Contemporary Crime Fiction


Book Description

This unique and timely book presents nine compelling essays on contemporary crime fiction, bringing innovative and fresh perspectives to the analysis of this most popular and vibrant literary genre. Investigating contemporary crime fiction and the critical debates surrounding its reception and production, the introductory chapter sets the scene for the chaptersâ (TM) analyses of distinct crime fiction topics, themes and authors. These topics include the experimental detective narrative, race and ethnicity, historical crime fiction, domestic noir, feminism and crime, environmental crime, and the poetics of place. Authors examined here range from Ian Rankin, Gillian Flynn, Val McDermid, Denise Mina, Robert Galbraith, Nancy Bilyeau, and Martha Grimes, to Tana French, Dale Furutani and J.G. Ballard, to name but a few. Informed by the latest critical debates and theoretical perspectives in the field, this volume presents an invaluable source of information and criticism on crime fiction for students, researchers and academics alike.




Contemporary American Crime Fiction


Book Description

This highly accessible, lively and informative study gives a clear and comprehensive overview of recent trends in American crime fiction. Building on a discussion of the immediate predecessors, Bertens and D'haen focus on the work of popular and award-winning authors of the last fifteen years. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.




Nice and Noir


Book Description

Owners of mystery bookshops will tell you that there are several sorts of buyers: those who purchase on impulse or whim; genre addicts who buy paperbacks by the week and by the armful; and those who have caught up on canonical texts and regularly buy new novels by select authors in hardcover. Richard B. Schwartz belongs in the last group, with his own list of approximately seventy favorite writers. Nice and Noir: Contemporary American Crime Fiction explores the work of these writers, building upon a reading of almost seven hundred novels from the 1980s and 1990s. By looking at recurring themes in these mysteries, Schwartz offers readers new ways to approach the works in relation to contemporary cultural concerns.




Contemporary French and Scandinavian Crime Fiction


Book Description

This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).




The Mammoth Encyclopedia of Modern Crime Fiction


Book Description

A reference and overview of the genre of crime fiction, primarily covering the 1950s onwards, although major earlier writers, such as Agatha Christie and Raymond Chandler, also have entries.




Neon Noir


Book Description

Neon Noir, the follow-up to Woody Haut's highly regarded Pulp Culture, brings the story of American crime fiction and film uptodate. From the Kennedy assassination to the Vietnam War and Watergate, through Reaganomics to Irangate and Whitewater, Neon Noir is a roller-coaster ride through the American nightmare. Haut investigates the dark side of America through the work of crime writers such as James Ellroy, Elmore Leonard, Walter Mosley, James Lee Burke, Lawrence Block, James Sallis, George Pelecanos, Charles Willeford, Jerome Charyn, Sara Paretsky, Vicki Hendricks, KC Constantine, George V Higgins and James Crumley. Mapping the fissures and scars of America's psychogeography, its morally ambiguous shadowlands, Neon Noir also considers the difference between past and present hardboilers, the impact of war and journalism on noirists, the portrayal of cities, the aesthetics of crime fiction, and the changing relationship between the books and the films. Like Pulp Culture, Neon Noir is set to become the reference book on its subject.




Born Slippy


Book Description

A provocative, globe-trotting, time-shifting novel about the seductions of -- and resistance to -- toxic masculinity. "Frank knew as well as anyone how stories start and how they end. This fiery mess, or something like it, was bound to happen. He had been expecting it for years." Frank Baltimore is a bit of a loser, struggling by as a carpenter and handyman in rural New England when he gets his big break, building a mansion in the executive suburbs of Hartford. One of his workers is a charismatic eighteen-year-old kid from Liverpool, Dmitry, in the US in the summer before university. Dmitry is a charming sociopath, who develops a fascination with his autodidactic philosopher boss, perhaps thinking that, if he could figure out what made Frank tick, he could be less of a pig. Dmitry heads to Asia and makes a neo-imperialist fortune, with a trail of corpses in his wake. When Dmitry's office building in Taipei explodes in an enormous fireball, Frank heads to Asia, falls in love with Dmitry's wife, and things go from bad to worse. Combining the best elements of literary thriller, noir and political satire, Born Slippy is a darkly comic and honest meditation on modern life under global capitalism.




The Importance of Place in Contemporary Italian Crime Fiction


Book Description

An analysis of the relationship between detective fiction and its setting, this book is the most wide-ranging examination of the way in which Italian detective fiction in the last 20 years has become a means to articulate the changes in the social landscape of the country.




The Return Of Captain John Emmett


Book Description

1920. The Great War has been over for two years, and it has left a very different world from the Edwardian certainties of 1914. Following the death of his wife and baby and his experiences on the Western Front, Laurence Bartram has become something of a recluse. Yet death and the aftermath of the conflict continue to cast a pall over peacetime England, and when a young woman he once knew persuades him to look into events that apparently led her brother, John Emmett, to kill himself, Laurence is forced to revisit the darkest parts of the war. As Laurence unravels the connections between Captain Emmett's suicide, a group of war poets, a bitter regimental feud and a hidden love affair, more disquieting deaths are exposed. Even at the moment Laurence begins to live again, it dawns on him that nothing is as it seems, and that even those closest to him have their secrets . . .




The Last Policeman


Book Description

"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.