Corpse on the Court


Book Description

'Brett performs his magic on the traditional cozy,making the frame rock with laughter at human foibles and quake with well-placed surprises' - Booklist Starred Review The genteel game of Real Tennis takes a murderous twist in Simon Brett's witty and entertaining new Fethering mystery Jude's life has been turned upside-down thanks her new man, Piers Targett, who's keen to get her involved in his hobby - or obsession - of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the 'Lady in the Lake.' As the two investigations become intertwined, Carole and Jude's efforts to find the truth look set to lead to more murders.




The Corpse on the Court


Book Description

The genteel game of Real Tennis takes a murderous twist in Simon Brett's witty and entertaining new Fethering mystery - Jude's life has been turned upside-down thanks to her new man, Piers Targett, who's keen to get her involved in his hobby - or obsession - of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the 'Lady in the Lake.' As the two investigations become intertwined, Carole and Jude's efforts to find the truth look set to lead to more murders.




Advice for Future Corpses (and Those Who Love Them)


Book Description

A NEW YORK TIMES BOOK CRITICS’ TOP 10 BOOK OF THE YEAR “In its loving, fierce specificity, this book on how to die is also a blessedly saccharine-free guide for how to live” (The New York Times). Former NEA fellow and Pushcart Prize-winning writer Sallie Tisdale offers a lyrical, thought-provoking, yet practical perspective on death and dying in Advice for Future Corpses (and Those Who Love Them). Informed by her many years working as a nurse, with more than a decade in palliative care, Tisdale provides a frank, direct, and compassionate meditation on the inevitable. From the sublime (the faint sound of Mozart as you take your last breath) to the ridiculous (lessons on how to close the sagging jaw of a corpse), Tisdale leads us through the peaks and troughs of death with a calm, wise, and humorous hand. Advice for Future Corpses is more than a how-to manual or a spiritual bible: it is a graceful compilation of honest and intimate anecdotes based on the deaths Tisdale has witnessed in her work and life, as well as stories from cultures, traditions, and literature around the world. Tisdale explores all the heartbreaking, beautiful, terrifying, confusing, absurd, and even joyful experiences that accompany the work of dying, including: A Good Death: What does it mean to die “a good death”? Can there be more than one kind of good death? What can I do to make my death, or the deaths of my loved ones, good? Communication: What to say and not to say, what to ask, and when, from the dying, loved ones, doctors, and more. Last Months, Weeks, Days, and Hours: What you might expect, physically and emotionally, including the limitations, freedoms, pain, and joy of this unique time. Bodies: What happens to a body after death? What options are available to me after my death, and how do I choose—and make sure my wishes are followed? Grief: “Grief is the story that must be told over and over...Grief is the breath after the last one.” Beautifully written and compulsively readable, Advice for Future Corpses offers the resources and reassurance that we all need for planning the ends of our lives, and is essential reading for future corpses everywhere. “Sallie Tisdale’s elegantly understated new book pretends to be a user’s guide when in fact it’s a profound meditation” (David Shields, bestselling author of Reality Hunger).




Crush. Candy. Corpse.


Book Description

Paradise Manor is depressing -- the smells are bad and the residents are old. Sunny would much rather be doing her volunteer hours at Salon Teo, but her teacher won't let her. Who says volunteering at a hair salon doesn't benefit the community? But working with the Alzheimer's patients has a surprising effect on Sunny. Along with Cole, the grandson of one of the residents, she begins to see that the residents don't have much more choice about their lives than she does: what they eat, how they are treated by staff, even what they watch on television. So Sunny does what she can to make the residents happy -- even if she has to sometimes break the rules to do it. When tragedy strikes at Paradise, Sunny's left to make the decision about whether or not to honour a promise that Cole made to his grandmother about her life...and her death.




Death At Wentwater Court


Book Description

In a series debut from Carola Dunn that is sure to delight fans of the classic British cozy mystery, Death at Wentwater Court brings readers old and new back to the "golden age" of mystery. It's the early 1920s in England--the country is still recovering from the Great War and undergoing rapid social changes that many are not quite ready to accept. During this heady and tumultuous time, the Honorable Daisy Dalrymple, the daughter of a Viscount, makes a decision shocking to her class: rather than be supported by her relations, she will earn her own living as a writer. Landing an assignment for Town & Country magazine for a series of articles on country manor houses, she travels to Wentwater Court in early January 1923 to begin research on her first piece. But all is not well there when she arrives. Lord Wentwater's young wife has become the center of a storm of jealousy, animosity, and, possibly, some not-unwanted amorous attention, which has disrupted the peace of the bucolic country household. Still, this is as nothing compared to the trouble that ensues when one of the holiday guests drowns in a tragic early-morning skating accident. Especially when Daisy discovers that his death was no accident....




