Oh, Canada


Book Description

"The fact that Canada has a vibrant contemporary art scene is no secret to Canadians, but in other parts of the world, including the United States, this is not as recognized as it deserves to be. This wide-ranging, comprehensive survey of contemporary Canadian art, showcasing the work of artists from all across the country, will change that. These artists include those who have risen to international prominence - Michael Snow, Garry Neill Kennedy, and Marcel Dzama, among others - as well as many artists who have yet to be discovered outside Canada.




North American Women Artists of the Twentieth Century


Book Description

First Published in 1997. North American Women Artists of the Twentieth Century: A Biographical Dictionary was created to fill a gap of there being a comprehensive reference work like this available, even though the bibliography in English on various aspects of the history of women artists has grown exponentially during the past ten years. As researchers, the editors have been frustrated many times by being unable to locate basic information about many of the artists included in this volume—especially those working outside the United States. This leads directly to another reason for producing this particular kind of reference book—to try and create a better understanding between and among the artists and art audiences in these countries.




Kent Monkman - Life & Work


Book Description

"Kent Monkman: Life & Work" is the first comprehensive book on one of the most important and internationally celebrated contemporary artists in Canada. Subversive, bold, unapologetic, and unforgiving, the work of Kent Monkman (b.1965) has left an unmistakable mark on contemporary Canadian art. Since the early 2000s, Monkman, accompanied by his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle, has redefined the Canadian cultural landscape. Riffing on techniques of the Old Masters, Monkman first found fame by recreating notable landscape paintings and populating them with Indigenous visions of resistance.




Canadian Art in the Twentieth Century


Book Description

Joan Murray discusses social and political events in combination with the movements, ideas, attitudes, styles, and important groups in Canadian art of this century.




Diversity Counts


Book Description

Despite the common belief that art galleries will naturally become more gender equitable over time, the fact is that many art institutions in Canada have become even less so over the last decade, with female artists making up less than 25 per cent of the contemporary exhibitions of several major galleries. In the first large-scale overview of gender diversity in Canadian art exhibitions, Anne Dymond makes a persuasive plea for more consciously equitable curating. Drawing on data from nearly one hundred institutions, Diversity Counts reveals that while some galleries are relatively equitable, many continue to marginalize female and racialized artists. The book pursues an interdisciplinary approach, considering the art world's resistance to numeric data, discourses on representation and identity, changing conceptualizations of institutional responsibility over time, and different ways particular institutions manage inclusion and exclusion. A thoughtful examination of the duty of public galleries to represent underserved communities, Dymond's study bravely navigates the unspoken criteria for acceptance in the curatorial world. Demonstrating how important hard data is for inclusivity, Diversity Counts is a timely analysis that brings the art world up to date on progressive movements for social transformation.




Robert Houle


Book Description

Saulteaux artist Robert Houle (b.1947) has claimed space and authority for Indigenous representation in contemporary art for more than fifty years. This new publication celebrates his generational influence and coincides with his exhibition Red Is Beautiful, organized by the Art Gallery of Ontario and touring to the Winnipeg Art Gallery and the National Museum of the American Indian at the Smithsonian Institution. A curator, writer, and educator as well as an artist, Houle has made a profound impact. Growing up on the Sandy Bay First Nation/Kaa-wii-kwe-tawang-kak in Manitoba, he was placed in residential school and denied access to his family and traditions. Always fiercely principled, he has dedicated his career to challenging colonialist perspectives. In 1980, he resigned from his position as the first curator of contemporary Indigenous art at the National Museum of Man (now the Canadian Museum of History) and set off on a path toward creating a remarkable body of work that spans painting, drawing, and large-scale installation. Robert Houle: Life & Work reveals how Houle's artistic output has opened critical discussion on political and cultural issues surrounding First Nations peoples, including Indigenous identity, the impact of colonialism, and land claims and residential schools. Houle has played a pivotal role in bringing contemporary Indigenous artists into the Canadian art mainstream through his writing and curating of important exhibitions, such as Land, Spirit, Power: First Nations at the National Gallery of Canada in 1992. This book also explores the artist's public art projects, critical elements of his legacy for art in Canada.







Uninvited


Book Description

A monument to the talent of Canadian women artists in the interwar period. this book provides a full and diverse cross-country survey of the art made by women during this pivotal time, incorporating the work of both settler and Indigenous visual artists in a stirring affirmation of the female creative voice. Residence: Ontario. Print run 2,500.




Beyond Wilderness


Book Description

The legacy of the Group of Seven and the reinvention of Canadian landscape art since the 1960s.




The Group of Seven and Tom Thomson


Book Description

This book celebrates the artisitic legacy of eleven artists who broke with tradition and established a new way of painting Canada. Although they called themselves the Group of Seven, the members eventually numbered ten. Tom Thompson, who died before the group was established, was always present in spirit and in the public mind--Page 4 of cover.