Concerto for violin and orchestra no. 3 in B minor, op. 61
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Page : pages
File Size : 46,2 MB
Release : 2018
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Page : pages
File Size : 46,2 MB
Release : 2018
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Author : Camille Saint-Saëns
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Page : pages
File Size : 46,76 MB
Release : 1964
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Author : Camille Saint-Saëns
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Page : pages
File Size : 50,89 MB
Release : 1983
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Publisher : Alfred Publishing Company
Page : 15 pages
File Size : 14,12 MB
Release : 1985-03-01
Category : Music
ISBN : 9780769295107
Author : Edward Elgar
Publisher : Courier Corporation
Page : 99 pages
File Size : 24,18 MB
Release : 2013-10-01
Category : Music
ISBN : 0486316343
This practice and performance edition of one of the most beloved pieces in the modern violin repertoire contains a piano reduction and a separate violin part.
Author : Simon P. Keefe
Publisher : Cambridge University Press
Page : 344 pages
File Size : 23,10 MB
Release : 2005-10-27
Category : Music
ISBN : 9780521834834
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author : Saint-Saens
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Page : pages
File Size : 31,46 MB
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Author : Stephan D. Lindeman
Publisher : Taylor & Francis
Page : 666 pages
File Size : 50,67 MB
Release : 2006
Category : Music
ISBN : 0415976197
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author : Michael Talbot
Publisher : Oxford Monographs on Music
Page : 272 pages
File Size : 39,8 MB
Release : 2001
Category : Language Arts & Disciplines
ISBN : 9780198166955
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author : Robin Stowell
Publisher : Cambridge University Press
Page : 142 pages
File Size : 18,85 MB
Release : 1998-02-12
Category : Music
ISBN : 0521451590
Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.