Cosmos and Tragedy


Book Description

Otis clarifies the moral and theological issues raised in the Ortesia and relates them to certain stylistic and structural qualities of the three plays. He tackles the central questions of guilt, retribution, and the relation between human and divine justice, and he sees a carefully prepared evolution in the trilogy from a primitive to a more civilized form of justice. Otis treats the trilogy as a poem, a play, and a work of theological and philosophical reflection. Originally published in 1981. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.




Shakespeare's Tragic Cosmos


Book Description

This study focuses on Romeo and Juliet, Julius Caesar, the four main tragedies and Antony and Cleopatra. Tom McAlindon argues that there were two models of nature in Renaissance culture, one hierarchical, in which everything has an appointed place, and the other contrarious, showing nature as a tense system of interacting opposites, liable to sudden collapse and transformation. This latter model informs Shakespeare's tragedy.




Tragic Vision and Divine Compassion


Book Description

Offering an alternative to classic Christian theodicies (justification of God's goodness and omnipotence in view of the existence of evil), Wendy Farley interprets the problem of evil and suffering within a tragic context, advocating compassion to describe the power of God in the struggle against evil.




Fathoming the Deep in English Renaissance Tragedy


Book Description

This book demonstrates how a group of tragedies by Shakespeare and his contemporaries stage the fear and exhilaration generated by encounters with the unknown and the extraordinary. Arguing that the maritime art of fathoming--that is, dropping a lead and line into water to measure its depth--operates as a master-image for these plays, it illustrates how they create sublime horror through intuitions of mysterious more-than-human agencies and of worlds beyond the visible. Though tightly focused on a specific body of imagery, the book strikes up dialogue with a number of critical fields, including theories and histories of tragedy; ecocriticism and the environmental humanities; oceanic studies; and work on early modern ideas about the body, madness, and language. Countering a tendency within tragic theory to value the textual over the dramatic, it also demonstrates how the tragic effects to which it points are created through specific theatrical strategies, including the use of offstage space, intertheatricality, and the violation of dramatic conventions. Situating its arguments within recent criticism on these plays and on tragedy more generally, and pushing back against scholarship that regards the genre in Shakespeare's time as concerned more with pity than with fear, the book offers fresh and detailed readings of some of the most frequently studied plays in the English canon, including Hamlet, King Lear, Macbeth, The Duchess of Malfi, and The Changeling.




Lost in the Cosmos


Book Description

“A mock self-help book designed not to help but to provoke . . . to inveigle us into thinking about who we are and how we got into this mess.” (Los Angeles Times Book Review). Filled with quizzes, essays, short stories, and diagrams, Lost in the Cosmos is National Book Award–winning author Walker Percy’s humorous take on a familiar genre—as well as an invitation to serious contemplation of life’s biggest questions. One part parody and two parts philosophy, Lost in the Cosmos is an enlightening guide to the dilemmas of human existence, and an unrivaled spin on self-help manuals by one of modern America’s greatest literary masters.




Death By Black Hole


Book Description

A collection of essays on the cosmos, written by an American Museum of Natural History astrophysicist, includes "Holy Wars," "Ends of the World," and "Hollywood Nights."




From Tragedy to Apocalypse in American Literature


Book Description

From Tragedy to Apocalypse in American Literature: Reading to Make Sense of Our Endings argues that imaginative literature is essential to comprehending contemporary threats to the survival of the human species and the preservation of our humanity. Atnip outlines a theory of reading which directs us to realities and imperatives that are ignored, denied, or distorted by dominant social conventions and habits of cognition. She then puts this theory into practice through readings of postwar American works by Robert Lowell, Wallace Stevens, Cormac McCarthy, and Norman Maclean. This book argues that these texts collectively educate us to a new ground of sense—the apocalyptic sublime—and the need for an unending effort to comprehend what it means to live a human life against this inhuman background.




The Flower of Suffering


Book Description

Greek tragedy occupies a prominent place in the development of early Greek thought. However, even within the partial renaissance of debates about tragedy’s roots in the popular thought of archaic Greece, its potential connection to the early philosophical tradition remains, with few exceptions, at the periphery of current interest. This book aims to show that our understanding of Aeschylus’ Oresteia is enhanced by seeing that the trilogy’s treatment of Zeus and Justice (Dikê) shares certain concepts, assumptions, categories of thought, and forms of expression with the surviving fragments and doxography of certain Presocratic thinkers (especially Anaximander, Xenophanes, Heraclitus, and Parmenides). By examining several aspects of the tragic trilogy in relation to Presocratic debates about theology and cosmic justice, it shows how such scrutiny may affect our understanding of the theological ‘tension’ and metaphysical assumptions underpinning the Oresteia’s dramatic narrative. Ultimately, it argues that Aeschylus bestows on the experience of human suffering, as it is given in the contradictory multiplicity of the world, the status of a profound form of knowledge: a meeting point between the human and divine spheres.




Tragedy and Dramatic Theatre


Book Description

This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann’s groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.




Cosmic Consciousness and Human Excellence


Book Description

Cosmoconsciousness, or cosmic consciousness, is a term used to characterize a transcendence of the limits of self-consciousness. As an ultra-state of illumination of the mind, the roots of the conception are embodied in the quest for a spiritual connection with multi-dimensional cosmos. This quest searches for spiritual development as a pathway to human excellence, and can be associated with the mystics of ancient wisdom, as well as contemporary psycho-spiritual analysts. After its emergence in the late 19th century, cosmic consciousness rapidly became a source of inspiration for transpersonal psychology, moral therapy, and a thoughtful link to mystical quantum physics. By encouraging a spiritual way of perceiving the real world, cosmic consciousness also provides a source of inspiration for human excellence as the central idea of global ethics. In this perspective, the world cannot be changed for the better without changing individual consciousness. Global concerns, including ecological issues, violence and acts of terrorism, materialistic gratification and hedonism, could not be addressed effectively unless people’s consciousness is changed. Cosmic consciousness, by the very perception of the inner life, has the potential to struggle with global concerns, and hence, it holds a promise of human excellence. This book discusses cosmic consciousness against the backdrop of the emergence of the rational and autonomous conception of the self, and the modern psychological depiction of selfhood. It places the idea of cosmic consciousness at the centre of contemporary arguments on the nature of consciousness.