Goldberg variations, BWV988 [registro sonoro]
Author : Johann Sebastian Bach
Publisher :
Page : pages
File Size : 29,58 MB
Release : 1982
Category :
ISBN :
Author : Johann Sebastian Bach
Publisher :
Page : pages
File Size : 29,58 MB
Release : 1982
Category :
ISBN :
Author : Ludwig van Beethoven
Publisher :
Page : 154 pages
File Size : 39,90 MB
Release : 1901
Category : Concertos (Piano)
ISBN :
Author : Ludwig van Beethoven
Publisher : Eulenburg
Page : 107 pages
File Size : 31,11 MB
Release : 2017-05-01
Category : Music
ISBN : 3795714109
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author : Beethoven
Publisher : Createspace Independent Publishing Platform
Page : 34 pages
File Size : 47,4 MB
Release : 2018-03-29
Category :
ISBN : 9781986949293
Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.
Author : Edward Elgar
Publisher :
Page : 88 pages
File Size : 37,74 MB
Release : 1905
Category : Piano music (4 hands), Arranged
ISBN :
Author : Ludwig van Beethoven
Publisher : Eulenburg
Page : 139 pages
File Size : 26,89 MB
Release : 2017-05-01
Category : Music
ISBN : 3795714117
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author : Brendan Slocumb
Publisher : Anchor
Page : 353 pages
File Size : 40,47 MB
Release : 2022-02-01
Category : Fiction
ISBN : 059331543X
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Author : Frédéric Chopin
Publisher : Alfred Music
Page : 108 pages
File Size : 47,19 MB
Release :
Category : Music
ISBN : 9781457422805
The 17 waltzes comprising this volume are among Chopin's most popular compositions. Composed over a period of 20 years (from 1827-1847), only eight waltzes were published during Chopin's lifetime. Many of the others were written as gifts for women with whom he was acquainted. This practical performing edition is clearly spaced for ease in reading and contains a thematic index.
Author : Ludwig van Beethoven
Publisher : Warner Bros. Publications
Page : 0 pages
File Size : 38,59 MB
Release : 1985-03
Category : Piano music
ISBN : 9780769239514
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
Author : Theodor W. Adorno
Publisher : John Wiley & Sons
Page : 249 pages
File Size : 38,12 MB
Release : 2014-11-05
Category : Philosophy
ISBN : 0745694527
At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.