Contemporary Stage Design, U.S.A.


Book Description




Contemporary Stage Design


Book Description

-Systematically explains what stage design is, and how to do it -Includes more than 100 projects, divided into different categories such as drama, dance, opera, and music -Includes stage design concepts for Lady Gaga, Muse, R.E.M., and The Academy Awards amongst others Stage design is an important and indispensable part of stage performance, and includes scenery, lightning, make-up, costume, effects, props and so on. This book summarizes the basic structures and rules of stage design and conducts in-depth analysis of a large number of projects from around the world.







The Art of Light on Stage


Book Description

The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.




Contemporary Scenography


Book Description

Contemporary Scenography investigates scenographic concepts, practices and aesthetics in Germany from 1989 to the present. Facing the end of the political divide, the advent of the digital age and the challenges of globalization, German-based designers and scenographers have reacted in a variety of ways to these shifts in the cultural landscape. The edited volume, a compilation of 12 original chapters written in collaboration with acclaimed scenographers, stage designers and distinguished scholars, offers fresh insights and in-depth analyses of current artistic concepts, discourse and innovation in this multifaceted, dynamic field. The book covers a broad spectrum of scenography, including theatre works by Katrin Brack, Bert Neumann, Aleksandar Denic, Klaus Grünberg, Vinge/Müller and Rimini Protokoll, in addition to scenography in museums, exhibitions, social spaces and in various urban contexts. Presenting a range of perspectives, the volume explores the interdisciplinarity of contemporary scenography and its ongoing diversification, raising questions relating to cultural heritage, genre and media specificity, knowledge transfer, local versus global practices, internationalization and cultural exchange. Combined with a set of stimulating examples of scenographic design in action – presented through interviews, artists' statements and case studies – the contributors develop a theoretical framework for understanding scenography as an art practice and discourse.




Behind the Scenes


Book Description

Behind the Scenes: Contemporary Set Design is a visually rich survey of contemporary set design for the theater, opera and contemporary performance-based work. International in scope, Behind the Scenes presents the imaginative and innovative work of a broad range of designers, including Peter Brooks, Ming Cho Lee, Alison Chitty, Es Devlin, Robert Wilson, Robert Lepage, Romeo Castellucci and Chloe Lamford; and organizations such as Hotel Pro Forma, Ex Machina, Station House Opera and Punch Drunk. Featuring initial sketches, diagrams and photographs, this book provides an understanding of theater design and its methods, that—in contrast with the number of specific ‘how-to’ set design books on the market—appeals to beginners and enthusiasts, alongside students and theater professionals alike. Behind the Scenes: Contemporary Set Design covers a myriad of innovations, from traditional set designs, to those that push boundaries using immersive sets, or pop-up theaters in derelict locations; alongside organizations that use set design to social advantage—for example Cardboard Citizens. The lavishly illustrated work presented throughout the book is punctuated by a number of essays by noteworthy personalities, covering subjects such as the history of set design, technical processes from design to production, and new emerging trends. International in scope Behind the Scenes includes examples from the Prague Quadrennial, BAM in Brooklyn, the Metropolitan Opera in New York and the National Theatre and the Royal Opera House in London. Featuring artists whose work has crossed over into the theater—such as, David Hockney, whose imaginative designs have been brought to life in a variety of productions from the Magic Flute to Tristan und Isolde; Behind the Scenes: Contemporary Set Design positions set design within a larger context of visual art, design and culture.




The Craft and Art of Scenic Design


Book Description

The Craft and Art of Scenic Design: Strategies, Concepts, and Resources explores how to design stage scenery from a practical and conceptual perspective. Discussion of conceptualizing the design through script analysis and research is followed by a comprehensive overview of execution: collaboration with directors and other designers, working with spaces, developing an effective design process, and the aesthetics of stage design. This book features case studies, key words, tip boxes, definitions, and chapter exercises. Additionally, it provides advice on portfolio and career development, contracts, and working with a union. This book was written for university-level Scenic Design courses.




The Art of Light on Stage


Book Description

The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.




An Introduction to Theatre Design


Book Description

This introduction to theatre design explains the theories, strategies, and tools of practical design work for the undergraduate student. Through its numerous illustrated case studies and analysis of key terms, students will build an understanding of the design process and be able to: identify the fundamentals of theatre design and scenography recognize the role of individual design areas such as scenery, costume, lighting and sound develop both conceptual and analytical thinking Communicate their own understanding of complex design work trace the traditions of stage design, from Sebastiano Serlio to Julie Taymor. Demonstrating the dynamics of good design through the work of influential designers, Stephen Di Benedetto also looks in depth at script analysis, stylistic considerations and the importance of collaboration to the designer’s craft. This is an essential guide for students and teachers of theatre design. Readers will form not only a strong ability to explain and understand the process of design, but also the basic skills required to conceive and realise designs of their own.