Why I Left the Contemporary Christian Music Movement


Book Description

For many churches today, music has become one of the most important factors in attempting to reach unbelievers with the gospel. Writing from his own personal experience as a former worship leader, Dan Lucarini questions the use of contemporary music in the worship of our Lord and Saviour Jesus Christ.




Apostles of Rock


Book Description

Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.




Contemporary Christian Song Collection


Book Description

This collection gathers the best in contemporary Christian music from the 2000s and 2010s, including songs by Billboard-charting and GRAMMY(R) Award-winning artists like Amy Grant, Laura Story, and Steven Curtis Chapman, as well as current hits from Casting Crowns, Newsboys, TobyMac, and more. All arrangements include full lyrics and guitar chords for added versatility. Titles: All the People Said Amen (Matt Maher) * All You've Ever Wanted (Casting Crowns) * Back to You (Mandisa) * Better Than a Hallelujah (Amy Grant) * Blessings (Laura Story) * Cinderella (Steven Curtis Chapman) * City on Our Knees (TobyMac) * Courageous (Casting Crowns) * East to West (Casting Crowns) * Glorious Day (Living He Loved Me) (Casting Crowns) * God Is on the Move (7eventh Time Down) * Greater (MercyMe) * How He Loves (David Crowder Band) * I Am (Crowder) * I Can Only Imagine (MercyMe) * Jesus Loves Me (Chris Tomlin) * Just Be Held (Casting Crowns) * Like a Lion (God's Not Dead) (Newsboys) * Made New (Lincoln Brewster) * More of You (Colton Dixon) * Need You Now (How Many Times) (Plumb) * Overcomer (Mandisa) * Overwhelmed (Big Daddy Weave) * Redeemed (Big Daddy Weave) * Shake (MercyMe) * Speak Life (TobyMac) * Start a Fire (Unspoken) * Stronger (Mandisa) * Tell Your Heart to Beat Again (Danny Gokey) * Touch the Sky (Hillsong UNITED) * Waiting for Tomorrow (Mandisa) * You Amaze Us (Selah) * Your Great Name (Natalie Grant) * Your Love Awakens Me (Phil Wickham).




The Billboard Guide to Contemporary Christian Music


Book Description

Chronicling the amazing rise of this genre from its gospel roots to today's diverse musical sound, this guide offers a complete capsule encyclopedia of Contemporary Christian artists as well as an introduction to the music form. 40 illustrations.




Contemporary Christian Music


Book Description




Singing the Congregation


Book Description

Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.




Encyclopedia of Contemporary Christian Music


Book Description

These essays provide bandmember lists, complete discographies, lists of awards, artist-website addresses, biographies of the artists, and reviews of their work."--BOOK JACKET.




Measuring the Music: Another Look at the Contemporary Christian Music Debate


Book Description

Though the acceptance of popular culture (and in the case of music, pop music) within the Christian church is now an established fact, its very normality across the face of virtually every variety of Christian theological persuasion is telling. In a climate of extreme multi-culturalism, pluralism, and relativism satiated with the notion that music is value-neutral and worldview-free, church music has been cut off from history, tradition, theology, aesthetic norms, and ultimately the Word. The result has been a breakdown of church music standards along with a collateral weakening in other areas of life as well.




Jesus Rocks the World [2 Volumes]


Book Description

Contemporary Christian musiccommonly referred to by the acronym CCMis a catchall term that describes a wide range of types of music, encompassing work produced in the late 1960s to the 21st century, and incorporating rock and folk music influences. Contemporary Christian music enjoys widespread popularity, despite being unfamiliar to many modern music listeners; in recent years, sales of CCM have exceeded other more mainstream categories like jazz, Latin, and classical. This book tells the story of contemporary Christian music over the course of more than half a century--a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Music is organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2. Bob Gersztyn has been a freelance photojournalist and writer since 1994. He was previously an ordained minister who became involved in the Jesus movement in Los Angeles, CA, in 1971.Publisher's note.




Contemporary Christian Music Exposed


Book Description

Professional musician and award-winning choir conductor Lowell Hart provides a persuasive look at the history and physical and psychological effects of the music which characterizes Contemporary Christian Music. This is a timely message for those who seek to glorify God in all they do.