Conversations with Margaret Walker


Book Description

Margaret Walker (1915-1998) began her writing career as a poet in the late 1930s. But she was cast into the limelight in 1966 when her novel Jubilee was published to wide critical and commercial acclaim. In interviews ranging from 1972 to 1996, Conversations with Margaret Walker captures Walker's voice as she discusses an incredibly wide range of interests. The same erudition, wit, and love of language on display in Jubilee comes through in conversations, as well as her sense of moral authority--imbued by a resonant Christian humanism--and her attention to historical detail. In a long 1972 conversation with fellow poet Nikki Giovanni, Walker argues about the tribulations and triumphs of motherhood, the presence of black women in literature, and race relations in American culture from 1900 to the present. With Marcia Greenlee in 1977, she talks extensively about her family's history and her love of botany. In several of the interviews, her friendship with Richard Wright rises to the forefront. Even in her interviews with Claudia Tate and John Griffin Jones, in which the interviewers try to direct the conversations toward the mechanics and thought processes behind Walker's writing, the talks often sweep into broader issues of African American culture, family history, and the past's influence on the present. This collection amply shows that Margaret Walker was a writer who considered her work to be deeply influenced by the culture around her. She viewed her writing as part of her larger life and not separate or distanced from her existence. Bracingly direct, witty, and oddly charming, the writer in Conversations with Margaret Walker is complicated, passionate, forceful, and piercingly intelligent.




A Poetic Equation: Conversations Between Nikki Giovanni and Margaret Walker


Book Description

Profiles the founder of the "New Town" movement and discusses the development of British new towns, the Radburn Idea, Greenbelt Towns, and the American new towns such as Reston and Columbia.




A Poetic Equation: Conversations Between Nikki Giovanni and Margaret Walker


Book Description

Profiles the founder of the "New Town" movement and discusses the development of British new towns, the Radburn Idea, Greenbelt Towns, and the American new towns such as Reston and Columbia.




Margaret Walker's "For My People"


Book Description

"Half a century ago a young woman published a poem that was destined to reverberate through American life." "Here that poem is reprinted with thirty-eight stunning photographs that celebrate it." ""For My People" is a resounding catalog of black history, a clarion that refutes the affliction of humiliation, an indelible record of noble accomplishments. Since 1942 this enduring paean to black America has remained an everlasting appeal against racial oppression." ""I wrote most of that poem," Margaret Walker says, "in fifteen minutes on a typewriter. I think it was just after my twenty-second birthday, and I felt it was my whole life gushing out - as I had felt about my people all my life."" "Since that time the astonishing young poet whose voice rose in cadences that praise and honor black America has never ceased to stir minds and hearts to action with her credos. She became indeed the renowned poet, novelist, lecturer, teacher, and sage Margaret Walker Alexander." "In commemoration of "For My People," her first publication, and in tribute to her richly productive life, the acclaimed photographer Roland L. Freeman has joined a photo essay to Margaret Walker's poem." ""I selected photographs that call to mind the special human elements evoked by Walker, so basic to everyday life, and yet not often celebrated, elements which unravel the real beauty and the tenacity for life of African-American people."" "With this marvelous collaboration both Walker and Freeman stimulate rejoicing for the spirit of the artist who perceives and depicts the rich and vital culture of black America." "In this jubilee year of a momentous poem, "For My People" continues to resound in the hearts of African-Americans and for all who love human freedom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Jubilee


Book Description

A novel based on the life of the author's great-grandmother follows the story of Vyry, the child of a white plantation owner and one of his slaves, through the years of the Civil War and Reconstruction.




Conversations with Ralph Ellison


Book Description

Interviews with the author of Invisible Man and many other works




This Is My Century


Book Description

In selecting Margaret Walker as the recipient of the Yale Series of Younger Poets in 1942—making her the first African American to receive this national literary award—Stephen Vincent Benét proclaimed hers a vibrant new voice, finding in her collection For My People “a controlled intensity of emotion and a language that, at times, even when it is most modern, has something of a surge of biblical poetry.” Today, more than seventy years later, Walker’s voice still resonates with particular power. Addressing the literature and culture of black America, This Is My Century, first published in 1989, marked a significant contribution to American poetry, bringing together Walker’s selection of one hundred of her own poems. On the eve of the centennial of Walker’s birth, the University of Georgia Press is proud to reissue this classic of American letters. In addition to her award-winning debut collection, the volume includes Prophets for a New Day (1970), a celebration of the civil rights movement; October Journey (1973), a collection of autobiographical and dedicatory poems; and thirty-seven previously uncollected poems.




Conversations with Sonia Sanchez


Book Description

Collected interviews with the poet, activist, and author of Home Coming and We a BaddDDD People




We Are the Ones We Have Been Waiting for


Book Description

A New York Times bestseller in hardcover, Pulitzer Prize winner Alice Walker’s We Are the Ones We Have Been Waiting For was called “stunningly insightful” and “a book that will inspire hope” by Publishers Weekly. Drawing equally on Walker’s spiritual grounding and her progressive political convictions, each chapter concludes with a recommended meditation to teach us patience, compassion, and forgiveness. We Are the Ones We Have Been Waiting For takes on some of the greatest challenges of our times and in it Walker encourages readers to take faith in the fact that, despite the daunting predicaments we find ourselves in, we are uniquely prepared to create positive change. The hardcover edition of We Are the Ones We Have Been Waiting For included a national tour that saw standing-room–only crowds and standing ovations. Walker’s clear vision and calm meditative voice—truly “a light in darkness”—has struck a deep chord among a large and devoted readership.




Black Folklore and the Politics of Racial Representation


Book Description

Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged. Shirley Moody-Turner analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how black authors and folklorists were active participants—rather than passive observers—in conversations about the politics of representing black folklore. Examining literary texts, folklore documents, cultural performances, legal discourse, and political rhetoric, Black Folklore and the Politics of Racial Representation demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? Moody-Turner renders established historical facts in a new light and context, taking figures we thought we knew—such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar—and recasting their place in African American intellectual and cultural history.