Studies in the Archaeology of the Medieval Mediterranean


Book Description

The medieval Mediterranean world has inspired a rich variety of archaeological studies aimed at trying to piece together its past. This volume presents seven case studies that reveal the complexities of and possible solutions for exploring various areas of the Mediterranean basin. Individually, they offer models of interdisciplinary study that move beyond the disciplinary boundaries of archaeology to integrate evidence from other fields ranging from history to town planning. As a whole, they provide the only collection of studies of their kind for the medieval Mediterraean. They thus provide readers with a view of a field that is vibrant, nuanced, and utilizes a methodological approach that is capable of greatly increasing our knowledge of the medieval Mediterranean world. Contributors are Tasha Vorderstrasse, Jon van Leuven, Cédric Devais, Michelle Hobart, Giulia Annalinda Neglia, Johnny De Meulemeester, and Sauro Gelichi.




The Archaeology of Imperial Landscapes


Book Description

This book examines the poorly understood transformations in rural landscapes and societies that formed the backbone of ancient empires.




From Space to Place


Book Description

This conference at Rome in December 2006, promoted the use of integrated methodologies in remote sensing archaeology so as to help in the creation of new and sustainable policies in the monitoring, interpretation, fruition and communication of the cultural heritage. Including 67 papers from 10 sessions.




Uses of Heritage


Book Description

Examining international case studies including USA, Asia, Australia and New Zealand, this book identifies and explores the use of heritage throughout the world. Challenging the idea that heritage value is self-evident, and that things must be preserved, it demonstrates how it gives tangibility to the values that underpin different communities.







Inventing Eastern Europe


Book Description

Wolff explores how Western thinkers contributed to defining and characterizing Eastern Europe as half-civilized and barbaric.




Historical Painting Techniques, Materials, and Studio Practice


Book Description

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.




Ruling Culture


Book Description

"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--




Titian Remade


Book Description

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.