicolae Sfetcu
Page : 6042 pages
File Size : 18,73 MB
Release : 2014-05-07
Category : Music
ISBN :
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