The Case of the Colonist's Corpse


Book Description

When Captain Kirk faced court-martial, he chose the best lawyer in the Federation -- Samuel T. Cogley, a cranky old man who prefers books to padds and people to computers. Now, once again, it's SAM COGLEY FOR THE DEFENSE! The planet Aneher II sits in the middle of the Neutral Zone, and neither the Klingon™ Empire nor the Federation can claim it. Under the terms of the Organian Peace Treaty, any such contested colony world will go to the party -- Federation or Klingon -- which shows it can best develop the planet. At first the two colonies live in peace, but it's a fragile peace, one shattered when Administrator Daniel Latham, the head of the Federation colony, is found murdered, and Commander Mak'Tor, the head of the Klingon colony, is found crouched over Latham's body, discharged phaser still hot in his hand. When Lieutenant Areel Shaw of Starfleet is assigned to prosecute Mak'Tor, Sam Cogley volunteers to defend the accused Klingon. But when Cogley's own investigation provides the prosecution with its key piece of evidence and his courtroom tactics unexpectedly backfire, can even the galaxy's most brilliant defense attorney win the day in...




Corpse on the Court


Book Description

Summer Walsh an ex-detective leaves the police force and vacations on the beach. it was on her uncles golf course at the country club. Her uncle gets framed for the murder of Bonita Landry throws the whole town into a tailspin, creating suspicion in everyone. But Summer doesn't give up until she finds out who the murderer is.




The Corpse at the Crystal Palace


Book Description

A casual outing to the Crystal Palace in London takes a mysterious and murderous turn in The Corpse at the Crystal Palace, the latest mystery in Carola Dunn’s beloved Daisy Dalrymple series. April 1928: Daisy Dalrymple Fletcher is visited in London by her young cousins. On the list of must-see sites is the Crystal Palace. Discovering that her children's nanny, Nanny Gilpin, has never seen the Palace, Daisy decides to make a day of it—bringing her cousins, her 3-year-old twins, her step-daughter Belinda, the nurserymaid, and Nanny Gilpin. Yet this ordinary outing goes wrong when Mrs. Gilpin goes off to the ladies’ room and fails to return. When Daisy goes to look for her, she doesn't find her nanny but instead the body of another woman dressed in a nanny's uniform. Meanwhile, Belinda and the cousins spot Mrs. Gilpin chasing after yet another nanny. Intrigued, they trail the two through the vast Crystal Palace and into the park. After briefly losing sight of their quarry, they stumble across Mrs. Gilpin lying unconscious in a small lake inhabited by huge concrete dinosaurs. When she comes to, Mrs. Gilpin can't remember what happened after leaving the twins in the nurserymaid's care. Daisy's husband, Detective Chief Inspector Alec Fletcher of Scotland Yard, finds himself embroiled in the investigation of the murdered nanny. Worried about her children's own injured nanny, Daisy is determined to help. First she has to discover the identity of the third nanny, the presumed murderer, and to do so, Daisy must uncover why the amnesic Mrs. Gilpin deserted her charges to follow the missing third nanny.




A Grammar of the Corpse


Book Description

No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies—rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. A Grammar of the Corpse: Necroepistemology in the Early Modern Mediterranean proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography. A Grammar of the Corpse argues that the presence of the corpse in historical narrative is not incidental. It fills a central gap in testimonial narrative: providing tangible evidence of the narrator’s reliability while provoking an affective response in the audience. The use of corpses as a source of narrative authority mobilizes what cultural historians, philosophers, and social anthropologists have pointed to as the latent power of the dead for generating social and political meaning and knowledge. A Grammar of the Corpse analyzes the literary, semiotic, and epistemological function these bodies serve within text and through language. It finds that corpses are indexically present and yet disturbingly absent, a tension that informs their fraught relationship to their narrators’ own bodies and makes them useful but subversive tools of communication and knowledge. A Grammar of the Corpse complements recent work in medieval and early modern Iberian and Mediterranean studies to account for the confessional, ethnic, linguistic, and political diversity of the region. By reading Arabic texts alongside Portuguese and Spanish accounts of this key event, the book responds to the fundamental provocation of Mediterranean studies to work beyond the linguistic limitations of modern national boundaries.




The Burning Court


Book Description

A classic tale combining hints of the supernatural and an 'impossible' murder. The death of Miles Despard looks simple enough. But then how does the housekeeper see a woman walk through a wall? And how would someone walk through a door that had been bricked up two hundred years ago? To all intents and purposes, it looks as if someone has come from the past to commit the murder, but could that really be the case? Surely not...