Confessions of a Werewolf Supermodel


Book Description

Supermodel Lou Kipinski seems to have it all. But beauty is only skin deep—and sometimes Lou's porcelain complexion can get a bit hairy. The only thing worse than a furry fashion faux-pas? Fangs in her million-dollar smile. That's what happened six months ago, when Lou had her first outbreak. But now that she's at the height of her career she absolutely must find a cure...So what's a single werewolf gotta do? Then a sexy detective comes knocking on her door. Two women who bear an eerie resemblance to Lou have been killed—something with teeth and claws tore them apart. Is it a coincidence that the grisly murders have taken place during the same time as Lou's own outbreaks? With a killer at her heels and another outbreak just a concealer-wand's distance away, Lou is soon in a race to discover truths about her own murky past. And before it's all over she may be forced to show the world that her bark is nothing compared to her bite...




Werewolves and Other Shapeshifters in Popular Culture


Book Description

In recent years, shapeshifting characters in literature, film and television have been on the rise. This has followed the increased use of such characters as metaphors, with novelists and critics identifying specific meanings and topics behind them. This book aims to unravel the shapeshifting trope. Rather than pursue a case-based study, the works are grouped around specific themes--adolescence, gender, sexuality, race, disability, addiction, and spirituality--that are explored through the metaphor of shapeshifting. Because of the transformative possibilities of this metaphor and its flexibility, the shapeshifter has the potential to change how we see our world. With coverage of iconic fantasy texts and a focus on current works, the book engages with the shapeshifting figure in popular culture from the United States, Canada, the United Kingdom, and Australia. Instructors considering this book for use in a course may request an examination copy here.




The Mammoth Book of Best New Horror 19


Book Description

Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Neil Gaiman, Brian Keene, Elizabeth Massie, Glen Hirshberg, Peter Atkins and Tanith Lee. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction. PRAISE FOR THE SERIES 'Well-crafted celebration of a continuously inventive genre' SFX Magazine 'The must-have annual anthology for horror fans.' Time Out 'An essential volume for horror readers.' Locus 'In an age where genre fiction is often just reheated pastiche, the Best New Horror series continues to break from the herd, consistently raising the bar of quality and ingenuity.' Rue Morgue 'Brilliantly edited and most instructively introduced by legendary anthologist Stephen Jones.' Realms of Fantasy 'One of horror's best.' Publishers Weekly




Of Sex and Faerie: Further Essays on Genre Fiction


Book Description

Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.




Charmed & Ready


Book Description

After spending most my life single (for witches it’s practically an occupational hazard) I finally found someone to love. OK, so then he got killed, but he’s recuperating nicely. And I should be home, nursing him—maybe just a little bit naughtily—back to health. But no. The Prime Minister asked if I could look after this rock star buddy of his, Zane. Creepy Goth guys in cloaks keep showing up at his concerts and zapping his mojo. Hmm, smells like teen warlock to me. Anyway, I owe the PM, and Zane is fun, too—I mean, what girl wouldn’t want to hang with the hottest man in music? Look, everyone has vices. Right now, I’d like to indulge in one of mine and blow some people up so I can get back to my sweetie in Texas. But if these caped dudes don’t show themselves before another paparazzi shot of Zane and me hits the tabloids, I may not have a boyfriend to go home to. “From demon-hunting and club-hopping to boyfriend-minding and shoe-shopping, this book has it all.”—Romancedivas.com “A delightful ride from the first page to the last . . . the action is immediate and lightning fast.”—Romance Reviews Today







The Crown's Obsession


Book Description

"Your bed is cold," spoke a voice in the room that had her eyes go wide in fear. Nervously, she turned around, gulping softly to see a shadow on her bed as if someone laid down there. The man who had been lying down sat up emerging out from the shadows where he had been waiting for her. "What are you doing here?" she asked when his feet touched the ground and he pushed himself up to start walking towards her. His handsome features looked darker than usual because of the lack of light in the room. "I came to meet you," he tilted his head, "Where did you go?" "I went out for a walk," came the quick reply that had him smile, a smile that scared her the most. She took a step back when he came close to her. It didn't stop him from cornering her, and her back hit the wall behind her. He raised his hand towards her face, and she closed her eyes, scared. She shuddered when his fingers trail down from her temple and her jaw and neck. Her blonde hair was left open. "In the middle of the night?" she didn't answer him knowing he could decipher her lies through her words. He stepped closer that had her turn her face away from him and his words vibrated on the skin of her neck, "Did you go to meet him, my sweet girl?"




The Carry On Films


Book Description

Saucy, rude and vulgar—the 31 Carry On films remain an important part of the history of British cinematic and low brow comedy. In this book, Gerrard discusses the Carry On roots in the music halls of the Victorians and the saucy seaside postcards of Donald McGill. Made in post-war Britain, these films reflect a remarkable period of social change as the British Empire faded and a nation learned to laugh at itself. Nothing was sacred to the Carry On team. James Bond and Cleopatra were mercilessly lampooned, Miss World competitions and toilet factories came in for a cinematic pasting, while Sid James’ laugh, Barbara Windsor’s wiggle, Kenneth Williams’ flared nostrils and Charles Hawtrey’s “Oh, hello!” became synonymous with laughter, merriment and fun. Gerrard’s work examines the Carry On films as part of a wider canvas linking both their heritage and tradition to the contextual world they mirrored. The Carry On Films is an essential read for Carry On fans the country through.“div>Ding dong! Carry On!/div




Nothing Lost


Book Description

A grisly racial murder in what news commentators insist on calling “the heartland.” A feeding frenzy of mass media and seamy politics. An illicit love affair with the potential to wreck lives. In his grandly inventive last novel, John Gregory Dunne orchestrated these elements into a symphony of American violence, chicanery, and sadness.In the aftermath of Edgar Parlance’s killing, the small prairie town of Regent becomes a destination for everyone from a sociopathic teenaged supermodel to an enigmatic attorney with secret familial links to the worlds of Hollywood and organized crime. Out of their manifold convergences, their jockeying for power, publicity or love, Nothing Lost creates a drama of magnificent scope and acidity.




The Queer Fantasies of the American Family Sitcom


Book Description

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.