Coppola's Monster Film


Book Description

In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.




The Godfather Notebook


Book Description

THE PUBLISHING SENSATION OF THE YEAR FOR EVERY FILM FAN The never-before-published edition of Francis Ford Coppola’s notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world’s most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it—Francis Ford Coppola, then only thirty-two years old—reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzo’s novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola’s original notebook. This publication will change the way the world views the iconic film—and the process of filmmaking at large. A must-have book of the season. Nothing like it has ever been published before




The Apocalypse Now Book


Book Description

A cinematic legend: The making of Francis Ford Coppola's epic about Vietnam and the folly of war, based on unprecedented access to Coppola's private archives




Dracula The Un-Dead


Book Description

From the international bestselling author of Dracul comes the authoritative sequel to Bram Stoker’s original horror classic. London, 1912. A quarter of a century after Count Dracula “crumbled into dust,” Quincey Harker—the son of Jonathan and Mina Harker—leaves law school to pursue a career on stage, only to stumble upon the troubled production of Dracula, directed and produced by Bram Stoker himself. As the play plunges Quincey into the world of his parents' terrible secrets, death begins to stalk the original band of heroes that defeated Dracula a quarter-century ago. Could it be that the count survived and is now seeking revenge? Or is there another, far more sinister force at work whose relentless purpose is to destroy anything and anyone associated with Dracula, the most notorious vampire of all time... Dracula the Un-Dead is the true sequel to Bram Stoker’s classic novel, written by his direct descendant and a well-known Dracula historian. Dracula the Un-Dead provides answers to all the questions that the original novel left unexplained, as well as new insights into the world of iniquity and fear lurking just beneath the surface of polite Victorian England.







Godfather


Book Description

WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written. The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather, Phillips argues that Coppola has repeatedly bucked the Hollywood "factory system" in an attempt to create distinct films that reflect his own artistic vision—often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. The result is the definitive assessment of one of Hollywood's most enduring and misunderstood mavericks.




The Coppolas


Book Description

This fascinating, behind-the-scenes look at a Hollywood dynasty offers an in-depth study of the films and artistry of iconic director Francis Ford Coppola and his daughter, Sofia, exploring their work and their impact on each other, both personally and professionally. The Coppolas: A Family Business examines the lives, films, and relationship of two exemplary filmmakers, Francis Ford Coppola and his daughter Sofia. It looks at their commonalities and differences, as artists and people, and at the way those qualities are reflected in their work. Much of the book is devoted to Francis and his outstanding achievements—and equally notable failures—as a screenwriter, director, producer, and presenter of landmark works of cinema. The narrative goes beyond the heyday of his involvement with Hollywood to analyze his more recent projects and the choices that led him to create small, independent films. In Sofia's case, the story is one of women's growing independence in the arts, revealing how Sofia developed her craft to become a cinematic force in her own right. In addition to its insightful commentary on their contributions to cinema past and present, the volume provides intriguing hints at what fans might anticipate in the future as both Coppolas continue to expand their artistry.




