Coptic Monasteries


Book Description

Egypt, the birthplace of communal monasticism, has a rich store of monasteries and monastic art. Coptic Monasteries takes the reader on a tour of the best preserved and most significant of these ancient religious centers, documenting in exhaustive detail the richness and the glory of the Coptic heritage. An informative introduction by Tim Vivian brings to life the early Christian era, with background information on the origins of the Coptic Church as well as its rites and ceremonies, sketches of some of monasticism's founding figures, and accounts of some of the difficulties they faced, from religious schism to nomadic attacks. Gawdat Gabra's expert commentary, complemented by almost one hundred full-color photographs of newly restored wall paintings and architectural features, covers monasteries from Aswan to Wadi al-Natrun. Ranging across a thousand years of history, Gabra's observations will make any reader an expert on the composition and content of some of Egypt's most outstanding religious art, the salient architectural features of each monastery, as well as the ongoing process of restoration that has returned much of their original vibrancy to these works. A unique and invaluable historical record, Coptic Monasteries is equally an in-depth, on-the-spot guide to these living monuments or an armchair trip back in time to the roots of one of the world's oldest Christian traditions.
















The Oxford Handbook of Christian Monasticism


Book Description

The Handbook takes as its subject the complex phenomenon of Christian monasticism. It addresses, for the first time in one volume, the multiple strands of Christian monastic practice. Forty-four essays consider historical and thematic aspects of the Catholic, Eastern Orthodox, Oriental Orthodox, Protestant, and Anglican traditions, as well as contemporary 'new monasticism'. The essays in the book span a period of nearly two thousand years—from late ancient times, through the medieval and early modern eras, on to the present day. Taken together, they offer, not a narrative survey, but rather a map of the vast terrain. The intention of the Handbook is to provide a balance of some essential historical coverage with a representative sample of current thinking on monasticism. It presents the work of both academic and monastic authors, and the essays are best understood as a series of loosely-linked episodes, forming a long chain of enquiry, and allowing for various points of view. The authors are a diverse and international group, who bring a wide range of critical perspectives to bear on pertinent themes and issues. They indicate developing trends in their areas of specialisation. The individual contributions, and the volume as a whole, set out an agenda for the future direction of monastic studies. In today's world, where there is increasing interest in all world monasticisms, where scholars are adopting more capacious, global approaches to their investigations, and where monks and nuns are casting a fresh eye on their ancient traditions, this publication is especially timely.




Coptic Identity and Ayyubid Politics in Egypt 1218-1250


Book Description

Using the life and writings of Cyril III Ibn Laqlaq, 75th patriarch of the Coptic Orthodox Church, along with a variety of Christian and Muslim chroniclers, this study explores the identity and context of the Christian community of Egypt and its relations with the leadership of the Ayyubid dynasty in the early thirteenth century. Kurt Werthmuller introduces new scholarship that illuminates the varied relationships between medieval Christians of Egypt and their Muslim neighbors. Demonstrating that the Coptic community was neither passive nor static, the author discusses the active role played by the Copts in the formation and evolution of their own identity within the wider political and societal context of this period. In particular, he examines the boundaries between Copts and the wider Egyptian society in the Ayyubid period in three "in-between spaces": patriarchal authority, religious conversion, and monasticism.







Christians in Egypt : Orthodox, Catholic and Protestant Communities Past and Present


Book Description

Drawing on more than four decades of experience studying Christian communities in Egypt, Otto Meinardus offers here a sweeping overview of the principal Christian churches and organizations in Egypt today. For the first time, this wealth of information has been gathered into one volume, making it an ideal introduction to the contemporary scene of the various Orthodox, Catholic, and Protestant denominations that have a presence in Egypt. Looking at Maronite churches in Alexandria, Greek Orthodox congregations in Cairo, and new evangelical communities in Upper Egypt, among others, this book serves as an important reference work for anyone interested in the broad variety of Christian groups in Egypt, including the majority Coptic Orthodox Church. As one of the foremost scholars of the Christian history of Egypt and the wider Middle East, Dr. Meinardus brings an unparalleled wealth of expertise to this subject, while placing Christianity in the historical perspective of its relationship to the ancient pharaonic religion and medieval and modern Islam. Included as well is an up-to-date index of individual churches. A first of its kind, Christians in Egypt is an indispensable resource for both scholars and interested general readers.




Monastic Visions


Book Description

The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.