Conversation with Lav Diaz. 2010-2020
Author : Michael Guarneri
Publisher :
Page : 192 pages
File Size : 33,91 MB
Release : 2020
Category : Performing Arts
ISBN : 9788864761022
Author : Michael Guarneri
Publisher :
Page : 192 pages
File Size : 33,91 MB
Release : 2020
Category : Performing Arts
ISBN : 9788864761022
Author : Neferti X. M. Tadiar
Publisher : Duke University Press
Page : 255 pages
File Size : 33,35 MB
Release : 2022-05-02
Category : Political Science
ISBN : 1478022388
In Remaindered Life Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war. Tracking how contemporary capitalist accumulation depends on producing life-times of disposability, Tadiar focuses on what she terms remaindered life—practices of living that exceed the distinction between life worth living and life worth expending. Through this heuristic, Tadiar reinterprets the global significance and genealogy of the surplus life-making practices of migrant domestic and service workers, refugees fleeing wars and environmental disasters, criminalized communities, urban slum dwellers, and dispossessed Indigenous people. She also examines artists and filmmakers in the Global South who render forms of various living in the midst of disposability. Retelling the story of globalization from the side of those who reach beyond dominant protocols of living, Tadiar demonstrates how attending to remaindered life can open up another horizon of possibility for a radical remaking of our present global mode of life.
Author : Anat Pick
Publisher : Berghahn Books
Page : 303 pages
File Size : 28,99 MB
Release : 2013-11-01
Category : Performing Arts
ISBN : 1782382275
Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.
Author : Lalitha Gopalan
Publisher :
Page : 0 pages
File Size : 49,12 MB
Release : 2009
Category : Motion picture industry
ISBN : 9781905674923
This work closely examines 24 landmark films.
Author : Sanchez-Acre
Publisher :
Page : 304 pages
File Size : 11,76 MB
Release : 2021-01-19
Category : Biography & Autobiography
ISBN : 9780719074424
Author : Paul Schrader
Publisher : Univ of California Press
Page : 292 pages
File Size : 34,65 MB
Release : 2018-05-18
Category : Performing Arts
ISBN : 0520969146
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Author : Matthew Strohl
Publisher : Routledge
Page : 140 pages
File Size : 17,93 MB
Release : 2022-01-06
Category : Philosophy
ISBN : 1000512797
Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: The Domination, and a significant portion of Nicolas Cage’s filmography, Strohl argues that so-called "bad movies" are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards, but they offer rich opportunities for creative engagement and enable the formation of lively fan communities, and they can be a key ingredient in a fulfilling aesthetic life. Key Features: Written in a humorous, approachable style, appealing to readers with no background in philosophy. Elaborates the rewards of loving bad movies, such as forming unlikely social bonds and developing refinement without narrowness. Discusses a wide range of beloved bad movies, including Plan 9 from Outer Space, The Core, Battlefield Earth, and Freddy Got Fingered. Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book.
Author : David Teh
Publisher : Koenig Books
Page : 240 pages
File Size : 41,73 MB
Release : 2018-10
Category : Alternative spaces (Arts facilities)
ISBN : 9783960982296
Founded on an ethos of friendship, and emerging amidst a regional constellation of artists' initiatives and independent spaces, the series of festivals known as Chiang Mai Social Installation, staged contemporary art within everyday urban life of this city in northern Thailand.From temples and cemeteries to libraries, the town square, and even a dental clinic, these artist-led interventions present a self funded, anarchic alternative to Southeast Asia's subsequently expanding biennial culture while also marking the emergence of a wider contemporary moment.The first comprehensive publication on these projects, this book presents extensive photographic documentation alongside a multi-vocal account by its participants.David Teh's main essay offers detailed contextualisation and analysis, and is complemented by contributions from Patrick D. Flores, May Adadol Ingawanij, Uthit Athimana, Thasnai Sethaseree and participating artists.Part of the Exhibition Histories Series and co-published with Afterall in association with the Center for Curatorial Studies (CCS), Bard College, New York.
Author : Song Hwee Lim
Publisher : University of Hawaii Press
Page : 242 pages
File Size : 44,58 MB
Release : 2014-01-31
Category : Performing Arts
ISBN : 0824839234
How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture. Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film. Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.
Author : Nick Hodgin
Publisher : Springer
Page : 307 pages
File Size : 22,66 MB
Release : 2017-06-14
Category : Performing Arts
ISBN : 3319410245
This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of ‘scar-formation’ rather than event-centred ‘wound-creation’.