Concerto Nr. III in D-dur
Author : Johann Sebastian Bach
Publisher :
Page : 46 pages
File Size : 23,32 MB
Release : 1999
Category : Concertos (Harpsichord with string orchestra)
ISBN :
Author : Johann Sebastian Bach
Publisher :
Page : 46 pages
File Size : 23,32 MB
Release : 1999
Category : Concertos (Harpsichord with string orchestra)
ISBN :
Author : Joseph Haydn
Publisher :
Page : 26 pages
File Size : 42,80 MB
Release : 1979
Category : String quartets
ISBN :
Author : Baldassare Galuppi
Publisher :
Page : 18 pages
File Size : 50,93 MB
Release : 1981
Category : Concertos (String orchestra)
ISBN :
Author : Luigi Boccherini
Publisher :
Page : 72 pages
File Size : 41,54 MB
Release : 1993
Category : Symphonies
ISBN :
Author : Carl Philipp Emanuel Bach
Publisher : A-R Editions, Inc.
Page : 118 pages
File Size : 26,11 MB
Release : 1970-01-01
Category : Music
ISBN : 0895790246
Author : Sergei Rachmaninoff
Publisher :
Page : 79 pages
File Size : 44,2 MB
Release : 19??
Category : Concertos (Piano)
ISBN :
Author : Luigi Gatti
Publisher :
Page : 34 pages
File Size : 39,6 MB
Release : 1980
Category : Sonatas (Violin and viola)
ISBN :
Author : Joseph Haydn
Publisher :
Page : 48 pages
File Size : 18,32 MB
Release : 1960
Category : Suites (Horns (4), violin, viola, cello)
ISBN :
Author : Library of Congress. Copyright Office
Publisher :
Page : 996 pages
File Size : 18,97 MB
Release : 1953
Category : Copyright
ISBN :
Author : Alexis Luko
Publisher : Routledge
Page : 334 pages
File Size : 35,54 MB
Release : 2015-08-11
Category : Music
ISBN : 1135022739
Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman is the first musical examination of Bergman’s style as an auteur filmmaker. It provides a comprehensive examination of all three aspects (music, sound effects, and voice) of Bergman’s signature soundtrack-style. Through examinations of Bergman’s biographical links to music, the role of music, sound effects, silence, and voice, and Bergman’s working methods with sound technicians, mixers, and editors, this book argues that Bergman’s soundtracks are as superbly developed as his psychological narratives and breathtaking cinematography. Interdisciplinary in nature, this book bridges the fields of music, sound, and film.