Johann Sebastian Bach


Book Description

Publisher Description




A New Handbook of Literary Terms


Book Description

A New Handbook of Literary Terms offers a lively, informative guide to words and concepts that every student of literature needs to know. Mikics’s definitions are essayistic, witty, learned, and always a pleasure to read. They sketch the derivation and history of each term, including especially lucid explanations of verse forms and providing a firm sense of literary periods and movements from classicism to postmodernism. The Handbook also supplies a helpful map to the intricate and at times confusing terrain of literary theory at the beginning of the twenty-first century: the author has designated a series of terms, from New Criticism to queer theory, that serves as a concise but thorough introduction to recent developments in literary study. Mikics’s Handbook is ideal for classroom use at all levels, from freshman to graduate. Instructors can assign individual entries, many of which are well-shaped essays in their own right. Useful bibliographical suggestions are given at the end of most entries. The Handbook’s enjoyable style and thoughtful perspective will encourage students to browse and learn more. Every reader of literature will want to own this compact, delightfully written guide.




The Age of Subtlety


Book Description

A craze for intricate metaphors, referred to as conceits, permeated all forms of communication in seventeenth-century Italy and Spain, reshaping reality in highly creative ways. The Age of Subtlety: Nature and Rhetorical Conceits in Early Modern Europe situates itself at the crossroads of rhetoric, poetics, and the history of science, analyzing technical writings on conceits by such scholars as Baltasar Gracián, Matteo Peregrini, and Emanuele Tesauro against the background of debates on telescopic and microscopic vision, the generation of living beings, and the boundaries between the natural and the artificial. It contends that in order to understand conceits, we must locate them within the early modern culture of ingenuity that was also responsible for the engineer’s machines, the juggler’s sleight of hand, the wiles of the statesman, and the discovery of truths about nature.




Ethics and Perplexity


Book Description

Dialogical reason requires dialogue among the members of a community. Thinkers like Habermas and Apel have proposed that judgments of both fact and value become objects of public debate. The debate should determine whether these judgments can earn the assent of the community. If so, they attain a degree of intersubjective validity. Javier Muguerza's Ethics and Perplexity makes a highly original contribution to the debate over dialogical reason. The work opens with a letter that establishes a parallel between Ethics and Perplexity and Maimonides's classic Guide of the Perplexed. It concludes with an interview that repeatedly strikes sparks on Spanish philosophy's emergence from its "long quarantine," as Muguerza puts it. These informal pieces--witty, informative, conversational--orbit the nucleus of the work: a formidable critique of dialogical reason. The result is a volume by turns vivid and profound. Muguerza insists that the experience of perplexity is inseparable from the exercise of philosophy. Perplexity is linked to aporia and wonder, which the ancients identified as the origin of their activity. The only solidarity among philosophers is that of searching, and philosophy is hardly more than a set of questions unceasingly posed and posed again, of forever open problems, of perplexities that assail us over and over again. Perplexity avoids both the certainty of dogmatism and the ignorance of skepticism. In fact, it is the only philosophical ailment capable of immunizing us against both. Philosophy is always a guide to the perplexed. The series Philosophy in Spain, founded to bring Spanish philosophy to the attention of English-speaking philosophers, seeks outstanding works by classic and contemporary Spanish thinkers as well as books on Spanish philosophy.




Civic Virtue and the Sovereignty of Evil


Book Description

There is a growing perception of ethical crisis in public life. This book articulates a new perspective on public morality in uncertain times by defending a radical re-orientation of civic ethics away from the pursuit of the good society and towards the prevention of the great evils of human existence.




Citizens of Discord


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Cynthia Damon is Professor of Classical Studies at the University of Pennsylvania. --




Hearing Voices


Book Description

Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51-95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana's work, however, links between the poet's musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana--and indeed in early modern cultural production in general. As in many areas of her work, Sor Juana's engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and--in most cases--its relationship with gender in Sor Juana's work and early modern culture. Sarah Finley explores attitudes toward women's voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics. Finley demonstrates how Sor Juana's striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men's voices. Sound becomes a vehicle for women's agency and responds to anxiety about the female voice, particularly in early modern convent culture.




The World Upside Down in 16th-Century French Literature and Visual Culture


Book Description

In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ‘topsy-turvy’ in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.