Contemporary Coast Salish Art


Book Description

By carving, weaving, and painting their stories into ceremonial and utilitarian objects, Coast Salish artists render tangible the words and ideas that have been the architecture of this remarkable Pacific Northwest Coast culture. The Coast Salish tribes have developed a culture that was and still is shared orally, steeped in the ritual and beauty of storytelling and mythology. Infused with centuries of sacred teaching, these accounts hold the secrets to the spiritual, political, social, and economic well-being of tribal life. As a testament to their cultural resilience, increasing numbers of contemporary Coast Salish artists have embraced the new materials that "progress" has bestowed--glass, concrete, and steel - juxtaposing ancient images with modern materials. Contemporary Coast Salish Artpresents the work of twenty artists, whose work ranges from traditional forms such as basketry and weaving to modern glass sculpture. The artists featured here - including Bruce Miller, Marvin Oliver, Shaun Peterson, and Susan Point, the progenitors of this movement--perpetuate and expand their ancestors' traditions through their lifelong commitment to visually interpret and rejoice in all the manifestations of their culture. Steven C. Browncontributes a thought-provoking review of the history of Coast Salish culture, incorporating an analysis of its formal elements while placing it in the context of the northern and southern artistic traditions of the region.Barbara Brothertoncelebrates the renaissance of the Coast Salish style. Many of the artists describe, in their own words, the Native legends that have inspired their work. The result is a unique and invaluable overview of a vibrant body of work that is both innovative and grounded in tradition. Rebecca BlanchardandNancy Davenportare co-directors of the Stonington Gallery in Seattle, Washington.Steven C. Brown, author ofNative Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century, is an independent researcher and artist.Barbara Brothertonis curator of Native American art at the Seattle Art Museum.




In the Spirit of the Ancestors


Book Description

Published in association with the Bill Holm Center for the Study of Northwest Coast Art, Burke Museum, Seattle, Washington.




Northwest Coast Indian Art


Book Description

The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027




Contemporary Coast Salish Art


Book Description




People Among the People


Book Description

This beautifully designed book is the first to explore Susan Point's publicly commissioned artworks from coast to coast Susan Point's unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effects of colonization, the crescents, wedges, and human and animal forms characteristic of the art of First Nations peoples living around the Salish Sea can now be seen around the world, reinvigorated with modern materials and techniques, in her serigraphs and public art installations - and in the works of a new generation of artists that she's inspired.People Among the People beautifully displays the breadth of Susan Point's public art, from cast-iron manhole covers to massive carved cedar spindle whorls, installed in locations from Vancouver to Zurich. Through extensive interviews and access to her archives, Robert D. Watt tells the story of each piece, whether it's the evolution from sketch to carving to casting, or the significance of the images and symbolism, which is informed by surviving traditional Salish works Point has studied and the Oral Traditions of her Musqueam family and elders. In her long quest to re-establish a Coast Salish footprint in Southwest British Columbia and the Pacific Northwest of the US, Point has received many honours, including the Order of Canada and the Audain Lifetime Achievement Award. This gorgeous and illuminating book makes it clear they are all richly deserved.




Art for a New Understanding


Book Description

Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.




Susan Point


Book Description

Published in conjunction with an exhibition organized by the Vancouver Art gallery from February 18 to 28 May 2017.




Looking at Indian Art of the Northwest Coast


Book Description

Bold, inventive indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements which, guided by a rich mythology, create images of striking power. In Looking at Indian Art of the Northwest Coast, Hilary Stewart introduces the elements of style; interprets the myths and legends which shape the motifs; and defines and illustrates the stylistic differences between the major cultural groupings. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.




Pacific Northwest Coast Aboriginal Art


Book Description

This guide book, designed to give you a glimpse of Pacific Northwest Coast aboriginal art, will give you deeper understanding and whet your appetite for learning more about today's vibrant, complex aboriginal cultures. Three sections show you where to look to identify many of the things you will see - from three-dimensional objects like bentwood boxes, ceremonial houses, masks and canoes, to crest designs, to the main design elements in Pacific Northwest Coast aborignal art.--back cover.




Learning by Designing


Book Description

This reference and instructional manual contains a detailed thoroughly analysed, well-supported comparisons of the four Pacific Northwest First Nations art styles. There are 800 clear, detailed illustrations accompanied by straightforward copy. Topics include design formalise, ovoids, U shapes, S shapes, heads, body parts, and design formation, as well as a step-by-step "How to Draw" section. This reference and instructional manual contains a detailed, thoroughly analyzed, well-supported comparison of the four Pacific Northwest First Nations art styles. There are 800 clear, detailed illustrations accompanied by straightforward copy. Topics include design formline, ovoids, U shapes, S shapes, heads, body parts, and design formation, as well as a step-by-step "How to Draw" section.