Confessio Amantis, Volume 1


Book Description

The complete text of John Gower's poem is a three-volume edition, including all Latin components-with translations-of this bilingual text and extensive glosses, bibliography and explanatory notes. Volume 1 contains the Prologue and Books 1 and 8, in effect the overall structure of Gower's poem.







Mirour de L'Omme


Book Description

The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.







The Poetic Voices of John Gower


Book Description

Gower's use of the persona, the figure of the writer implicated in the text, is the main theme of this book. While it traces the development of Gower's voice through his major works, it concentrates on the dialogue of Amans and Genius in the Confessio Amantis. It argues that Gower negotiates problems of politics and problems of love by means of an analogy between political ethics and the rules of fin amour; Amans and Genius are both drawn from and occupied with amatory and ethical traditions, and their discourse produces a series of attempts to find a coherent and rational union of lover and ruler. The volume also argues that Gower's goal is poetic as well as political: through the personae, Gower's readers experience the pains and pleasures of erotic and social love. Gower's personae voice potential responses to exemplary experience, prompting readers to feel and to judge, and moving them to become better lovers and better rulers. Gower's analogy between fin amour and politics brings the affects of the lover to the action of government, and suggests for both love and rule the moderation that brings peace and joy. Matthew W. Irvin is Assistant Professor in the Department of English and Chair of the Medieval Studies Program at Sewanee.




John Gower in Manuscripts and Early Printed Books


Book Description

Essays considering the relationship between Gower's texts and the physical ways in which they were first manifested.




The Monstrous New Art


Book Description

Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work.




John Gower in England and Iberia


Book Description

John Gower's great poem, the Confessio Amantis, was the first work of English literature translated into any European language. Occasioned by the existence in Spain of fifteenth-century Portuguese and Spanish manuscripts of the Confessio, the nineteen essays brought together here represent new and original approaches to Gower's role in Anglo-Iberian literary relations. They include major studies of the palaeography of the Iberian manuscripts; of the ownership history of the Portuguese Confessio manuscript; of the glosses of Gowerian manuscripts; and of the manuscript of the Yale Confessio Amantis. Other essays situate the translations amidst Anglo-Spanish relations generally in the fourteenth and fifteenth centuries; examine possible Spanish influences on Gower's writing; and speculate on possible providers of the Confessio to Philippa, daughter of John of Gaunt and queen of Portugal. Further chapters broaden the scope of the volume. Amongst other topics, they look at Gower's use of Virgilian/Dantean models; classical gestures in the Castilian translation; Gower's conscious contrasting of epic ideals and courtly romance; nuances of material goods and the idea of "the good" in the Confessio; Marxian aesthetics, Balzac, and Gowerian narrative in late medieval trading culture between England and Iberia; reading the Confessio through the lens of gift exchange; literary form in Gower's later Latin poems; Gower and Alain Chartier as international initiators of a new "public poetry"; and the modern sales history of manuscript and early printed copies of the Confessio, and what it reveals about literary trends. Ana S ez Hidalgo is Associate Professor at the University of Valladolid, Spain; R.F. Yeager is Professor of English and World Languages and chair of the department at the University of West Florida. Contributors: Mar a Bull n-Fern ndez, David R. Carlson, Si n Echard, A.S.G. Edwards, Robert R. Edwards, Tiago Vi la de Faria, Andrew Galloway, Fernando Galv n, Marta Mar a Guti rrez Rodr guez, Mauricio Herrero Jim nez, Ethan Knapp, Roger A. Ladd, Alberto L zaro, Mar a Luisa L pez-Vidriero Abell , Matthew McCabe, Alastair J. Minnis, Clara Pascual-Argente, Tamara Para A. Shailor, Winthrop Wetherbee




The Gender of Money in Middle English Literature


Book Description

The Gender of Money in Middle English Literature: Value and Economy in Late Medieval England explores the vital and under-examined role that gender plays in the conceptualization of money and value in a period that precedes and shapes what we now recognize as the discipline of political economy. Through readings of a range of late Middle English texts, this book demonstrates the ways in which gender ideology provided a vocabulary for articulating fears and fantasies about money and value in the late Middle Ages. These ideas inform beliefs about money and value in the West, particularly in realms that are often seen as outside the sphere of economy, such as friendship, love and poetry. Exploring the gender of money helps us to better understand late medieval notions of economy, and to recognize the ways in which gender ideology continues to haunt our understanding of money and value, albeit often in occluded ways.




The Siege of Thebes


Book Description

John Lydgate's The Siege of Thebes, written c. 1421-22, is the only Middle English poetic text that recounts the fratricidal struggle between Oedipus's sons Eteocles and Polynices as they contend for the lordship of Thebes. The text reflects the problem of poetic authority and the political and ethical themes of Lydgate's poetic career in the 1420s, when he was writing as a Lancastrian propagandist and as unofficial royal poet.