The Star Chamber
Author : John Southerden Burn
Publisher :
Page : 216 pages
File Size : 44,87 MB
Release : 1870
Category :
ISBN :
Author : John Southerden Burn
Publisher :
Page : 216 pages
File Size : 44,87 MB
Release : 1870
Category :
ISBN :
Author : British museum dept. of pr. books
Publisher :
Page : 618 pages
File Size : 48,55 MB
Release : 1884
Category :
ISBN :
Author : Great Britain. Parliament. House of Lords
Publisher :
Page : 576 pages
File Size : 34,79 MB
Release : 1872
Category : Great Britain
ISBN :
Author : Großbritannien Royal Commission on Historical Manuscripts
Publisher :
Page : 580 pages
File Size : 19,66 MB
Release : 1872
Category :
ISBN :
Author : Great Britain. Royal Commission on Historical Manuscripts
Publisher :
Page : 720 pages
File Size : 22,50 MB
Release : 1872
Category : Great Britain
ISBN :
Author : Great Britain. Royal Commission on Historical Manuscripts
Publisher :
Page : 580 pages
File Size : 18,64 MB
Release : 1872
Category : Great Britain
ISBN :
Author : Großbritannien Commission on Historical Manuscripts
Publisher :
Page : 576 pages
File Size : 33,76 MB
Release : 1872
Category :
ISBN :
Author : Royal commission on historical manuscripts
Publisher :
Page : 584 pages
File Size : 41,35 MB
Release : 1872
Category :
ISBN :
Author : John Hamilton Baker
Publisher :
Page : 378 pages
File Size : 19,90 MB
Release : 2008
Category : Law
ISBN :
Author : Randy Robertson
Publisher : Penn State Press
Page : 290 pages
File Size : 18,35 MB
Release : 2015-10-20
Category : Literary Criticism
ISBN : 0271036559
Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.