Gracefully Gone


Book Description

In my wildest literary dreams, where I imagine I am a highly acclaimed author, I would love to imagine that if Simone de Beauvoir was an angry twenty-one year old young woman living in Manhattan in 1992 with a passion for boys, Marlboros and Depeche Mode and she lost her father instead of her mother her memoir A Very Easy Death might very well have been titled Gracefully Gone. Gracefully Gone is the fusion of two journals: my father, Matthew L Coppola Sr.'s and mine. My father's journal was written in 1982, two years after his diagnosis and remission with brain cancer. Mine was written in 1990-1991, roughly eight years later, as he began to die. In Gracefully Gone I chronicle my twenty-one year old pursuit of life and all the bitter and amusingly confusing angst that accompanies being twenty-one during the last six months of my father's struggle towards death. In one sense, it is a coming of age tale: from the age of twelve on, I was acutely aware of all things cancer. I was sent to a New England prep school at fifteen to escape all things cancer only to return after graduating NYU in 1990 to all things cancer. During the six pivotal months between the summer of 1990 and January of 1991, not only did I journal my caretaking of my dad but also our profound love story. At its core, for me, Gracefully Gone is very simply a love story: it is my love affair with my dad. I loved, he loved, he died and a bit of me went with him. When thinking about who might be interested in our story I was reminded of an article I read in the Los Angeles Times, (November 19, 2003) about Rebecca Brown who wrote “Excerpts From a Family Medical Dictionary.” (University Of Wisconsin Press, 2003) It is a memoir of her mother's death and according to the LA Times “raises an important question; 'How does one make the death of a beloved parent meaningful to strangers?'” Well, I think I'd like to try and answer that with my own question: how is it not? Everyone I know has either lost or is losing a loved one to cancer. Very few superbly lucky ones have struggled and beaten the cancer monster. The sad fact is in the world we live in today there are no strangers to cancer and there are certainly no strangers to struggle and loss. What I am hoping, what I am counting on, is that my life, my father's life and our story, might be meaningful to strangers; or perhaps, if not meaningful, then at the very least, identifiable, relatable and at times, humorously understandable. Gracefully Gone is not about death, it is about the journey of a family, specifically, the journey of a young girl trying to find her way in the wake of growing up in the looming shadow of cancer. Gracefully Gone is to me the literary version of the magical love song “Unforgettable” by Nat King Cole that his daughter Natalie Cole laid her own track to; it is, very simply, a duet. Perhaps our duet in Gracefully Gone is written as a prayer for all the families, all the children too young to understand and for all the victims of this all too often insurmountable war to know they are not alone. Even though my mother and brother went through the same experience as I, we experienced it very differently. It was as if my father was the LOVEBOAT and we three were on our own separate lifeboats surrounding him, each of us handling our grief privately. Perhaps, if we're really lucky, Gracefully Gone might allow someone a little peace and some comfort knowing that even though they are on their own lifeboats they are in an ocean full of them.




Post/modern Dracula


Book Description

“Post/modern Dracula” explores the postmodern in Bram Stoker’s Victorian novel and the Victorian in Francis Ford Coppola’s postmodern film to demonstrate how the century that separates the two artists binds them more than it divides them. What are the postmodern elements of Stoker’s novel? Where are the Victorian traits in Coppola’s film? Is there a postmodern gloss on those Victorian traits? And can there be a Victorian directive behind postmodernism in general? The nine essays compiled in this collection address these and other relevant questions per the novel and the film at three distinct periods: (post)modern Victorianism, post/modernism, and finally postmodernism. Part I on (post)modernist issues in Stoker’s novel establishes the link between Victorian themes and postmodern praxes that begins with colonialist concerns and ends with poststructuralist signification. Part II looks at the post/modernist traits in Stoker’s Dracula, those obviously influenced by modernism but also, with the help of the novel’s plasticity vis-à-vis the media over the last century, by postmodernism. Part III examines more closely the novel’s postmodern characteristics, particularly with respect to Coppola’s 1992 film, Bram Stoker’s Dracula. Dracula defies time and promises to undermine any critical study of it that precisely tries to situate it within a given epoch, including a postmodernist one. Given its relationship to late-capitalist economy, to post-Marxist politics, and to commodity culture, and given its universal appeal to human fears and anxieties, fetishes and fantasies, lusts and desires, Stoker’s novel will forever remain post/modern—always haunting our future, as it has repeatedly done so our past. Though scholars of Dracula and Gothic literature in general will find some of the essays innovative and engaging per today’s literary criticism, the book is also intended for both an informed general reader and a novice student of the novel and of the film. As such, a few essays are highly specialized in postmodern theory, whereas others are more centered around the sociohistorical context of the novel and film and use various postmodern theories as inroads into the novel’s or the film’s study.




The Making of the Godfather


Book Description

In this entertaining and insightful essay, Mario Puzo chronicles his rise from struggling writer to overnight success after the publication of The Godfather. With equal parts cynicism and humor, Puzo recounts the book deal and his experiences in Hollywood while writing the screenplay for the movie. Francis Ford Coppola, Robert Evans, Peter Bart, Marlon Brando, and Al Pacino all make appearances-as does Frank Sinatra, in his famous and disastrous encounter with Puzo. First published in 1972, the essay is now available as an ebook for the first time. A must-have for every Godfather fan! Featuring a foreword by Ed Falco, author of The Family Corleone.