Concerto for oboe and orchestra, no. 2 in D major
Author : Antonio Rosetti
Publisher :
Page : 44 pages
File Size : 31,7 MB
Release : 2008
Category : Concertos (Oboe)
ISBN :
Author : Antonio Rosetti
Publisher :
Page : 44 pages
File Size : 31,7 MB
Release : 2008
Category : Concertos (Oboe)
ISBN :
Author : Joseph Fiala
Publisher :
Page : 80 pages
File Size : 39,8 MB
Release : 1969
Category : Concertos (Oboe)
ISBN :
Author : Gordon Jacob
Publisher :
Page : 48 pages
File Size : 37,45 MB
Release : 1957
Category : Concertos (Oboe)
ISBN :
Author : Bruno Maderna
Publisher :
Page : 28 pages
File Size : 44,83 MB
Release : 1969
Category : Concertos (Oboe)
ISBN :
Author : Karl Stamitz
Publisher :
Page : 52 pages
File Size : 21,48 MB
Release : 1989
Category : Concertos (Bassoon and oboe)
ISBN :
Author : D. Kern Holoman
Publisher : W. W. Norton & Company
Page : 768 pages
File Size : 37,98 MB
Release : 1992
Category : Music
ISBN : 9780393029369
Going to concerts is becoming, for large numbers of Americans, an increasingly frequent pleasure. For those who encounter unfamiliar traditions and terms in the concert hall, here is information and advice which tells all listeners what they need to know to be comfortable at an orchestral concert. Includes background, biographies, and discussions of 200 masterpieces. Drawings.
Author : Ludwig August Lebrun
Publisher :
Page : 44 pages
File Size : 19,91 MB
Release : 1999
Category : Concertos (Oboe)
ISBN :
Author : Ludwig August Lebrun
Publisher :
Page : 40 pages
File Size : 23,11 MB
Release : 2000
Category : Concertos (Oboe)
ISBN :
Author :
Publisher :
Page : pages
File Size : 42,28 MB
Release : 2009
Category :
ISBN :
Author : Stephan D. Lindeman
Publisher : Pendragon Press
Page : 368 pages
File Size : 14,14 MB
Release : 1999
Category : Juvenile Nonfiction
ISBN : 9781576470008
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR