Concerto Grosso, Op. 6, No. 7, D-Major
Author : Arcangelo Corelli
Publisher :
Page : 28 pages
File Size : 48,5 MB
Release : 1949
Category : Concerti grossi
ISBN :
Author : Arcangelo Corelli
Publisher :
Page : 28 pages
File Size : 48,5 MB
Release : 1949
Category : Concerti grossi
ISBN :
Author : David Daniels
Publisher : Scarecrow Press
Page : 634 pages
File Size : 18,40 MB
Release : 2005-10-13
Category : Music
ISBN : 146166425X
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Author : Timothy Cutler
Publisher : Routledge
Page : 314 pages
File Size : 21,37 MB
Release : 2019-02-04
Category : Music
ISBN : 1351069152
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Author : David Daniels
Publisher : Rowman & Littlefield
Page : 1464 pages
File Size : 10,80 MB
Release : 2022-06-30
Category : Music
ISBN : 1442275219
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author : Heinrich Schenker
Publisher : Pendragon Press
Page : 196 pages
File Size : 44,32 MB
Release : 2001
Category : Composition (Music)
ISBN : 9781576470749
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Author : Leon Stein
Publisher : Alfred Music
Page : 324 pages
File Size : 23,53 MB
Release : 1999-11-27
Category : Music
ISBN : 9781457400940
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Author : Library of Congress. Copyright Office
Publisher :
Page : 1066 pages
File Size : 36,92 MB
Release : 1956
Category : Copyright
ISBN :
Author : Barbara Ashby
Publisher : Rhinegold Education
Page : 113 pages
File Size : 28,5 MB
Release : 2017-05-19
Category : Study Aids
ISBN : 178323928X
The OCR GCSE Music Revision Guide presents all the key information you will need to know for the Listening and Appraising exam of the 9-1 specification - For exams 2017 onwards. It includes: - Top ten revision tips - Notes on the elements of music - Sections on each of the main topics in Areas of Study 2, 3, 4 and 5 - Crosswords, quizzes and questions - A glossary of the technical terms you will need to learn
Author : University of Michigan. University Musical Society
Publisher : UM Libraries
Page : 184 pages
File Size : 28,48 MB
Release : 1954
Category : Concerts
ISBN :
Author : Library of Congress
Publisher :
Page : 524 pages
File Size : 33,27 MB
Release : 1973
Category : Audio-visual materials
ISBN :
A cumulative list of works represented by Library of Congress printed cards.