Contemporary Southern Identity


Book Description

In Contemporary Southern Identity, Rebecca Bridges Watts explores the implications of four public controversies about southern identity—debates about the Confederate flag in South Carolina, the gender integration of the Virginia Military Institute, the display of public art in Richmond, and Trent Lott's controversial comments regarding Strom Thurmond's 1948 segregationist presidential bid. While such debates may serve as evidence of the South's “battle over the past,” they can alternatively be seen as harbingers of a changing South. These controversies highlight the diversity of voices in the conversation of what it means to be a southerner. The participants in these conflicts may disagree about what southern identity should be, but they all agree that such discussions are a crucial part of being southern. Recent debates as to the place of Old South symbols and institutions in the South of the new millennium are evidence of a changing order. But a changing South is no less distinctive. If southerners can find unity and distinctiveness in their identification, they may even be able to serve as a model for the increasingly divided United States. The very debates portrayed in the mass media as evidence of an “unfinished Civil War” can instead be interpreted as proof that the South has progressed and is having a common dialogue as to what its diverse members want it to be.




Redefining Southern Culture


Book Description

Cobb, "surveys the remarkable story of southern identity and its persistence in the face of sweeping changes in the South's economy, society and political structure."--dust jacket.




The Resilience of Southern Identity


Book Description

The American South has experienced remarkable change over the past half century. Black voter registration has increased, the region's politics have shifted from one-party Democratic to the near-domination of the Republican Party, and in-migration has increased its population manyfold. At the same time, many outward signs of regional distinctiveness have faded--chain restaurants have replaced mom-and-pop diners, and the interstate highway system connects the region to the rest of the country. Given all of these changes, many have argued that southern identity is fading. But here, Christopher A. Cooper and H. Gibbs Knotts show how these changes have allowed for new types of southern identity to emerge. For some, identification with the South has become more about a connection to the region's folkways or to place than about policy or ideology. For others, the contemporary South is all of those things at once--a place where many modern-day southerners navigate the region's confusing and omnipresent history. Regardless of how individuals see the South, this study argues that the region's drastic political, racial, and cultural changes have not lessened the importance of southern identity but have played a key role in keeping regional identification relevant in the twenty-first century.




Sustaining Southern Identity


Book Description

Keith D. Dickson's Sustaining Southern Identity offers a masterful intellectual biography of Douglas Southall Freeman as well as a comprehensive analysis of how twentieth-century southerners came to remember the Civil War, fashion their values and ideals, and identify themselves as citizens of the South.




"A Place for the Lost": Ron Rash and Contemporary Southern Identity


Book Description

In his seminal essay "The Search for Southern Identity," C. Vann Woodward asserts, "The time is coming, if indeed it has not already arrived, when the Southerner will begin to ask himself whether there is really any longer very much point in calling himself a Southerner. Or if he does, he might well wonder occasionally whether it is worthwhile insisting on the point" (3). Although Woodward first published this essay in 1958, his assertions may be even more pertinent today, given the effect that an increasingly homogeneous national culture has had on American regionalism. Over the past half century, the persistence of questions such as those Woodward raises has manifested itself in an enormous amount of writing about the idea of a distinctively Southern identity. In this essay, I will examine the literature of Ron Rash, a contemporary writer from western North Carolina, and I will explain Rash's complex relationship with Southern identity by considering, at least tangentially, his three poetry collections as well as his three novels. Ultimately, after examining the history of Southern identity, Rash's use of Southern identity and culture in his fiction and poetry, the ways in which Rash's characters exploit Southern identity, and the version of Southern identity that Rash perpetuates in his own life, I will show that Rash is justifiable in his employment and portrayal of Southern identity. Rather than consciously commodifying Southern identity and culture as a marketing tool to sell his work to a specific audience, Rash artfully records a disappearing culture to which he has strong personal ties.




Away Down South


Book Description

From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.




A Place for the Lost


Book Description

Keywords: ron rash, souther literature, southern culture, southern identity.




Ordering the Facade


Book Description

Proposing a new way to map intersections of photography and American literature, Katherine Henninger demonstrates the importance of pinpointing specific cultural and subcultural history. "Ordering the Facade" traces the visual and literary cultures of sou




Leaving the South


Book Description

Millions of Southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of Southerners—and people in general—are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of Southern nationhood and redefined Southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted Southerners to leave the region and changed perceptions of Southerners to outsiders as well as how Southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant’s journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and she connects the history of border crossings to the issues being considered in today’s national landscape.




The Ongoing Burden of Southern History


Book Description

More than fifty years after its initial publication, C. Vann Woodward's landmark work, The Burden of Southern History, remains an essential text on the southern past. Today, a "southern burden" still exists, but its shape and impact on southerners and the world varies dramatically from the one envisioned by Woodward. Recasting Woodward's ideas on the contemporary South, the contributors to The Ongoing Burden of Southern History highlight the relevance of his scholarship for the twenty-first-century reader and student. This interdisciplinary retrospective tackles questions of equality, white southern identity, the political legacy of Reconstruction, the heritage of Populism, and the place of the South within the nation, along with many others. From Woodward's essays on populism and irony, historians find new insight into the burgeoning Tea Party, while they also shed light on the contemporary legacy of the redeemer Democrats. Using up-to-date election data, scholars locate a "shrinking" southern identity and point to the accomplishments of the recent influx of African American voters and political candidates. This penetrating analysis reinterprets Woodward's classic for a new generation of readers interested in the modern South. Contributors: Josephine A. V. Allen, Charles S. Bullock III, James C. Cobb, Donald R. Deskins Jr., Leigh Anne Duck, Angie Maxwell, Robert C. McMath, Wayne Parent, Sherman C. Puckett, Todd Shields, Hanes Walton Jr., Jeannie Whayne, Patrick G. Williams.