Konzert für Horn und Orchester Nr. 2 Es-dur KV 417 (mit Es- und F-Stimme)
Author : Wolfgang Amadeus Mozart
Publisher :
Page : 22 pages
File Size : 39,8 MB
Release : 2002-03
Category :
ISBN :
Author : Wolfgang Amadeus Mozart
Publisher :
Page : 22 pages
File Size : 39,8 MB
Release : 2002-03
Category :
ISBN :
Author : Wolfgang Amadeus Mozart
Publisher :
Page : 36 pages
File Size : 20,95 MB
Release : 1960
Category : Concertos (Horn with orchestra)
ISBN :
Author : Wolfgang Amadeus Mozart
Publisher : Alfred Music
Page : 28 pages
File Size : 32,96 MB
Release :
Category : Music
ISBN : 9781457475719
A French Horn solo composed by Wolfgang Amadeus Mozart.
Author : Wolfgang Amadeus Mozart
Publisher :
Page : 32 pages
File Size : 37,37 MB
Release : 1983-10-12
Category :
ISBN : 9783795772406
Author : Wolfgang Amadeus Mozart
Publisher : Alfred Music Publishing
Page : 36 pages
File Size : 13,16 MB
Release : 1985-03
Category : Music
ISBN : 9780769281889
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Author : Robert Philip
Publisher : Yale University Press
Page : 969 pages
File Size : 31,80 MB
Release : 2018-12-04
Category : Music
ISBN : 0300242727
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
Author : Johann Mattheson
Publisher : Alfred Music
Page : 120 pages
File Size : 28,81 MB
Release : 1999-01-15
Category : Music
ISBN : 9781457469749
Kalmus proudly presents this complete collection of the flute sonatas of Johann Matheson. Included are the piano accompaniment and a separate solo flute part in this new cleanly printed edition.
Author : Abraham Veinus
Publisher : Courier Corporation
Page : 337 pages
File Size : 18,48 MB
Release : 1964-01-01
Category : Music
ISBN : 0486211789
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author : Stephan D. Lindeman
Publisher : Pendragon Press
Page : 368 pages
File Size : 10,99 MB
Release : 1999
Category : Juvenile Nonfiction
ISBN : 9781576470008
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Herbert L. Clarke
Publisher : Colchis Books
Page : 55 pages
File Size : 45,93 MB
Release :
Category : Music
ISBN :
There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.