Concerto grosso e-moll op. 6 no. 3
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File Size : 48,71 MB
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File Size : 16,11 MB
Release : 1942
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Author : George Frideric Handel
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Page : 48 pages
File Size : 27,26 MB
Release : 1906
Category : Concerti grossi
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Author : Francesco Geminiani
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Page : 12 pages
File Size : 47,65 MB
Release : 1998
Category : Concerti grossi
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Author : George Frideric Handel
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Page : 28 pages
File Size : 40,41 MB
Release : 1906
Category : Concerti grossi
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Author : George Frideric Handel
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Page : 28 pages
File Size : 25,96 MB
Release : 1940*
Category : Concerti grossi, Arranged
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Author : George Frideric Handel
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Page : pages
File Size : 17,98 MB
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Author : George Frideric Handel
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Page : 18 pages
File Size : 13,63 MB
Release : 1920
Category : Concerti grossi
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Author : Distinguished James McGill Professor Emeritus of Music Theory William E Caplin
Publisher : Oxford University Press
Page : 649 pages
File Size : 27,8 MB
Release : 2024-10-04
Category : Music
ISBN : 0197782167
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
Author : Timothy Cutler
Publisher : Routledge
Page : 314 pages
File Size : 16,81 MB
Release : 2019-02-04
Category : Music
ISBN : 1351069152
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.