Contemporary African Dance Theatre


Book Description

This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.




Contemporary Dance


Book Description

African dance is discussed here in its global as well as local contexts as a powerful vehicle of aesthetic and cultural exchange and influence.




Narratives in Black British Dance


Book Description

This book explores Black British dance from a number of previously-untold perspectives. Bringing together the voices of dance-artists, scholars, teachers and choreographers, it looks at a range of performing arts from dancehall to ballet, providing valuable insights into dance theory, performance, pedagogy, identity and culture. It challenges the presumption that Blackness, Britishness or dance are monolithic entities, instead arguing that all three are living networks created by rich histories, diverse faces and infinite future possibilities. Through a variety of critical and creative essays, this book suggests a widening of our conceptions of what British dance looks like, where it appears, and who is involved in its creation.




African Contemporary Dance?


Book Description




African Dance in Ghana


Book Description

"In eight chapters, the author guides the reader through the history of dance in Ghana and West Africa: from the traditional dances at special occasions to contemporary performances in Ghana and elsewhere. The book is illustrated with photos, sketches and explanatory diagrams."--Book jacket.







Umfundalai


Book Description

Umfundalai, a Kiswahili word meaning "essence" or "essential", is now also the name of an innovative dance technique discovered and developed by the author of this book to enable anyone to perform traditional African dances. In 1970-71, as an eager young student, the author set about organizing the complex multiplicity of rhythms and movements displayed in the various traditional dances still practiced in rural villages throughout the continent of Africa. In the process, she isolated the elements essential to all African dances: the circle (the earliest form of dance, symbol of the unified whole); repetition (a necessary extension of rhythm); rattling and ululation (natural accompaniments of rhythm). She also discovered their wider, social and political symbolism; the unique power inherent in rhythm; the responsibilities inherent in leadership and control; and the political and moral standards inherent in human society. Then, after a crucial, challenging encounter with a master teacher of dance, she delved deeply into the histories, the arts, and the philosophies of successive African civilizations-Pharaonic, Sudanese, Colonial, Diasporic, Post-Colonial, Pre-Independent, and Independent. Now, from the crucible of time and one woman's personal voyage of discovery, there has emerged not only a fresh and vibrant vehicle for the self-expression of a people, but also a powerful political and moral instrument of immense contemporary impact. Umfundalai not only mirrors the rich and variegated African dance aesthetic...it not only incarnates a wealth of African history, philosophy, and art...it actually serves and empowers the dancer, the artist, and the audience by invoking the communal powerof African dance to stimulate political and social action. More than a technique, Umfundalai is an organic and exhilarating series of rhythms, movements, and sounds that affirms life's passages (birth, marriage, death, rebirth, etc.), celebrates a holistic system of beliefs and values, and salutes the universal and unifying life force that is Africa's most precious resource.




Heat and Alterity in Contemporary Dance


Book Description

This book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of “tradition” and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different “global stage,” the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice. Winner of the 2022 Oscar G. Brockett Prize for Dance Research




World Encyclopedia of Contemporary Theatre


Book Description

This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.




Hot Feet and Social Change


Book Description

The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh